Maryhill Museum of Art, One Hundred Miles East of Portland
January 7, 2023
Purity and Danger: The Many Lives of the Italian Renaissance
December 30, 2022
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Stacey Steers’ Night Hunter
December 18, 2022Here, Gish finds herself amidst a riot of Freudian imagery – snakes, earthworms, and phallic blades...
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Badlands Revisited
December 5, 2022Badlands was filmed on location in southern Colorado, and recently I finally made it to Pueblo,...
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Denver’s Camera Obscura Gallery Closes
December 4, 2022In dramatic contrast to the wide-open, sleekly minimalist aesthetic of most modern art galleries, Camera Obscura’s...
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A New Take on “Primitivism”? Man Ray, African Art, and The Modernist Lens
November 25, 2022There are other questions to ask as well. Can this be anything other than two white...
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Badlands and Lost Edens: The Photography of Robert Adams
November 9, 2022Adams recorded the ever-expanding suburban sprawl of the 1960s and 1970s, and his haunting, classically composed...
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Farewell to the Future: Iconic “Sleeper” House is Foreclosed On
November 1, 2022By 1973, the “technological faith, confidence, and competence” Hines sees embodied in the modernism of the...
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Vandalism in the Name of the Lord: Kathleen Folden and “The Misadventures of Romantic Cannibals”
October 26, 2022On October 6, 2010, Kathleen Folden, identified in the media as a 56-year-old truck driver from...
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