Stories By Hanna Oldsman
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Blog-Dance
Review: Boston Ballet’s Bella Figura
September 27, 2020When the curtain rises on The Second Detail, the stage looks leeched of color: the leotards...
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Blog-Dance
Review: Dance Under the Influence at MAD
September 23, 2020Last month, in the second performance of the series, the relationship between the two art forms...
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Blog-Dance
Review: Mark Morris Dance Group
September 18, 2020In the last section of Mark Morris' Festival Dance, one dancer picks up his partner and...
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Blog-Dance
Review: Buglisi Dance Theatre and Paul Taylor Dance Company
September 18, 2020The dancers of Buglisi Dance Theatre are perhaps the chief reason to see this company, which...
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Blog-Dance
Interview with ASFB’s William Cannon
September 12, 2020I recently had a chance to talk with dancer William Cannon of Aspen Santa Fe Ballet,...
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Dance
Dance Review: New York City Ballet’s Swan Lake
September 9, 2020The dual-role of Odette/Odile in Swan Lake is well-known -- probably more now than ever, thanks...
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Dance
Dance Review: New York City Ballet
September 8, 2020I never tire of seeing After the Rain, however, and doubt that I will. This ballet,...
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Blog-Dance
Review: Parsons Dance at the Joyce
September 7, 2020Name a piece "Bachiana" and you invite comparison to two twentieth-century greats: Fokine's Chopiniana, with its...
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Dance
Dance Review: NYCB Offers Polyphonia, For the Love of Duke, and Concerto DSCH
September 6, 2020Yet while these dancers retain their individuality, Ratmansky manages to make their movements seem of a...
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Dance
Dance Review: Alvin Ailey Offers Anointed, The Hunt, Cry and Revelations
August 26, 2020Luckily, Robert Battle needs no anointing. His choreography speaks for itself. In the company premiere of...
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