New York City

23 posts

100 Greatest Gangster Films: The Pope of Greenwich Village, #21

To appreciate just how well director Stuart Rosenberg and writer Vincent Patrick captured wiseguy street corner ethos in this classic mob tale, you have to understand the meaning of an Italian phrase that has come to define the way certain mobsters act. The phrase is faccia una bella figura. Literally, it means “make a good impression.” But in fact the phrase conveys much more. It describes an attitude, an approach to life that is more typically found in the southern half of Italy, especially in Naples and points south.

Movie still: Gangs of New York

100 Greatest Gangster Films: Gangs of New York, #22

Before there was John Gotti, before Carlo Gambino, before Lucky Luciano, there was Bill “the Butcher” Poole. The 19th-century boxer, fixer and, yes, actual butcher, was a forerunner of the mobsters who later controlled New York City.

Movie still: The French Connection

100 Greatest Gangster Films: The French Connection, #30

New York City is more gritty than pretty in this period piece, which was shot before the Big Apple’s late-20th century revival. The skies are gray, vacant lots are strewn with debris and there’s a doomed look to the city—right down to the rusty Rheingold beer signs. It’s not attractive, but the urban tangle is a genuine representation of a time and place.