Born in Antwerp in 1554, Bril was working in Italy at the end of the century, where his landscapes marked the transition between what Paolucci called the “autumn of Mannerism” of the Renaissance and the birth of the Baroque style. The change was enormous, and Bril is acknowledged as among its authors.
Architecture
Paul Bril’s Restored Paintings in the San Silvestro Chapel at Rome’s Sancta Sanctorum
by Judith Harris
November 30th, 2009
The Barnes Foundation: Beauty Surrounded by Controversy
by Ed Voves
October 12th, 2009
And what a treasure trove! By the time of his death in 1951, Barnes had purchased 181 works by Renoir, 69 by Cezanne, 7 Van Gogh paintings, 59 works by Matisse, 11 by Degas, 16 by Modigliani, 46 Picasso’s, with 4 apiece by Manet and Monet. He also collected modern American works by William Glackens, Charles Demuth and Maurice and Charles Prendergast. His eclectic tastes extended to African sculptures, European decorative art, American folk art and quirky curiosities like an American Civil War surgeon’s saw.
The Glass Room by Simon Mawer
by Judith Harris
October 1st, 2009
Mawer’s The Glass Room is a genuine intellectual achievement—a breath-taking story of love and its loss, of art and lost art, of wars lost and then won and lost again, of rich gentleman Jews and Jews lost to Nazi madness. His broad canvas covers the decades of Mittel-European horrors that began in Czechoslovakia in the 1930s. The themes are familiar, but treated in a fresh and stimulating, not to say disturbing, way.
Photographs from Havana Deco
by Martino Fagiuoli
December 18th, 2007
A photographic essay: Art Deco in Havana, Cuba.
An Interview With Louis Kahn Biographer Carter Wiseman
by Paul Comstock
June 15th, 2007
“I think the most powerful common thread running through Kahn’s work was his humanity. He seems to have believed deeply in the idea that humankind is perfectible, and that architecture could play a role in that.”
Richard Lanham Discusses the “Attention Economy”
by Paul Comstock
April 3rd, 2007
“All around us we see signs of this confusion. Americans are often called a “materialistic” people and we certainly are surrounded by material possessions and revel in them. But at the same time, the “real world” of physical location seems to be evaporating before our eyes.”
An Interview With Architect Charles Jencks
by Paul Comstock
April 3rd, 2007
“Narcissism? Culture in decline? It’s the whole world. Venice was narcissistic, full of iconic buildings, and declined for 500 years, but was still the most pleasant city to live in for much of this time.”
Architecture and Modernism
by Alain de Botton
March 26th, 2007
For Le Corbusier, true, great architecture – meaning, architecture motivated by the quest for efficiency – was more likely to be found in a 40,000-kilowatt electricity turbine or a low-pressure ventilating fan. It was to these machines that his books accorded the reverential photographs which previous architectural writers had reserved for cathedrals and opera houses.
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