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9 Questions with Artistic Director and Choreographer Bruce Steivel
October 29, 2024Being an Artistic Director of two companies an ocean apart is certainly an interesting assignment. I...
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Russell Maliphant’s Afterlight Folds Time Into Space at Yerba Buena Center for the Arts
October 26, 2024After a piano intro, a spot opens up a space on the dark stage and in...
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Alonzo King’s LINES Ballet’s Constellation: Ballet in Bright Lights
October 25, 2024Strings of LED lights take the form of square panels, and dancers wear or carry them...
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7 Questions with Choreographer Sean Kelly
October 22, 2024When I first started dancing, I studied at a studio in Marin that taught all styles...
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LEVYDance 10th Anniversary: Who’s in Charge of the Smoke and Mirrors and Where’s the Occasional Music?
October 20, 2024Substantial funds were raised and spent several years ago to improve the performance space at ODC...
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Diablo Ballet’s Swingin’ Holiday
October 18, 2024This small company has bagged a big quotient of ballet artistry thanks to intelligent and sensitive...
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Diablo Ballet’s Newest Member and Comeback Kid, Aaron Orza
October 17, 2024I would say that compared to the what the women face, competition is not so ruthless...
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An Interview with San Francisco Ballet Soloist Clara Blanco
July 19, 2024But dancing a character both fulfills and exhausts you. After Artifact, I felt dead, but it...
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5 Questions with Choreographer Val Caniparoli (Part 2)
July 17, 2024It's always good to try and schedule time when the company is performing, as you get...
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Dance Review: Alonzo King LINES Ballet’s Triangle of Squinches
July 17, 2024Act I of Alonzo King LINES Ballet’s Triangle of Squinches plays out in front of a...