Having already dominated the world of female mixed martial arts (MMA), Carano easily assumes the role of ass-kicking special operative Mallory Kane. Almost like a 21st century “Man With No Name,” Mallory only speaks when absolutely necessary. Carano is surprisingly convincing given she has no acting experience prior to this film.
George Frost Kennan was one of the most influential of all American diplomats, as well as an historian and writer who won two National Book Awards and two Pulitzer Prizes. It was Kennan who, first in his “long telegram” sent from the American embassy at Moscow in February 1946, and then in his anonymous “X” article in Foreign Affairs the following year, laid out for policy-makers, and then for the American public, the true nature of Stalinism and Soviet policy at a time when some still took a benevolent view of our wartime Soviet ally.
Somewhere in the middle of this overwrought and overwritten gangland shoot-’em-up, there is a decent story. But we’re never quite able to get to it. Michael Cimino’s direction of a screenplay that he cowrote with Oliver Stone is full of action. But it’s built around a narrative that makes little sense.
In 2008 Roberto Bolaño’s 900-page epic 2666 was published. Appearing out of relative obscurity, Bolaño’s novel was soon being discussed as a potential masterpiece and, perhaps more importantly, sustained steady popularity in the bookshops. Sadly though, Bolaño saw none of this: he died only a few months after the first draft was completed and nearly 6 years before the English publication.
In his Portrait of a Young Man, painted in 1478, Antonello fused the psychological intensity of Byzantine icon painting with a close regard for his subject’s unique, personal identity. Antonello died the year after he painted Portrait of a Young Man, but with this and a handful of similar works, he blazed a trail for all of the great portrait painters who came after him.
His opinions, though held intensely and vocally, are often unpredictable: he has long maintained The Exorcist to be the greatest film ever made, but has also in the past championed the work of Zac Efron and the Twilight franchise, and has recently taken to insisting that Jaws is actually a movie about adultery rather than, say, a large shark.
In 1959, he referred to esteemed critic Clement Greenberg and others as “wandering mongrels” only able to “cock a leg” against work they could not understand.