A startling achievement in a first novel, the work seems to have already touched a cord since it has taken Italy and Europe by storm and sold copies in the millions. It was undertaken by a young Italian physicist at age 27, who tells a haunting story. Better yet, he’s a natural, adept with characterization, knowing how to captivate and hold his readers.
Italy
The Solitude of Prime Numbers by Paolo Giordano
by Julia Braun Kessler
March 17th, 2010
Italics: Italian Art between Tradition and Revolution 1968–2008 at the Museum of Contemporary Art, Chicago
by Jane Friedman
January 4th, 2010
In Roberto Cuoghi’s 2006 portrait of Davide Halevim, one of the highlights of the section entitled “Representations of Mortality,” Halevim is covered in leaves, dirt, and twigs; his face is discolored; and rigor mortis appears to have set in. But Halevim was alive (and still is) when Cuoghi made this depiction of the Milan-based collector. To create this work, part of the artist’s series of portraits of art-world figures begun in 2001, Cuoghi made a cast of Halevim’s face, buried it in his garden to let the process of decomposition run its course, and then photographed the results.
Paul Bril’s Restored Paintings in the San Silvestro Chapel at Rome’s Sancta Sanctorum
by Judith Harris
November 30th, 2009
Born in Antwerp in 1554, Bril was working in Italy at the end of the century, where his landscapes marked the transition between what Paolucci called the “autumn of Mannerism” of the Renaissance and the birth of the Baroque style. The change was enormous, and Bril is acknowledged as among its authors.
A New Look at Rome’s Rousing Middle Ages
by Judith Harris
August 6th, 2009
When its doors first opened in 1734, the Capitoline Museum, which stands upon the hilltop that is the very heart of Rome, was one of the first European public museums and a favorite haunt of the wealthy Grand Tourists from all over Europe. As of July 30 this venerable museum offers something novel to all tourists—a chance for a fresh look at a relatively neglected period of Roman history and the arts, the Middle Ages.
Vanished Smile: The Mysterious Theft of Mona Lisa by R.A. Scotti
by David Loftus
June 29th, 2009
Not quite a century ago, on August 29, 1911, thousands of people began flocking to the Louvre (among them, Franz Kafka and his friend Max Brod) to gaze at a blank space on a wall. The 49-acre Louvre – still the largest museum in the world today – had been closed for most of the preceding week for the investigation of a singular occurrence: the most famous painting in the world had disappeared from that blank spot.
Celebrating Galileo in Florence
by Judith Harris
March 22nd, 2009
2009 is officially “The Year of Astronomy,” commemorating Galilei’s first observation of the Moon through his telescope in November of 1609. Born in Pisa, Galileo Galilei worked in Florence, where the fourth centennial of his discovery is being celebrated with a stunning and sophisticated exhibition which took four years to prepare.
The Fires of Vesuvius: Pompeii Lost and Found by Mary Beard
by Judith Harris
March 3rd, 2009
Nevertheless, in my personal library there are 130 books on Pompeii. Of all these, this is the one I would choose to read first.
The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art by Jonathan K. Nelson and Richard J. Zeckhauser
by Judith Harris
February 4th, 2009
No less than the American financier who donates a museum wing on condition it bears his name, or the merchandiser who endows a university institute named for him, the results of Renaissance patronage had to be, first of all, highly visible.
Amarcord: Marcella Remembers by Marcella Hazan
by David Lida
January 6th, 2009
If we are what we eat, then Marcella Hazan, the author of what are often recognized as the best six Italian cookbooks ever published in English, has been writing her autobiography since 1973. That is the year when The Classic Italian Cookbook, her first effort, saw the light of day. Thirty-five years later, with increasingly sophisticated recipe books, restaurants and food industries in the United States, it is hard to remember how groundbreaking Hazan’s work has been.
Casanova by Ian Kelly
by Elinor Teele
December 3rd, 2008
Ah, Casanova. Men want to be him, and women want to be with him. Or is it the other way around? He’s Romeo with cojones, Bond without the Beretta, a man more sinned with than sinning. In the annals of sexual conquest, there has seldom been a more entertaining and knowing chronicler. Casanova, according to Casanova, was a legend.
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