Joseph Kanon’s summer potboiler is a weak whodunnit set in the seedy splendor of post-war Venice.
“I have a general idea where I’m going, but Tally and Company take me there. They often surprise me, which is the great fun of writing fiction.”
“I guess liking mysteries goes back to Aristotle, who said we read or watch tragedy because the bad stuff happens to someone else and we feel relieved that we’re still alive, and the perpetrator takes the blame for what happened. It’s a catharsis.”
“I believe that people are very interested in reading about the ordinary things of life. One can make a very simple situation seem interesting — often it is very simple matters that arouse most passions in people.”
© 2012 Lionsgate This super-secret brainchild of screenwriters Drew Goddard and Joss Whedon came shrouded as carefully as Super 8, surrounded by many a dark rumor but giving maddeningly little away. Goddard and Whedon began laying it out during their time working on Buffy The Vampire Slayer and Angel. Then, […]
Now, this is the premise of the episode. What it asks us to accept in order for the story to get going. So it seems unreasonable to carp. But am I the only one who feels that if you can use a mobile phone to break into three of the most secure places in Britain in the first five minutes, then we should probably all pack up and go home?
Early press for The Wicker Tree has not been overwhelmingly good, but one might say it has been encouragingly mixed. The original Wicker Man did not become known as “the Citizen Kane of horror films” overnight, or even during the horror boom of the 1970s. It vanished into relative obscurity for some time before its rediscovery, and look at that baby burn now!