Movies & TV

806 posts

Stripping the Town of Tinsel


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Hilary de Vries The dot com slump, a shift in journalistic standards in the celebrity-driven Hollywood mill, and an overwhelming desire to be honest in her reporting, were the catalysts that propelled award winning Hollywood journalist Hilary de Vries to write her debut novel, “So 5 Minutes Ago” (Random House) […]

The Big Country: How the West Finally Won


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It’s not a classic in the sense of Casablanca or Citizen Kane, but it’s a kind of cinematic cipher. It opens your eyes to the possibilities still inherent in the Western and shows you its true star. Not a man on a horse or a gunfighter at high noon, but the West itself.

Charlie Chan: A Hero of Sorts


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An ethnic image is tricky, full of half-truths and snapshot attributes. In the Chan mysteries, there were moments where Charlie Chan had to confront and deal with the racial issue.

Spanish Cinema: Almodóvar and Amenábar


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With camp, hedonistic and sexually vulgar films, notable for their strong, flamboyant women and their comic, melodramatic treatment of everything from necrophilia to the need to keep your eye on the gazpacho, Almodóvar has risen to the top of the Spanish film industry. But now…

100 Greatest Gangster Films: The Godfather, #1


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The Godfather made careers, most notably those of Francis Ford Coppola and Al Pacino, despite the fact that both of them were almost fired during production. All these years later, it’s still thrilling to watch Pacino as Michael, the Don’s youngest son, evolve from an innocent outsider among his own family into a stone-hearted killer. Watch Pacino’s eyes deaden over the course of the 175-minute film as he becomes the man his father never wanted him to be. It’s why The Godfather is, ultimately, a tragedy.

Mad Men Recap: “The Better Half” (Season 6, Episode 9)


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Poor Peggy Olson. She was doing so well, the last time we checked in on her. But in the world of Mad Men, no one gets to balance work, love, and happiness. It’s just not in the cards.

Revolution Recap: ‘Children of Men’ (Season 1, Episode 19)


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Thankfully, the show gives another reason why it would be dangerous to return power. Sure, we get the usual crap exchange of “we can’t do it because people will have guns and be dangerous” with the follow up of ”But hospitals!” But tonight, we learn that when the light is restored, there’s a chance that the world will catch on fire.

100 Greatest Gangster Films: The Godfather: Part II, #2


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Al Pacino reprises his role as Michael and offers us an Ivy League Machiavelli. He has his father’s cunning and guile, but somewhere along the way lost his compassion. How else do you explain his decision to have his own brother, Fredo (John Cazale), killed long after any damage Fredo has done to the family has been repaired?

100 Greatest Gangster Films: Goodfellas, #3


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There is no romance here. No looking out for one’s people. No myth of a moral code. Instead, GoodFellas is about psychopaths who steal, kill and ultimately betray each other. It’s two-and-a-half hours of blood, depravity and—that most American of vices—greed. Director Martin Scorsese summed up his subjects’ wiseguy lifestyle in three words: “Want. Take. Simple.” Oh, and by the way, it’s a brilliant movie packed with dozens of colorful characters.

100 Greatest Gangster Films: On the Waterfront, #4


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All these years later, On the Waterfront continues to work as a magnificent bit of drama—and as a gangster movie. The story of a little man caught between principles and loyalties always resonates. And, last we checked, the problem of mob influence on America’s labor unions hasn’t gone away.

100 Greatest Gangster Films: Pulp Fiction, #5


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Part of the joy is not always knowing who the good guys are. Tarantino shot Pulp Fiction as a time-twisting weave of stories where villains can become heroes, or a guy peppered with bullets in one scene comes back from the dead, so to speak, in the next. Behind it all is a hipness in everything from the wardrobe to the set design to the beat-heavy soundtrack that kicks off with Dick Dale’s guitar classic “Misirlou” in the opening credits.

100 Greatest Gangster Films: Little Caesar, #6


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Enrico Bandello was the prototype for every film gangster who followed. The tight-fitting three-piece suits, the high-collared shirt and tie, the fedora and the ever-present cigar—Rico brought it all to the big screen. There was also the tough-guy lingo, usually delivered out of the side of the mouth.