A tragedy truly does cause one to reach out – but the stupidity of this move is very un-Don-Draper. Trying to contact his mistress by calling her husband with no real reason for it? What’s happening in his head? Did he fall in love when he shouldn’t have?
All the main characters are tangled in complex collaborations, whether willingly or unwillingly, sexual or chaste. Everyone’s wrestling with guilt in this episode, handling and mishandling situations as a result. Don Draper is, as ever, standing at the center of the tempest, acting as though he’s a port in a storm when really he’s rocking harder than anyone else.
In the opening scenes of the episode – up until about seven or eight minutes in – everybody else is talking at Don, and he, that master of manipulation, doesn’t say a damn word. It’s eerie, actually. His wife, who’s evidently come into some fame from TV roles, is voluptuous and sexy in a way Betty Draper never was – and she’s reveling in it.
We already know how the Governor functions, and we don’t need more evidence of his shortcomings as a human being. We don’t want Michonne to lose any of her badassery as she becomes more attached to Carl and Rick. We know Rick likes to play the hero. We didn’t need an entire episode to pound in these aspects of our characters.
Last night’s midseason finale of The Walking Dead brought yet more new faces, pitted brother against brother and sister against sister, and ended with a fabulous cliffhanger. Smoke and mirrors keep our characters from seeing one another’s true nature, and from seeing the overarching truth…until it’s too late. Dear writers: […]
It seems that while The Walking Dead suffered in the wake of Frank Darabont’s unceremonious departure (hence the slog of last season), writers, composers, and actors have seriously stepped up their game for season three. Last night’s episode was one of the best acted, most nerve-wracking, suspenseful episodes of the […]
After the rough, brutal reintroduction to The Walking Dead‘s post-apocalyptic dystopia this season, this week’s episode ushers us back into a bizarre normalcy. “Walk with Me” begins with a helicopter crash – but who’s flying, and how did they get here? Michonne and Andrea follow the smoke – as the […]
Two montages in one episode, guys! This one is set, adorably, to “Crystal Blue Persuasion” by Tommy James and the Shondells, which I can’t believe has never been used on this show before, because yeah, wow. Todd and Walt cook blue crystal, Lydia pencils out the logistics of shipping and transport for the international sales, and a phalanx of nameless, faceless heavies drop bags of meth into oil barrels, which they then seal and tag to ship. Skyler and Saul Goodman both make their first (and in Saul’s case, tragically, last) appearances of the episode, cooking books at the car wash and furtively accepting fistfuls of ill-gotten cash, respectively. The montage’s final shot is a sweeping pan over the residential neighborhoods of Albuquerque, with yellow-and-green striped tents tranquilly fading in, one after another, blanketing a succession of roofs.
Back at the pest control garage, Mike is in for a nasty shock – the methylamine has been cleared out completely. Mike storms into the back of the shop and discovers Walt and Jesse speaking in hushed tones in the office. Mike shoves his gun in Walter’s face and starts demanding to know where the methylamine supply is.