Anthropology

6 posts

Archival Culture(s)


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It is scarcely news that in a vast, pluralistic country like the United States, minorities should feel themselves threatened with absorption into the larger society, and that they should cling to some form of cultural identity. It begins poignantly when school children pledge allegiance to “ … one nation, indivisible, […]

Violence, the Media, and Trying to Process The Dark Knight Rises Shootings


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How do you process a tragedy like the one that unfolded last night in Aurora, Colorado? Well, at this early time, you don’t. We here at The Fourth Wall won’t pretend to come to any major philosophical revelations as regards the shocking tragedy, but we’ll join the rest of the […]

Book Review: Myths from Mesopotamia by Stephanie Dalley


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I asked them why they, unannounced, wished to meet with the director and they told me that they had just discovered Noah’s ark in Turkey. As I had met a few others along the way conning people with this ark stuff I asked to see the proof. He immediately pulled out a black and white photo showing what looked like a rock cliff and asked, ‘What do you see?’ I looked at it closely and replied, ‘All I can see is that someone took a ballpoint pen and drew a photo of a ship on the rock face’. They replied, in that charming Tennessee accent, ‘Well, it’s a bit hard to see so we’all took a ball point pen and highlighted it for ‘y’all.’

Reflections on the Dawn of Consciousness


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Jaynes, a psychologist who taught at Princeton up until his death in 1997, showed how ancient peoples from Mesopotamia to Peru could not “think” as we do today, and were therefore not conscious. Unable to introspect or contemplate metaphor-driven scenarios, they experienced auditory hallucinations — voices of gods actually heard as the Old Testament or the Iliad — which, emanating from the brain’s right hemisphere, told an individual what to do in circumstances of novelty or stress.

Light of the Moon by Luane Rice


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Femi-lit doesn’t make as many headlines as its younger sister, but it shares certain familial traits. The protagonist is usually a woman in her thirties or forties, intelligent, independent, and confronted with the crises that arise in one’s middle years – the aftermath of a divorce, the death of a parent, a loveless relationship, the seesaw of work and family, the lack of a child. And as with chick lit, it is often love or a change of place that proves the catalyst for change.