
Dance Review: Hard Nut, Mark Morris Dance Group
February 10, 2026All the guests have become very drunk and the little desfile march is given over to...

Dance Review: Matthew Bourne’s Sleeping Beauty, Sadler’s Wells Theatre, London
February 9, 2026Matthew Bourne’s Sleeping Beauty is an astonishing work. Witty, trashy, sexy and unsettling, it rewrites the...

2013 San Francisco Ballet Gala
February 1, 2026Maria Kochetkova and Vitor Luiz capture the thrill in the dream pas de deux from John...

Interview with Joffrey Ballet Dancer, Fabrice Calmels
January 31, 2026The Joffrey gave me confidence because it lifted my morale. I’m considered a giant in the...

Dance Review: Joffrey Ballet
January 31, 2026The courage of this company is a reminder that art has a role to play not...

Review: Hubbard Street Dance Chicago and Alonzo King LINES Ballet
January 30, 2026little mortal jump, by Hubbard Street’s Alejandro Cerrudo, was the evening’s ingenious piece de résistance. Artistic...

Dance Review: Hamburg Ballet’s Nijinsky
January 26, 2026Moments of stillness offer the only pauses in the unrelenting choreography that Neumeier devotes to telling...

Diablo Ballet Crowdsources Ideas for a New Ballet
January 25, 2026"My biggest surprise, though, has been the level of creativity. People are really thinking out of...

San Francisco Ballet Offers Suite en blanc, Borderlands and In the Night
January 24, 2026Suite en blanc is a work plucked out of the archival past, cut and pasted onto...

Interview with Maina Gielgud
January 23, 2026Natalia Osipova’s first Giselles in London are for me unforgettable... All the steps are there, and...














