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Singin’ In The Rain: A 60th Anniversary Celebration
August 27, 2023It is more than just one of the all-time greats, grouped with the likes of Casablanca...
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8 Questions with Choreographer/Dancer Robert Dekkers
August 26, 2023In addition to my work with Post:Ballet, I am currently dancing with Diablo Ballet, where I...
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Body In-Sight: Action Drawings from the Dance Studio at the Museum of Performance and Design, San Francisco
August 22, 2023Aided by mirrors installed in their jewel box set, the gallery audience watched as they performed...
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8 Questions with Dancer/Choreographer David Van Ligon
August 21, 2023It was very exciting to get to showcase one of my works for Company C, and...
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Post:Ballet — Dreams, Seams, and Salience
August 21, 2023What does Post:Ballet mean in terms of classical ballet? Is it a rejection of the classical...
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Spines, Wines and Dragonflies: Groovin’ in Stern Grove with the San Francisco Ballet
August 16, 2023For me, Frances Chung and Daniel Deivison, as the couple in orange, delivered the most virtuosic...
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Six Days in Santiago with Richard Cragun
August 15, 2023I wrote to Luz Lorca, Marcía Haydée’s assistant to ask whether Ricky happened to be in...
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An Interview with San Francisco Ballet Choreographer Myles Thatcher
August 13, 2023It’s like a puzzle that needs to be cracked. It may seem to me that the...
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Summertime Digital Dance Quiz
August 9, 2023Which was more important to you in Billy Elliot—the dancing or the plot?
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Interview with the Late Mirta Hermida, Headmistress of the Cuban National Ballet School
August 7, 2023Understanding that dancers’ careers had a limited time span and usually ended at the age of...