A Voice In The Night Tells Dan Fields To Shut Up (Although He Does Have A Point)
You got me, Dan. I didn’t see Let Me In this year. But just for the hell of it, just in the interest of full disclosure, here are 25 other films from 2010 that I still haven’t gotten around to. In my defense, I’d be shocked if any critic couldn’t cull together a similar list. This inventory of missed opportunities doesn’t invalidate my Top and Bottom Ten Lists of 2010: They are great movies and terrible ones, respectively. It just means that there may be other great and terrible films out there too.
Dan Fields, you are dead to me.
Oh wait, I mean well respected.
I’ve never met a single film critic who hasn’t published a list of the Top Ten Movies of ____, nor have I met a single film critic who has seen every film in that given year. Even ignoring festival releases and foreign films (which may not be available in all markets, or even garner an American release at all), and even ignoring Straight-To-Video movies, TV movies, and pornography (which combined may equal thousands of movies in a single year… or ‘movies,’ if you feel like naysaying), there are still hundreds of films released in any given 365.25 day period.
Most critics make a concerted effort to see the biggest movies of the year as well as the most critically-acclaimed – a double-edged sword if ever there was one (how can it be critically-acclaimed before we even see it?) – and some of us even try to see the worst movies while we’re at it (I certainly tried), but some things are just bound to fall between the cracks. Recently I asked many of my film critic friends to contribute to a thread on Facebook in which we all admitted to three important or “classic” films that we’ve never seen. Everyone had them. We’re a little embarrassed about it, but damn it, there are a lot of films out there, and I just hadn’t seen The Sound of Music yet (although I have since rectified that situation, so shut up).
You got me, Dan. I didn’t see Let Me In this year. But just for the hell of it, just in the interest of full disclosure, here are 25 other films from 2010 that I still haven’t gotten around to. In my defense, I’d be shocked if any critic couldn’t cull together a similar list. This inventory of missed opportunities doesn’t invalidate my Top and Bottom Ten Lists of 2010: They are great and terrible movies, respectively. It just means that there may be other great and terrible films out there too. If your favorite or least favorite movie is among this sorry lot then feel free to take my 2010 lists with a grain of salt. And feel free to bitch about it. Dan sure did.*
IN ALPHABETICAL ORDER:
The Back-Up Plan
Eat Pray Love
Edge of Darkness
The Karate Kid
Letters To Juliet
The Other Guys
Paranormal Activity 2
Resident Evil: Afterlife
Sex and the City 2
Shrek Forever After
The Tooth Fairy
The Twilight Saga: Eclipse
Wall Street: Money Never Sleeps
*Actually, that’s not fair. Of course it was a joke, but the important thing is to clarify that Dan’s impassioned defense of a film that affected him emotionally and stimulated him intellectually and that, damn it, most people ignored completely or just didn’t make a concerted effort to see, is worth reading. The purpose of critics – any kind of critics – is to be a consumer advocate. Usually this takes the form of negative criticism: “Avoid Clash of the Titans because it’s crap,” etc. But consumer advocates also need to go out of their way to make certain that consumers – of art, technology, food or what have you – are steered in the direction of worthwhile products. Films are art, always art, but they cost money to make and to watch (at least they’re supposed to), so on some level a film critic is always trying to help you spend your money wisely. If Let Me In was as worthwhile an artistic expression as Dan Fields claims, then that $12 I spent on tacos last October would have been better spent on this film.
I may or may not agree with Dan’s assessment of Let Me In when I do finally see the it (and see it I will when Let Me In is released on home video this February 1st), but his strong endorsement of the film and his description of the positive affect it had on him as both an audience member and a film critic has convinced me to give it a shot when otherwise I’d felt less inclined. You did your job, sir.
Next time let me do mine.**
William Bibbiani is a highly opinionated film, TV and videogame critic living in Los Angeles, California. In addition to his work at the “California Literary Review” William also contributes articles and criticism to “Geekscape” and “Ranker” and has won multiple awards for co-hosting the weekly Geekscape podcast and for his series of Safe-For-Work satirical pornographic film critiques, “Geekscape After Dark.” He also writes screenplays and, when coerced with sweet, sweet nothings, occasionally acts in such internet series as “Bus Pirates” and “Heads Up with Nar Williams.” A graduate of the UCLA School of Film, Television and Digital Media, William sometimes regrets not pursuing a career in what he refers to as “lawyering” so that he could afford luxuries like food and shoes.
William can be found on both the Xbox Live and Playstation Network as GuyGardner2814, and on Twitter as – surprisingly – WilliamBibbiani.
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