Russell Maliphant’s Afterlight Folds Time Into Space at Yerba Buena Center for the Arts
March 1, 2026After a piano intro, a spot opens up a space on the dark stage and in...
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Alonzo King’s LINES Ballet’s Constellation: Ballet in Bright Lights
February 28, 2026Strings of LED lights take the form of square panels, and dancers wear or carry them...
7 Questions with Choreographer Sean Kelly
February 24, 2026When I first started dancing, I studied at a studio in Marin that taught all styles...
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LEVYDance 10th Anniversary: Who’s in Charge of the Smoke and Mirrors and Where’s the Occasional Music?
February 22, 2026Substantial funds were raised and spent several years ago to improve the performance space at ODC...
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Diablo Ballet’s Swingin’ Holiday
February 20, 2026This small company has bagged a big quotient of ballet artistry thanks to intelligent and sensitive...
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Diablo Ballet’s Newest Member and Comeback Kid, Aaron Orza
February 20, 2026I would say that compared to the what the women face, competition is not so ruthless...
An Interview with San Francisco Ballet Soloist Clara Blanco
November 23, 2025But dancing a character both fulfills and exhausts you. After Artifact, I felt dead, but it...
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5 Questions with Choreographer Val Caniparoli (Part 2)
November 22, 2025It's always good to try and schedule time when the company is performing, as you get...
Dance Review: Alonzo King LINES Ballet’s Triangle of Squinches
November 20, 2025Act I of Alonzo King LINES Ballet’s Triangle of Squinches plays out in front of a...
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Two World Premiers from ODC/Dance
November 8, 2025Overall, Transit creates a recognizable place, but the dancers, while mostly a spirited lot, seem to...
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