Art Review: The Renaissance Portrait from Donatello to Bellini, The Metropolitan Museum of ArtFebruary 18, 2023
In his Portrait of a Young Man, painted in 1478, Antonello fused the psychological intensity of...
Art Review: Two Chinese Exhibitions at the Denver Art MuseumFebruary 17, 2023
This was a world in which the color of the glass finial on one’s hat indicated...
West of Center: Art and the Countercultural Experiment in America, 1965 -1977, Museum of Contemporary Art, DenverFebruary 17, 2023
Earnest rather than ironic, unashamedly idealistic, unafraid of appearing amateurish and haphazard, many of the contents...
Art Review: Transition to Christianity, Onassis Cultural Center, New York CityFebruary 11, 2023
After Christianity was recognized as the official state religion of the Roman Empire in 380, a...
Art Review: Robert Adams: The Place We Live, Denver Art MuseumJanuary 30, 2023
The photographs in the retrospective are animated by the yearning for a sense of place, of...
Art Review: Stieglitz and His Artists: Matisse to O’Keeffe, The Metropolitan Museum of ArtJanuary 29, 2023
Beginning with paintings, drawings and a limited number of sculptures by such “wild men” as Matisse,...
Art Review: Charles Dickens at 200, The Morgan Library and MuseumJanuary 14, 2023
Dickens’ novels probed the social ills of Victorian England in order to create unforgettable images of...
Art Review: de Kooning: A Retrospective, MoMAJanuary 9, 2023
De Kooning exhibited six "Bitch Goddess" paintings when most American men preferred to watch Marilyn Monroe...
Art Review: Rembrandt and the Face of Jesus, Philadelphia Museum of ArtDecember 26, 2022
Living in close proximity to the growing Jewish population of Amsterdam, the biblically-minded Rembrandt experienced an...
Art Review: Avant-Garde Art in Everyday Life, Art Institute of ChicagoDecember 26, 2022
Stasis, whether in art, life, economics or political culture, was distasteful and to be done away...
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