These driven individuals scour celebrity garbage cans, pose as anyone but themselves, lie as though the truth was a concept to be scorned and in general have all of the journalistic ethics commonly associated with FOX News. Getting the goods on the rich and famous is all that matters in this weird league.
Thrillers
Trashed by Alison Gaylin
by John Holt
November 8th, 2007
The Quiet Girl by Peter Høeg
by Elinor Teele
October 29th, 2007
A thriller is often a race, but without the understanding of exactly why this girl is so great a prize, it makes it harder to follow the runner.
The Trade – By Shirley Palmer
by Paul Blairon
April 24th, 2007
Matt Lowell is a character straight out of central casting for the Lifetime Network. He’s a down to earth, single guy living on the beach in Malibu. He restores old warehouses (in touch with his creative side) into beautiful lofts in rundown parts of Los Angeles. But he has one big problem – the big “C.” No no, not that big “C”, the other one – Commitment.
Down Here – by Andrew Vachss
by John Holt
April 11th, 2007
The popularity of this self-absorbed, naïve dreck should astound me. It doesn’t considering the current woeful state of New York publishing.
The Collector by John Fowles
by Garan Holcombe
April 11th, 2007
Fowles was a writer who always seemed content to remain in the shadows, on the edge of things. He would emerge now and again to play the part of the cantankerous recluse, but he was, in essence a private, even hermetic man.
Alibi by Joseph Kanon
by Sam Stowe
April 10th, 2007
Joseph Kanon’s summer potboiler is a weak whodunnit set in the seedy splendor of post-war Venice.
An Interview With Thriller Writer Stephen White
by Paul Comstock
April 3rd, 2007
“When I started writing the pages in 1989 that later evolved to became my first book, I had no intent, conception, premonition, or clue that I was creating characters that would endure for over a dozen books.”
Mystery Writer Vicki Stiefel
by Deborah Straw
April 3rd, 2007
“I have a general idea where I’m going, but Tally and Company take me there. They often surprise me, which is the great fun of writing fiction.”
Beyond the Balkans – Eric Ambler and the British Espionage Novel, 1936-1940
by Brett F. Woods
March 26th, 2007
Eric Ambler (1909-1998) was one of the foremost architects of espionage fiction as it exists today. Like his predecessor Somerset Maugham, Ambler sought to transform the genre from the verbal banality and minimal characterizations of authors William Le Queux and Edward Oppenheim to a more sophisticated, morally ambiguous world of deception and danger.
The Last Victorian: John Buchan and the Hannay Quartet
by Brett F. Woods
March 26th, 2007
But, even more importantly, he also struck the first modern note in the evolution of the genre with respect to the degree of personal doubt and insecurity that over-shadows the mission – the same note, albeit greatly amplified, that is found in the novels of such well-known successors as Eric Ambler, Graham Greene, and John Le Carré, whose spy stories may be correctly seen, in part at least, as a continuance of John Buchan and the Hannay Quartet.
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