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And There’s Prize Money!
March 23, 2024News flash — Dance makers need money! Oh, the big companies are on all the corporate...
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Introducing Dance Vine, A New CLR Blog
March 21, 2024We are pleased to announce our new blog, Dance Vine. CLR dance critics Hanna Oldsman and...
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Five Questions with Oregon Ballet Theatre Artistic Director Christopher Stowell
September 30, 2023We have created a lean, but very powerful group of artists with an incredible work ethic...
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Smuin Ballet and Diablo Ballet: Two Praiseworthy Bay Area Dance Companies
September 26, 2023There are a few privileges that come with the role of dance critic. One that is...
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Dance to the Music: National Youth Orchestras of Chile
September 14, 2023My father, Hugo Domínguez, had been Hen’s assistant, and one day they were walking in a...
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Claiming Cranko’s Shrewd Choreography: An Interview with Andreza Randisek and Rodrigo Guzmán
September 13, 2023This ballet is so hard! It will never go perfectly no matter how much you rehearse....
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Bay Area Dancers Perform in a Benefit for Cancer Prevention
September 8, 2023On Wednesday, June 6, thirty-three dancers from or associated with twelve San Francisco Bay Area dance...
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Wepa! It’s Aqua Zumba!
September 5, 2023“The way I see it,” says Solano, “is that the endorphins kick in and make you...
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Dance USA’s 30th Anniversary Conference
August 29, 2023After having been dragged into an undertow where only conference-ese is spoken, two performance programs featuring...
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8 Questions with Choreographer/Dancer Robert Dekkers
August 26, 2023In addition to my work with Post:Ballet, I am currently dancing with Diablo Ballet, where I...
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