In The Athena Factor W. Michael Gear explores the compelling and in many ways horrifying world of biotech engineering, principally in the form of DNA research and manipulation. While this book is fictional, what the author describes is not.
Francois Truffaut’s Fahrenheit 451 begins with a striking narration of the film’s credits. The premise is simple: talk becomes the natural medium in an illiterate state. When the firemen, that is, the book burners, arrive at a high rise with orders to burn books we are immediately struck by the stark and vulgar aesthetics of the buildings that are so typical in totalitarian countries – globs of spiritless, unimaginative, state-commissioned modernism.
© 2012 Lionsgate This super-secret brainchild of screenwriters Drew Goddard and Joss Whedon came shrouded as carefully as Super 8, surrounded by many a dark rumor but giving maddeningly little away. Goddard and Whedon began laying it out during their time working on Buffy The Vampire Slayer and Angel. Then, […]
Sketching the parameters of Baggott’s palimpsestic narrative is tricky. Briefly put, the backstory of the novel involves a hyperbolic escalation of conservative cultural rhetoric that seeks a return to “traditional” values: restrained, upper-class politeness and hardline gender roles. The maniacal masterminds behind this so-called “Return of Civility” followed a violent effort at social engineering with a wave of nuclear attacks, referred to in the novel as the Detonations.
Magic is all around us, if only we’d pay attention more—if only we’d dream. Maybe then we’d sense its dark secret is really light, a bonfire of belief beyond understanding, but real. The kind of magic—or is it love?—that slays dragons and rescues princesses and lives happily ever after in the imagination of children.
“Vampires versus werewolves” is only one of the time-tested feuds that film and television have offered for our amusement. This week, Brett Harrison Davinger and I (Dan Fields) take a look at some other monstrous matchups, scary skirmishes, and curious critter clashes.
At last, the long-rumored prequel/remake of John Carpenter’s 1982 masterpiece The Thing infects theaters across the country. And I mean that in a good way, because I still hope it will be entertaining, despite persistent pangs of common sense. The trailer, at least, sold it as a pretty faithful re-shooting […]
The practice of blessing mass entertainment with the bard’s prose confers a kind of loftiness upon it, or at least that must be the idea. A quick glance indicates that Shakespeare has provided titles for an alarming number of Star Trek episodes, just for starters. This week, lend your ears to Brett Harrison Davinger and me (Dan Fields) as we look at some of our favorite films to borrow a title from the works of Shakespeare.
For those who have not been scared off by now, I think we could all use a stiff drink before tuning in next summer for Season 5. Which I know I will. Season 4 had a few too many stops, starts, and jerky turns, but True Blood seized its bloodthirsty mojo back at the finish line.