California Literary Review

A Visit With Author Colleen McCullough


April 3rd, 2007 at 8:36 pm

  • Print Print

Colleen McCullough

Genre-hopping is nothing unusual for Colleen McCullough, bestselling author of The Thorn Birds and 16 other highly diversified works. Her oeuvre to date ranges from the heart-warming simplicity of her first book, Tim, to the quirky charm of one of her latest, Angel Puss, interspersed by varied endeavours including the massive Masters of Rome historical series and even a cook book.So it’s not really surprising that she has now joined the “whodunnit” brigade with On, Off, a chilling tale of mystery and mayhem set in Connecticut in the mid 1960s. “It’s a complete departure for me,” she agreed cheerfully during lunch at an outdoor café in Willoughby, a pleasant suburb on Sydney’s lower North Shore. “But then so was Angel Puss, and so is every book I write. The publishers hate it with a passion, because they don’t know what the new sales are going to be like.”
McCullough’s latest switch was not designed deliberately to make things hard for her publishers. Behind it were two reasons, one professional and one personal. The professional reason is simple. “I wanted to write a book in every genre. It has always been one of my ambitions,” she said. The second, more poignant reason is influenced by the feisty, down-to-earth approach that has made her a firm favourite with her fellow Australians, who elected her a Living National Treasure in 1998. It is a direct result of discovering, during a routine visit to an ophthalmologist, that she suffers from hemorrhagic macular degeneration, a condition that affects the central part of the retina. While her right eye is “hanging in there” the left eye now has only a little peripheral vision. Laser treatment and regular checkups take her to Sydney every couple of months from the subtropical Norfolk Island, about a thousand miles east of Australia, where she has lived for many years. The treatment helps, and doctors tell her a cure may be just around the corner but, unless this happens soon, the worst case scenario for McCullough is eventual blindness.
It was this possibility, combined with her desire to write in all genres, that led her to try a whodunnit. “I don’t have to do a lot of research for them, the prose is crisp and bald, and I find it easy to keep plot twists in my head,” she said. “So I feel it is the genre that would give me the most amusement and pleasure as a writer, combined with ease for people who had to write from my dictation.” The mixture of fatalism and optimism with which McCullough is approaching the possibility of blindness is influenced not only by her upbeat, positive personality but also by her own medical background. Born in Australia on June 1, 1937, she qualified as a neurophysiologist and worked in Sydney for five years before leaving for England in 1963. After several years at the Hospital for Sick Children in London and the Midland Centre for Neurology and Neurosurgery at Smethwick, near Birmingham, she was enticed to the United States by the offer of a job as a research associate in the neurology department at the Yale School of Internal Medicine in Connecticut.
She spent 10 happy years there, studying, teaching and pursuing the hobbies of painting and writing which she had enjoyed since childhood. It was a life she would have been happy to continue, especially as she had no intention of marrying, a decision sparked by the unhappy domestic life of her parents. But while academic life was good, there was one major fly in the ointment: as a female scientist, she was paid about half the salary received by males doing the same type of work. Apart from recognising the injustice of this situation, she knew it did not augur well for an unmarried woman. “I loved being a neurophysiologist, but I didn’t want to be a 70-year old spinster in a cold water, walk-up flat with one 60-watt light bulb, which is what I could see as my future,” she said.
Deciding she needed to earn extra money, she first considered painting. She liked painting portraits and still life in oils, and had staged a couple of successful exhibitions in Connecticut, but suspected it would be a hard way to earn a living. That left writing. She had written for years for her own amusement, without trying to have anything published, but now set about producing something saleable, writing at night while working during the day.
Her first novel developed from an experience when, as a neurophysiologist, she had a conversation with a mentally retarded young man and a much older woman she assumed was his mother but who, she later discovered, was his wife. After getting over her embarrassment at making such a mistake, she began to muse about how such a couple might have met, musings which resulted in the publication of Tim in 1974. Tim attracted good reviews and sold well enough for McCullough to decide that was indeed the way to earn some extra income.

That was all she expected authorship to bring her, but the astounding success of her second novel, The Thorn Birds, changed all that. Even before it was published in 1977, the American paperback rights were sold for what was then a world record figure of $1.9 million. The Thorn Birds went on to become an international bestseller and, in 1983, was adapted into a television miniseries which has become one of the most-watched of all times. This epic family saga, focusing on forbidden love between a woman and a priest, was not greeted with uniform praise by literary critics, especially the more cerebral ones. “The fate of The Thorn Birds will certainly not hang on literary merit,” remarked a Time reviewer. But the reading public had no such reservations, with the book soon translated into more than 20 languages and winning fans for McCullough around the world. It also brought about irrevocable changes in her life.
“I could see that to continue my medical career was an impossibility,” she said. “To do useful work, one needs to be anonymous.” As a single woman living alone she also wanted to be safe, easier said than done for someone attracting celebrity-style attention. But the answer to the dilemma occurred when McCullough returned to the southern hemisphere to be closer to her ageing mother, a move she is the first to acknowledge was prompted by duty rather than affection. Her brother and only sibling, Carl, drowned in Crete in 1965, a tragedy McCullough still finds too distressing to talk about, and she was her mother’s only close relative. “I thought I should live closer, but I didn’t want to be on the same piece of land as my mother,” she said. “She was a hard person to get on with, and not a very good mother. In all our lives with her, my brother and I never got a hug or a kiss. She was that kind of mother, and my father was anywhere but at home. At the same time we were raised with a sense of duty, and duty to me is as important as love, if not more important. My book, An Indecent Obsession was about duty.”
McCullough found a happy compromise by settling on Norfolk Island where, she was assured, anyone could live safely alone, and where she has lived and written since 1980. Her intention to remain single went by the boards in April 1984 when she chose her lucky day, Friday 13, to marry planter Ric Ion-Robinson, a descendant of the Bounty mutineers. His ancestors also include a First Fleet convict, Richard Morgan, who was the protagonist of McCullough’s book Morgan’s Run. She based Morgan on her husband, who she describes as “an interesting man and a stoic.”
Life on their island property is seen by some as idyllic but, for the gregariously-inclined McCullough, it has some major drawbacks. “I hate living on Norfolk Island in many ways, but I’m married to a Norfolk Islander who won’t live anywhere else,” she explained. Problems include the enforced monotony of the diet – “getting things freighted in is difficult and expensive, so if you’re a good cook it’s hard finding anything to cook” – and the scarcity of stimulating conversation on an island populated by only about 2000 people, all of whom know each other well.
If she could, she would love to live in Connecticut again. “I like America and Americans more than I like Australia and Australians,” she said. “I found a lot more equality there and also a lot more education among women.” However, she values her relationship with her husband too much to contemplate such a move. “He would just pine away and die. He’s so Polynesian,” she said. They compromise with overseas holidays and frequent trips to Sydney where they now rent a permanent apartment.
Although the visits to Sydney are dictated mainly by the need to visit eye specialists, McCullough enjoys them, delighting especially in the city supermarkets with their profusion of fresh and varied food. Even her husband is resigned to absences from Norfolk Island now that they have their own apartment.
“There are things he can do there,” McCullough said. “He’s a natural handyman, like all Norfolk Islanders. They work things out in their minds first before they drill a hole or hammer a nail. It’s the way I work on my books, planning everything out first before I start writing.” This organised approach served her well as she launched into the writing and editing of her first whodunnit, an area of writing she feels she has already studied thoroughly because she is such a tremendous fan, as well as a stringent critic, of the genre. She described the enigmatically entitled On, Off as “a cross between an Agatha Christie and a modern American serial killer story.”
“I deliberately set it back in the 1960s so that my hero, Lieutenant Carmine Delmonico, has to do everything the hard way,” she said. “There wasn’t the knowledge of DNA or the awareness of the psychology of serial killers that we have now, and he doesn’t have the help of technology such as computers and mobile phones.”
She has also made sure that Delmonico doesn’t have too many personal problems to distract the readers from the question of “whodunnit”. “One of the things about modern whodunnits that irritates me is that the cop hero is either a drunk, an unhappy divorcee or has a boss who makes life hard for him,” she said. “I get so fed up with what are basically sub-plot ploys, and which detract from the main interest of the book. My hero has great bosses and although he’s a divorcee he’s not a bitter one. And he doesn’t try to be intellectual like some whodunnit heroes. Poor old Carmine says he’s ‘just a wop cop from Connecticut’”.
Whether Carmine Delmonico will make a return appearance in a second novel will, according to his pragmatic creator, depend on the response of readers. But whatever happens with this book, and whatever happens to her sight, McCullough has no intention of giving up writing. Her books, she says, are her babies. She inherited two stepchildren when she married and has never regretted not having children of her own. Writing has more than satisfied her creative urge. If the worst happens and total blindness descends, she will employ readers and typists to help with her work.
With On, Off now in the book shops, McCullough has turned to Antony and Cleopatra, the final volume in her six-part Masters of Rome series. “I’m a workaholic,” she said. “I’m no sooner over one book than I have to start another. Otherwise I get bored, and everybody around me hates it. They all say: ‘I wish she’d start another book and get out of our hair!’.”
Fortunately for her fans, Colleen McCullough does not see boredom as an option.

  • josephine

    You are an inspiring woman!I have often contenplated thoughts of writing a book but where does one begin.

  • Freda

    i am a faithful reader of Colleen McCullough ever since i was a college student in the early 1980s. right now, i am professor in Huangshi Institute of Technology in Hubei,China.
    i am eager to learn more about Colleen McCullough for some good reasons: for years, i have done some research in her works such as “The Thorn Birds “and “An Indecent Obsession”, but i cann’t get more new information about her, and in China, we can only find translation for The Thorn Birds. i got the English version of Tim and An Indecent Obsession when i took a trip in US, and i expect to introduce more of her works to my students and my we are in the English Department, and introducing some of the good books to my students and other teachers has become part of my job. for another, i hope to get some first hand information about the author so as to help me do the research well and complete. my last two pieces are mainly based on The Thorn Birds, and i am the chairman of our Reading Club, therefore, i am in the hope that i can get in touch with Colleen McCullough directly in the future under your help.

    anyway, i am so happy to find some sources to get through and talk to.

    Can you give me a response.

    with hope

    and best wishes

    Freda (China)

    P.S. my thesis related
    “Reflcetion of Colleen McCullough’s Feminism on her female potagonists in The THorn Birds”
    II. Analysis of Colleen McCullough’s feminist “castle”: Drogda

  • Catherine Doherty

    I love Colleen’s books, but would love to know the story behind THe Thorn Birds” was this from a story she heard? or something she thought of herself?

    My Aunt told me of a story of her uncle which is almost identical to the story, as i am doing my family history i would be grateful for any information on this or how i could contact Colleen. Thank you in anticipation for any information.

  • Alison Murphy

    I am a real big fan of Colleens books, I really love the history ones on Rome. I feel when i read her books that Colleen was there in rome witnessing everything that happened with Ceasar and Pompey. Its like she was Ceasar in a past life.

    I would love to know if Colleen has any plans to write a book about Nero? I study history in my spare time and found out that Nero was not that bad (He was loved by the poor & hated by the rich & comes across rather witty) I would love to read a book on Nero written by Colleen.


    Alison Murphy (Dublin – Ireland)
    Very Big Fan.

  • Nii Amaah

    The only book I have read from this author is “the thorn birds”. I do not wish to read any other of her books. I have re-read the book more than five times I can recite most portions of it. I find myself carried along with the story I always cry reading it. I have read several books since over ten years ago that i read this book but none come close yet to this masterpiece.

    I have made it a point to buy as many of the thorn birds to distribute to my friends whom i have told about this masterpiece of a story.

    How can I get in touch with this great author of our time.


    Nii Amaah
    Accra, Ghana
    A fun

  • Insta

    I like Colleen McCullough’s books. I can’t find her biography. Please! people! Help me.

  • michelle douglass

    Colleen, My Mother saw your interview recently and was interested in finding out some more information on your eye treatment as she has the same condition. thanks Michelle.

  • Claire Billips

    I have just finished reading ‘On Off.’ I am a huge fan of whodunnits, and this is one of the best I have read in ages. The final chapter was particularly chilling and I finished it just before I retired for the night yesterday evening. Let’s just say that little twist at the end kept me awake for a while and I’m still shuddering over it today.

  • Jake

    I wish more of her books were available in hardbound, I can’t stand “trade paper”. But most of the titles I want are only available used at high “collectors” prices! A well…

  • Diane Condon

    Dear Colleen,
    I have been a fan of yours since I first read “Tim” and was delighted when it was made into a movie in Australia. AND then you wrote the “Thornbirds” and I was just swept away. My husband really enjoyed your Rome series.
    I have just finished On Off. How you got that one published without me noticing was a wonderful surprise to me and I have to say WELL DONE! I sure hope you do write a sequel to it. You said it will depend on the response from your public. I can’t wait to read about Carmine’s next case.
    You really are an inspiration to me.
    I also have a question. Do you ever do writing workshops? If so could you let me know about the next one?

  • Nancy Beggin

    Thrilling! My husband and I read On-Off and never had a clue to the killers. We thought everyone could have done it. We knew to reread the ending as something just doesn’t sit well. Blessings to you on your eye treatments. But with your spunk you’ll handle whatever comes your way. Look forward to anything that the muses push you towards. Nancy Beggin, Freeport, Il

  • Patricia McCaull

    I have just finished reading “On,Off”. I could not put the book down I was so enthralled with it. The ending…..well I had no idea it would end like it did !! I had to read the last chapter twice to absorb how thrilling it was. I love murder mysteries and am so looking forward to reading “Too Many Murders” the sequel. Have you any idea when it will be released in Aus ? One internet site says September 2010 ! Thank you so much for a crime chilling book. Best wishes to you.

  • Pingback: Australian Collen McCollough reposes | Fiberythings()

Get The Latest California Literary Review Updates Delivered Free To Your Inbox!

Powered by FeedBlitz

Recent Comments