After countless musical and stylistic hints in films like Kill Bill and em>Inglourious Basterds, Quentin Tarantino has finally helmed a full-blown Western, bearing the provocative title Django Unchained.
In an interesting twist, the movie calls its own account of history into question, and that sustained sense of ambiguity keeps the movie surprisingly balanced. J. Edgar affords its audience the dignity of drawing their own conclusions.
The practice of blessing mass entertainment with the bard’s prose confers a kind of loftiness upon it, or at least that must be the idea. A quick glance indicates that Shakespeare has provided titles for an alarming number of Star Trek episodes, just for starters. This week, lend your ears to Brett Harrison Davinger and me (Dan Fields) as we look at some of our favorite films to borrow a title from the works of Shakespeare.
A fascination with the supernatural, and particularly its dark side, dates back to the earliest days of moving pictures. Murnau’s Faust and Nosferatu top a seemingly endless list of diabolical encounters. We would like to share with you some our favorite devilish deals, demonic possessions, and hellish mischief from the vaults.
At the airport, customs agents discovered a bag of marijuana and a handgun inside his baggage. After surrendering to the authorities, Curtis writes that he thought, “Whatever happens, it won’t be as bad as my childhood.” At age 50 – after he had been a movie star for a quarter of a century – he got to the door of the hospital room where his mother was dying from heart disease. He heard her calling his name, but could not bring himself to go inside.