By the 1700s the “correctional” metaphor prevails and most of them are placed in moral and physical restraints in order to correct their aberrant attitudes or behaviors. Many of these souls were chained as animals in appalling conditions which would get us convicted if we treated our dogs similarly today. Such unfortunates included those convicted of debauchery, crime, and sexual license “where reason was the slave of desire and a servant of the heart.” (I suppose all of us would require sequestration under those criteria).

This article is filed under Classics, History, Non-Fiction Reviews, Psychology, Sociology.

According to Becker, man is torn between his symbolic, self-conscious awareness and his animal nature. The same creature that names himself, imagines, explores and speculates is in the end, food for insects.

This article is filed under Classics, Death, Non-Fiction Reviews, Philosophy, Psychology.

Fowles was a writer who always seemed content to remain in the shadows, on the edge of things. He would emerge now and again to play the part of the cantankerous recluse, but he was, in essence a private, even hermetic man.

This article is filed under Classics, Fiction Reviews, Great Britain, Thrillers.

Francois Truffaut’s Fahrenheit 451 begins with a striking narration of the film’s credits. The premise is simple: talk becomes the natural medium in an illiterate state. When the firemen, that is, the book burners, arrive at a high rise with orders to burn books we are immediately struck by the stark and vulgar aesthetics of the buildings that are so typical in totalitarian countries – globs of spiritless, unimaginative, state-commissioned modernism.

This article is filed under Classics, Fiction Reviews, Movies, Science Fiction and Fantasy.