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California Literary Review

Profile of Julia Rhodes

Bio:

Julia Rhodes graduated from Indiana University with a degree in Communication and Culture. Since childhood, her passion has been film and media. She enjoys all genres, but her main focus is horror film and feminist theory. In her free time she enjoys playing with her cats and vegetarian cooking.

Articles written for the California Literary Review:

  • Movie Review: Pirate Radio
    Posted on 14 Nov 2009 in Movies, Movies & TV

    Aside from the lack of a true protagonist, a number of small story arcs fall a bit flat, and the film may be a bit long at over two hours. However, a hilarious cast, a few genuinely poignant moments, and a slightly silly but ultimately uplifting end save the plot from disaster. The brilliant cast and funny script make for a fine film that probably won’t enjoy the sort of release it deserves in America—which is unfortunate, since it’s exactly the kind of movie whose heart and ingenuity should trump trashy big budget disaster movies at the box office.

  • Movie Review: The Men Who Stare at Goats
    Posted on 07 Nov 2009 in Movies, Movies & TV

    Imagine a world in which the military trains soldiers not to kill enemies of the state, but to infiltrate their minds with the Jedi mind trick. A different political and military climate in which soldiers in camo sport long hair, have dance parties, and hold daisies in their hands. A military unit in which recreational drugs enhance the training, where drills include psychic exercises and the Privates’ chakras are open to the world. Grant Heslov’s The Men Who Stare at Goats plops the audience into this seemingly alternate universe with the admonition that “more of this is true than you would believe.”

  • Movie Review: Paranormal Activity
    Posted on 24 Oct 2009 in Movies, Movies & TV

    The film falls short by arranging a regrettably thin layer of spooky occurrences beneath a thicker deposit of badly acted exposition and obnoxious characters. The couple and all secondary characters are total unknowns, which fits with the idea that audiences are privy to the lives of everyday citizens. The problem lies in the movie’s inability to create believable tension.

  • Movie Review: Where the Wild Things Are
    Posted on 17 Oct 2009 in Movies, Movies & TV

    Although studios balked at the film’s maturity, believing it might be too scary for children, it will appeal to kids and adults alike. Inside all of us there’s a child who yearns to break free, and the film’s beauty lies in its ability to portray unrefined human emotion and the vastness of the imagination. Expect Jonze’s Where the Wild Things Are to ignite the minds of generations to come; spending 90 minutes inside a child’s mind has never felt so cathartic and enchanting.

  • Movie Review: Zombieland
    Posted on 03 Oct 2009 in Movies, Movies & TV

    Zombieland elicits comparison to both the Brit “romzomcom” (romantic zombie comedy) and Dawn of the Dead (1978). But though it’s alternately a comedy, a romance, a gorefest, and a buddy road-trip movie, Zombieland unravels many of the threads that make up the zombie genre. A good ensemble cast (three up-and-comers and the always-humorous Harrelson), great makeup effects, and fantastic writing create a lighthearted, fun homage to the classic undead movies of yore.

  • Movie Review: The Informant!
    Posted on 19 Sep 2009 in Movies, Movies & TV

    Perhaps the most ingenious part of Whitacre’s affect (and the film) is his stream-of-consciousness inner monologue. He wonders about tie patterns, spews factoids about polar bears, and wrestles with the German language as he bumbles deeper into an FBI investigation he instigated. Whitacre is the ultimate unreliable narrator—someone whose world is entirely in his head, and whose actions are simply inconsequential.

  • Movie Review: 9
    Posted on 11 Sep 2009 in Movies, Movies & TV

    The film is truly gorgeous to behold. Starz Animation has officially given Pixar a run for its money. Each surface is textured minutely; the film feels so real the audience could almost reach into the screen and scoop up a stitchpunk for themselves. The spooky brain monster against which the creatures must defend themselves is reminiscent of the machines in The Matrix—a glowing, glaring red eye centered in a mass of metallic tentacles. Though the voice actors are talented, the dialogue is few, far between, and unimportant to the film’s plot. This movie is eye candy.

  • Movie Review: Taking Woodstock
    Posted on 28 Aug 2009 in Movies, Movies & TV

    Though his oeuvre includes everything from melodrama to martial arts, Lee’s most endearing projects are intimate, sensible, plausible stories about people who might as well be your parents, your friends, or your schoolteacher. Taking Woodstock is based firmly in reality, but the film isn’t about one character’s journey: it’s a coming-of-age story about America.

  • Movie Review: Inglourious Basterds
    Posted on 21 Aug 2009 in Movies, Movies & TV

    Smart though Tarantino may be, his self-aggrandizing filmic techniques grow old. Placing arrows and title cards in the frame doesn’t make it more entertaining. By continuously removing the audience from the narrative, Tarantino seemed to say “LOOK! This is a MOVIE! This is MY movie!”

  • Movie Review: District 9
    Posted on 15 Aug 2009 in Movies, Movies & TV, Science Fiction and Fantasy

    It is perhaps the most dystopian vision of alien contact ever filmed: the aliens are not the enemy, we are. The humans in the film are horrid, cruel stereotypes, laughing as alien eggs pop like popcorn, shooting creatures at random, and torturing an innocent man to discover the meaning of the alien weapons. The aliens (one of whom is Christopher Johnson, a decidedly nondescript and very American name) are scammed, abused and tortured, living in a horrendous slum. Unlike in Independence Day, The Day the Earth Stood Still, or any number of other self-congratulatory sci-fi films, we are not fighting to save ourselves from these unthinkably pitiful creatures. We’re using, torturing, and abusing them.

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