With just three feature films to his name, writer and director Jeff Nichols has already set himself a high standard. Both of his previous works, Shotgun Stories and Take Shelter, are strong dramas with compelling characters, dark intrigue and impressive economy of style. With Mud, Nichols has progressed from making a good film to making a great film.
That these guys are, as the French say, sympathique, is evident from the beginning of the robbery when Tony tucks a pillow behind the head of the elderly woman to make her more comfortable after she and her husband have been gagged and tied up. A clock ticking on a mantel provides a time line for the heist, which begins shortly before midnight and doesn’t end until six the next morning. In film time, the robbery takes about 30 minutes. And during those minutes, not a word—NOT ONE WORD—is spoken.