The rest of the movie follows their dysfunctional love story through prison sentences, Corvettes, illnesses, mansions, and tribulations. The story is part Catch Me If You Can, part The Informant!, and part Get Real. Between bright spots in which Carrey showcases genuine emotion, the story cruises along at a jerky trot, sometimes comical and sometimes just a misstep away.
Sometimes a movie’s title appears to be a secret known only to the writer. Sometimes it is based on a very subtle detail in the story, which only becomes clear after multiple viewings. Sometimes a flaw in the film’s execution simply fails to bring out the significance of the title. And sometimes movies just have stupid titles. This week, William Bibbiani and I (Dan Fields) meditate upon the sticky subject of Movie Naming.