After a piano intro, a spot opens up a space on the dark stage and in it is the dancer, Thomasin Gülgeç. He is dressed in a purple top. He is revolving, and then begins a series of stretches that segue into a port de bras as he inclines toward the blush of white light.
After the rough, brutal reintroduction to The Walking Dead‘s post-apocalyptic dystopia this season, this week’s episode ushers us back into a bizarre normalcy. “Walk with Me” begins with a helicopter crash – but who’s flying, and how did they get here? Michonne and Andrea follow the smoke – as the […]
But seeing the mascot of the “Fighting Irish” always makes me blench slightly, I think because it packages Irish identity as such a quaint, jabbering, leprechauny affair. When the commentators keep saying “the Irish are doing this…” and “the Irish feel that…” I rather want to put my hand up politely and suggest that what a bunch of sports fans in another country are doing has nothing to do with what the Irish are doing and feeling.
At least in the first film, the various creatures and characters were new and well done. There was a shrewd, unsubtle (some might even say shrill) commentary on dogmatic thinking, rape, and female villains. The second film features nothing new, lacks even the most rudimentary analysis of its own mythology, and is laid out like an increasingly stupid haunted house.
Spanning over 500 years and following more than a dozen characters, the film is composed of six separate stories that do not intertwine (see Magnolia, Love Actually) but instead link from one to the next with the sense that each character is re-living his or her life again and again. While the word “reincarnation” is never used, the sense that this is what Mitchell intended is undeniable. Like the resistance fighters in The Matrix or the protagonist in Run Lola Run, the characters of Cloud Atlas are given the chance to correct mistakes from “past lives.”
Charlie Brown, a Pig, and Dr. Cinderella on The Office – (Photo by: Chris Haston/NBC) After several false starts this season, we finally get an episode focused on Andy Bernard, the bane of my The Office viewing experience. Luckily, like the previous four episodes, “Here Comes Treble” does a decent […]
The determination to end slavery may not have figured initially as a Union war aim for most of the young men in Blue who did the fighting and dying. But Masur quotes from numerous soldier letters and diaries to prove that many Union troops were horrified by the conditions that they found in the south, particularly the enslavement of children fathered by their own “masters.”
Being an Artistic Director of two companies an ocean apart is certainly an interesting assignment. I plan to incorporate the dancers from both countries into several productions. I already have brought one male dancer from San Mateo to perform with the company in Belgrade and intend to bring three dancers from Belgrade to San Mateo to perform this season. It will be an interesting cultural exchange and benefit both the dancers and the companies.