Unable to fathom who would actually enjoy a movie like that, I wondered how I was going to write a critical analysis of such a terrible piece of Hollywood junk. So, for my review of G.I. Joe: Retaliation, I have invited a special guest to help me discuss the movie and break down what worked and what did not. Please help me in welcoming my 12-year-old self, Matt.
Watching The Petrified Forest you can see Bogey developing his craft. Riffing off of John Dillinger, he holds his arms at a curious angle, like he is about to reach for a gun. (For decades, Bogey impersonators would ape that posture.) Bogart studied films of Dillinger and tries here to recreate the famous bank robber’s battered facial expression and insolent demeanor.
“The Stand” is simultaneously the type of episode Revolution needed to return with and the type of episode that really highlights its shortcomings. Like many episodes, it puts the vast majority of its marbles into a single sequence- this time being a dual Monroe helicopter attack on a resistance compound. It’s a mostly successful, well-done action scene, particularly for a network television show. However, the repeated use of heavy artillery makes me wonder if the show is going to backtrack from its use of more simplistic weapons. This is a shame, because reliance on muskets and swords was one of the series’ more unique features.
The last few episodes have unsteadily balanced a number of storylines whose interest is waning. Andrea finally chose a side, even as the Governor remained a static, iconic villain (he’s like one of those creepy clown punching bags – you hit him, he doesn’t stay down). Glenn and Maggie made up and provided a little, suspicious ray of sunshine in the midst of death and destruction. Rick waffled and moaned and still isn’t the hardass he tries to be. Michonne is still a frighteningly observant hard case.
It is a painful stretch to suggest that most of the movie is each girl’s troubling fantasy of how spring break will be, dreamed up while sitting in their dorm with no money. However, the fact that Korine’s tale allows for such questions is one of the most fascinating things about it. The movie’s ambiguity, with each interpretation bearing its own horrifying implications, lends unexpected dramatic weight to the exploitative revelry that makes up most of it.
The sliver of optimism that built inside me after last week’s episode of Community has shriveled up and died. Community is not going to turn things around in its final death throes and Season 4 will forever be the Godfather Part III of one of the most creative and inspired series of the new millennium.
One of the benefits of having enrolled in San Francisco Ballet’s Ballet 101, a six-part course aimed at developing a deeper appreciation of ballet among audiences, was gaining a more precise fix on George Balanchine’s Scotch Symphony. Not only did the course offer a comparison between it and August Bournonville’s La Sylphide, but we had a chance to put on our practice slippers in a rehearsal studio, and learn a snippet of choreography that soloist dancer Courtney Elizabeth dances in the piece.