Poor Peggy Olson. She was doing so well, the last time we checked in on her. But in the world of Mad Men, no one gets to balance work, love, and happiness. It’s just not in the cards.
Thankfully, the show gives another reason why it would be dangerous to return power. Sure, we get the usual crap exchange of “we can’t do it because people will have guns and be dangerous” with the follow up of ”But hospitals!” But tonight, we learn that when the light is restored, there’s a chance that the world will catch on fire.
If there’s one thing Revolution has done wrong, and it’s done so, so many things wrong, it’s been the sidelining of Captain Tom Neville. Thankfully, “The Love Boat” at least attempts to remedy this problem by putting Neville close to the forefront as he joins Miles as a representative from the Georgia Federation.
One of my favorite aspects of The Office (both incarnations) is that we are watching sad people. Not damaged in the way the gang from Community are/were, but normal and pathetic. Painfully average. When the show started obtaining some popularity around the second or third season, this aspect kind of floundered. But “Livin’ The Dream” brings it back and moves forward many long-running story lines.
Since the start of this show, Aaron has always been the most problematic character. While Tracy Spiridakos is probably Revolution‘s worst actor (though she has been improving), Charlie serves an important function both within the story and as a trope of the genre. But after more than half the season, the show still hasn’t figured out Aaron’s place.
Trying to recapture the “outside the box” antics that made Community so beloved in the earlier seasons, “Human Anatomy” focuses on Abed and Troy doing a Freaky Friday-style body switch for most of the episode. While no one believes they have actually switched bodies, the rest of the group goes along with it so that they can complete the History project that is conveniently due very soon.