
Post:Ballet — Dreams, Seams, and Salience
April 4, 2026What does Post:Ballet mean in terms of classical ballet? Is it a rejection of the classical...

Six Days in Santiago with Richard Cragun
March 29, 2026I wrote to Luz Lorca, Marcía Haydée’s assistant to ask whether Ricky happened to be in...

An Interview with San Francisco Ballet Choreographer Myles Thatcher
March 29, 2026It’s like a puzzle that needs to be cracked. It may seem to me that the...

Summertime Digital Dance Quiz
March 26, 2026Which was more important to you in Billy Elliot—the dancing or the plot?

Interview with the Late Mirta Hermida, Headmistress of the Cuban National Ballet School
March 23, 2026Understanding that dancers’ careers had a limited time span and usually ended at the age of...

9 Questions with Choreographer Adam Hougland
March 11, 2026Smuin Ballet, as part of its opening program for the 2012–2013 season, is presenting the West...

Aspen Santa Fe Ballet Speaks Ballet In a Dialect All Its Own
March 11, 2026Appearing at the Cullen Theater in Houston’s Wortham Center on September 29, the small but sturdy...

Mariinsky Ballet: Swan Lake
March 8, 2026Asked why there were no secondes, the general director gave the curious response that “not everyone...

Shaping Flamenco: An Afternoon with Cristina Hall
March 6, 2026“The head follows the hand.” Now smiling broadly, she demonstrates slamming the back foot onto the...

9 Questions with Artistic Director and Choreographer Bruce Steivel
March 4, 2026Being an Artistic Director of two companies an ocean apart is certainly an interesting assignment. I...














