A recap/review of The Office- The Target (Season 9, Episode 8)
After launching his career with star turns in Alfie, The Ipcress File and Funeral in Berlin, Michael Caine wanted to play a bad guy. In writer/director Mike Hodges’ Get Carter, he got to play one of the baddest.
Someone somewhere must have (or have had) faith in The Mob Doctor’s future. This week, the show forged ahead with the expansion of its fictional universe and the complication of its basic plotlines.
A recap/review of Revolution- Nobody’s Fault But Mine (Season 1, Episode 10)
It seems that while The Walking Dead suffered in the wake of Frank Darabont’s unceremonious departure (hence the slog of last season), writers, composers, and actors have seriously stepped up their game for season three. …
The Guggenheim Museum in New York City is the perfect venue for hosting great chronological exhibitions of art. Ascend the spiraling ramps and you are able to understand the course of an artistic era in its totality or the development of a national school of art, as was the case in the spectacular 2005 presentation of Russian art from its Byzantine-inspired roots to the post-Soviet present. But seldom have a museum and a special exhibition been so perfectly matched as Guggenheim New York and its present show, Picasso Black and White.
Though Tarantino has said he plans to retire from filmmaking after his tenth film, there will no doubt be enough material generated by him in the next twenty years to hopefully warrant another collection.
I would say that compared to the what the women face, competition is not so ruthless for men. We are all in it more for each other, a positive, friendly competition thing. That is how I was trained to view it by my teacher at San Francisco Ballet, Jorge Esquivel.
The hard truth, impossible to dodge, is that this is not Tolstoy’s world. It is more like Hugo Cabret’s world, and from time to time it even flirts perilously with becoming Baz Luhrmann’s world. Tom Stoppard’s script, though consistently bright and entertaining, abridges the story painfully to fit the stylish construct.
The word “Assassin” in the title is increasingly becoming the biggest lie in the series, and unless Ubisoft’s going to change the name to “Overpowered Swashbuckler’s Guidelines”, they need to take a long hard look at how the franchise has evolved further and further away from the original focus.
Bannion is a tough-talking homicide detective investigating the suicide of another cop. He questions the dead man’s widow, who makes up a phony story of how her husband shot himself because he had been suffering from an undiagnosed illness. Her tale sounds fishy.
This small company has bagged a big quotient of ballet artistry thanks to intelligent and sensitive leadership by Diablo’s artistic director, Lauren Jonas.
Much of the time, a movie just can’t offer the sort of character depth and development a book does. It’s totally implausible that a man recently released from a psychiatric hospital would find himself with the weight of his family’s livelihood on his shoulders as he performs in a dance competition with a recently widowed, slightly nymphomaniac young woman.
In Rise of the Guardians, we discover that not only are Santa Claus, the Tooth Fairy and the Easter Bunny real, they also comprise an ancient league chosen to protect mankind’s children. The Guardians, as they are called, are made up of some of the most beloved characters from our childhood who, as we grow older, become less and less real.
Tonight, it’s all business in Vegas. The bodies of Cornaro and his associate turn up in the cornfield of a farmer who’s very upset at what they’ve done to the pH of his soil.