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California Literary Review

Archive for the ‘Espionage’ Category

Comrade J by Pete Earley

by Jascha Kessler

January 24th, 2008

It was the goings-on, the kleptocracy that emerged, the sheer blatant thuggery of Putin’s entourage, the vandalism and looting that commenced after 1989, related by Tretyakov, that finally discouraged him, a professional through and through and a Russian patriot. The principles that led to his flight into the cloaking arms of the CIA and FBI are suggestive: leaving behind all his property and possessions, amounting to about two million dollars, was worth it because in his view Russia was ruined and things had gone beyond any hope of redemption in his lifetime. He wanted his daughter to grow up a free woman.

Absolute Friends - by John Le Carré

by Paul Blairon

April 10th, 2007

He finished his schooling in England and then moved on to a period of sexually charged radical politics where he met Sasha, a diminutive, hobbled, leftist action junkie who will reappear throughout his life.

Beyond the Balkans - Eric Ambler and the British Espionage Novel, 1936-1940

by Brett F. Woods

March 26th, 2007

Eric Ambler (1909-1998) was one of the foremost architects of espionage fiction as it exists today. Like his predecessor Somerset Maugham, Ambler sought to transform the genre from the verbal banality and minimal characterizations of authors William Le Queux and Edward Oppenheim to a more sophisticated, morally ambiguous world of deception and danger.

The Last Victorian: John Buchan and the Hannay Quartet

by Brett F. Woods

March 26th, 2007

But, even more importantly, he also struck the first modern note in the evolution of the genre with respect to the degree of personal doubt and insecurity that over-shadows the mission – the same note, albeit greatly amplified, that is found in the novels of such well-known successors as Eric Ambler, Graham Greene, and John Le Carré, whose spy stories may be correctly seen, in part at least, as a continuance of John Buchan and the Hannay Quartet.

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