Before there was John Gotti, before Carlo Gambino, before Lucky Luciano, there was Bill “the Butcher” Poole. The 19th-century boxer, fixer and, yes, actual butcher, was a forerunner of the mobsters who later controlled New York City.
A visually outstanding film (worth the price of 3D), Hugo is a love letter to imagination and invention, the thrill of books and movies, of discovering things for yourself and the freedom to do so. Cogs of various sizes occupy many scenes, and seeing Hugo hammer a shell into shape or figuring out how one piece of the automaton fits into another shows off the pleasure of actual creation.
Martin Scorsese, Hollywood titan, enjoys a special reputation for directing violent, foul-mouthed crime flicks. Admittedly, he does this very well, but the notoriety of movies like Taxi Driver, Casino, and most recently The Departed tends to eclipse the true diversity and scope of his body of work. Even when his […]
Martin Scorsese’s newest picture Shutter Island is a creepy cinematic passage into paranoia, guilt, and insanity—a classic thriller with undertones of gothic romance and the failed American dream. The trailers, which anyone who’s taken in a movie in the last year has seen, reveal little but hint at a lot. Fortunately, the movie is a great watch even if the conclusion may leave some audiences grumbling.