Unable to fathom who would actually enjoy a movie like that, I wondered how I was going to write a critical analysis of such a terrible piece of Hollywood junk. So, for my review of G.I. Joe: Retaliation, I have invited a special guest to help me discuss the movie and break down what worked and what did not. Please help me in welcoming my 12-year-old self, Matt.
With Looper, Johnson takes on science-fiction, but in his own signature approach that comes at the genre from an obtuse angle. He doesn’t waste time explaining the time travel technology (Who cares? It works.) or the inherent paradoxes that are unavoidable. (At one point, Abe says, “This time travel crap just fries your brain like an egg.” Johnson is telling audiences not to worry about the details, just enjoy the ride.)
These off-realities of Wes Anderson’s movies also enable him to create gorgeous works, and Moonrise Kingdom is no exception. Filmed in glorious Technicolor, Moonrise Kingdom mimics the look of the 1960s with strong solid colors and an excellent collection of props and wardrobe. The film is populated with original artwork, memorable outfits, and cleverly designed sets that make the movie worth seeing on a big screen.
Dame Helen Mirren is most renowned for her roles as stuffy British matrons (and the Queen of England). In Red, she gets to show off how beautifully she’s aged and shoot big guns (life’s not fair for us mortals).