Perhaps, the best way of approaching Conrad’s book is to regard it primarily as a meditation on creativity. As with opera itself, where passion and empathy lead, intellectual appreciation will follow. The key insight of this fine book is easy enough to grasp. In an age of strutting nationalism, both Verdi and Wagner gave the world music that ultimately transcends the limits of borders or political ideology, regardless of how subsequent regimes used it.
Italy
Book Review: Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries by Peter Conrad
by Ed Voves
November 28th, 2011
Purity and Danger: The Many Lives of the Italian Renaissance
by Holly Hunt
August 25th, 2011
More importantly, the good-for-you, vitamin-enriched Renaissance we know today is itself a fairly recent, and largely American, historical construction.
Book Review: Carthage Must Be Destroyed by Richard Miles
by Ed Voves
August 19th, 2011
Carthage, however, was not merely conquered by Rome. As the title of Miles’ book asserts, Carthage was destroyed. In three brutal wars, Carthage’s military power was annihilated by the legions of the Roman Republic. The city was ransacked and burned, down to its foundations. The people of Carthage were massacred or enslaved. The literature of the city was put to the torch. Not a stone was left upon a stone.
Book Review: How I Lost the War by Filippo Bologna
by Charles J. Haynes
July 18th, 2011
Yet in Federico’s town, pools are pumped and wells are closed. They remove centuries old trees in the square and install a serpent-shaped fountain; they provide more jobs as the spa complex grows, at the same time bulldozing vineyards and cobblestone streets. Federico’s response is extreme but at the sight of his parched land perhaps understandable. He goes guerrilla.
Art Review: Cities of Splendor: A Journey Through Renaissance Italy, Denver Art Museum
by Holly Hunt
May 16th, 2011
The shepherds look up in bewilderment at the announcing angel whose golden halo, rose-pink robes, and orangey-bronze wings seem to glow. Surely, this is what a supernatural visitation should look like. And yet the effect of nocturnal shadow shows the painter to be as interested in earthly experiences as heavenly ones – here already is the keenly observational eye of the Renaissance.
New Insights Into the Life of Caravaggio
by Judith Harris
February 14th, 2011
In his most serious brawl, about which the documents provide an entirely new account, Caravaggio killed a man. The brawl, like a Los Angeles fight between rival gangs, had been planned ahead of time with eight participants, whose names are now known.
Art Review: Alessi: Ethical and Radical at the Philadelphia Museum of Art
by Ed Voves
November 30th, 2010
The Tea and Coffee Piazza sets, produced in limited editions of ninety-nine, with three artist’s proofs, were a critical success. The project served to introduce Michael Graves to the Alessi “stable,” while traveling exhibits informed museum patrons on the ways that high art and industrial design could form working partnerships. Mendini’s original conception was vindicated.
Art Review: Michelangelo Pistoletto Exhibitions at the Philadelphia Museum of Art
by Ed Voves
November 3rd, 2010
Pistoletto first gained prominence in the world of art in the early 1960′s with his Quadri Specchianti. These “mirror paintings” positioned life-sized and astonishingly lifelike images of people on highly polished sheets of stainless steel.
Art Review: Chaos and Classicism: Art in France, Italy and Germany, 1918-1936
by Ed Voves
October 4th, 2010
Chaos and Classicism tells the story of good intentions that went terribly wrong. After the carnage of trench warfare, sensitive spirits in Europe craved artistic depictions of beautiful bodies, unscathed by shrapnel, and timeless, uncluttered architecture inspired by the Greek and Roman past. Yet, it was not long before this craving for life-affirming art was transformed into the soulless ideology of Mussolini’s Fascist Italy and Hitler’s Third Reich.
The Solitude of Prime Numbers by Paolo Giordano
by Julia Braun Kessler
March 17th, 2010
A startling achievement in a first novel, the work seems to have already touched a chord since it has taken Italy and Europe by storm and sold copies in the millions. It was undertaken by a young Italian physicist at age 27, who tells a haunting story. Better yet, he’s a natural, adept with characterization, knowing how to captivate and hold his readers.

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