Princeton University Art Museum

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Janiform kantharos with addorsed heads of a male African and a female Greek

Art Review: Encounters: Conflict, Dialogue, Discovery Princeton University Art Museum

Zhang transformed Mr. Quaker into Chairman Mao five years after he emigrated to the United States. The birth of Chinese “Political Pop” took place in his New York studio. This is an ironical state of affairs, all the more apparent in Six Pack of Kekou Kele, created in 2002. Is Zhang commenting here on the way that China’s millennia-old civilization is being crassly mass-marketed to enhance its leading role in the global economy? Or is it a subtle indictment of the West’s heedless consumerism, so oblivious to culture that it can appreciate nothing unless it is a familiar brand product beckoning from the supermarket shelf?

John Constable: Oil Sketches from the Victoria and Albert Museum

Constable’s approach to landscape painting, however, was far more than an exercise in nostalgia. Instead, he rooted his appreciation of nature in the “here and now” of everyday life. Through paintings like Hampstead Heath, Branch Hill Pond, Constable presented scenes of human beings interacting with nature, not despoiling it. With these works, he bequeathed a sense of the precious nature of the world around us, in whatever age and place we call home.