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California Literary Review

Fiction Reviews

The Pearl Jacket and Other Stories: Flash Fiction from Contemporary China

by Elinor Teele

May 5th, 2008

Flash fiction, or the “smoke-long story,” or the “skinny story,” as it is sometimes called in China, is short, true. But as anyone who has tried to write a thank you card knows, brevity ain’t easy. Nor is it truly fair to view this book as a kind of primer on all thoughts Chinese. After all, one doesn’t expect E. Annie Proulx’s work to bear much relation to T.C. Boyle’s, despite the shared vocabulary.

Girl Factory by Jim Krusoe

by John Matthew Fox

April 28th, 2008

And, in true Krusoeian fashion, the oddities are delightful. Jonathan, the adult narrator with a childlike perspective who has a penchant for endangered animals, attempts to free a genetically modified dog named Buck who might or might not be recreating Boris Spassky’s game against Anatoly Karpov during the 1973 Soviet Chess Championship. That’s before Jonathan discovers women cryogenically frozen in yogurt (would that be yogurgenically frozen?) in a basement. It’s the acidophilus in the yogurt that makes things work, apparently—using the type of wink, wink logic that would make slavish devotees to realism queasy.

Hocus POTUS by Malcolm MacPherson

by John G. Rodwan, Jr.

March 31st, 2008

Satire, of course, does not depend on subtlety. However, there are more effective ways to wield it than like a hammer bludgeoning readers. Imagining a more plausible premise also would have helped.

Coffee with… Series

by Elinor Teele

March 20th, 2008

Barnes’s giant of the Western world is short, sharp, and funny, and well worth spending time with, even if he is, perhaps, more modern Englishman than ancient Greek in some places. As a taste of philosophical ideas Coffee with Aristotle is just right – now if only the longer treatises were as palatable.

Double Cross By James Patterson

by John Holt

March 18th, 2008

I love John D. MacDonald’s Travis McGee series but always thought that his love scenes were clunkers to the point of being embarrassing. Compared to Patterson’s portrayals, MacDonald comes off like Arthur Miller.

Tree of Smoke by Denis Johnson

by John Holt

March 7th, 2008

Often written in a quiet, understated style that belies the madness and violence that seep through every aspect of life in this jungle country more than forty years ago, Tree of Smoke subtly hammers the reader with an unceasing rage that is the true nature of war’s insanity.

Light of the Moon by Luane Rice

by Elinor Teele

February 25th, 2008

Femi-lit doesn’t make as many headlines as its younger sister, but it shares certain familial traits. The protagonist is usually a woman in her thirties or forties, intelligent, independent, and confronted with the crises that arise in one’s middle years – the aftermath of a divorce, the death of a parent, a loveless relationship, the seesaw of work and family, the lack of a child. And as with chick lit, it is often love or a change of place that proves the catalyst for change.

Diary of a Bad Year by J. M. Coetzee

by Garan Holcombe

February 6th, 2008

His cold restraint, often criticized, is the source of his tremendous power as a novelist. His themes—displacement, power, the value of literature, the fictive possibilities of personal history—are worked and reworked into novels which shine hard like diamonds, unbreakable.

The Collected Short Stories of Louis L’Amour

by Elinor Teele

January 30th, 2008

If you meet a quiet, rugged kind of a fella with an almost superhuman knowledge of tracking, botany, and the lawful ways of the West, don’t challenge him in a gunfight. You’ll lose. Keep an eye out for smooth-talking, rich, and handsome men. They’re not to be trusted and they never end tidily. But a trim girl with smiling eyes who knows how to ride a horse, be she a reformed prostitute or a rancher’s daughter…well, expect to see her settling down any day now.

Morning and Evening Talk by Naguib Mahfouz

by Elinor Teele

January 22nd, 2008

Reading these medieval entries can be as exciting as perusing annotated bibliographies at times, since the authors must restrict their scope and still cover important points: years of birth and death, full name and an explanation of its genealogy, ethnicity, education, occupation, and moral probity. What lifts them beyond the mundane is the inclusion of a telling anecdote, a quirky personality trait, a defining event, an obituary made literary.

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