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> <channel><title>California Literary Review &#187; Theatre</title> <atom:link href="http://calitreview.com/category/topics/theatre/feed" rel="self" type="application/rss+xml" /><link>http://calitreview.com</link> <description>An arts and culture magazine.</description> <lastBuildDate>Sat, 11 Feb 2012 22:12:32 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>Neighbourhood Watch by Alan Ayckbourn. Pre-West End Tour.</title><link>http://calitreview.com/23773</link> <comments>http://calitreview.com/23773#comments</comments> <pubDate>Fri, 10 Feb 2012 16:26:18 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Alan Ayckbourn]]></category> <category><![CDATA[Neighbourhood Watch]]></category> <category><![CDATA[theater england]]></category> <category><![CDATA[theater London]]></category> <category><![CDATA[West End]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=23773</guid> <description><![CDATA[<em>Neighbourhood Watch</em> never feels like an “issue” play, but the London riots, the increasingly draconian Law and Order rhetoric from the Conservative-led government, and a series of police shootings make it exceptionally timely.]]></description> <wfw:commentRss>http://calitreview.com/23773/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Hamlet, starring Michael Sheen at the Young Vic, London</title><link>http://calitreview.com/23425</link> <comments>http://calitreview.com/23425#comments</comments> <pubDate>Fri, 27 Jan 2012 16:35:37 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Hamlet]]></category> <category><![CDATA[Michael Sheen]]></category> <category><![CDATA[theater London]]></category> <category><![CDATA[William Shakespeare]]></category> <category><![CDATA[Young Vic]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=23425</guid> <description><![CDATA[The psychiatric setting also forces – or helps – the production into a particular vision of the play.  In some ways this is quite an old-fashioned take, with <em>Hamlet</em> framed as a study of a mind in disintegration.]]></description> <wfw:commentRss>http://calitreview.com/23425/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>The Weekly Listicle: The Stage On Screen</title><link>http://calitreview.com/22519</link> <comments>http://calitreview.com/22519#comments</comments> <pubDate>Sat, 17 Dec 2011 18:50:14 +0000</pubDate> <dc:creator>Dan Fields</dc:creator> <category><![CDATA[Best Movies]]></category> <category><![CDATA[Movies]]></category> <category><![CDATA[Satire]]></category> <category><![CDATA[The Fourth Wall]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Thrillers]]></category> <category><![CDATA[movies comedy]]></category> <category><![CDATA[Movies Drama]]></category> <category><![CDATA[plays]]></category> <category><![CDATA[plays on film]]></category> <category><![CDATA[stage play adaptation]]></category> <category><![CDATA[stage plays]]></category> <category><![CDATA[theater]]></category> <category><![CDATA[theater adaptations]]></category> <category><![CDATA[theatre]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22519</guid> <description><![CDATA[As the holiday season builds to its peak, we movie watchers face a release pattern that seems a bit less robust than usual. However, there are plenty of perfectly interesting options out there. In addition to the major franchises sequels like Sherlock Holmes and Mission Impossible, there are a few titles running on the outside [...]]]></description> <wfw:commentRss>http://calitreview.com/22519/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>One Man, Two Guvnors, Adelphi Theatre, London</title><link>http://calitreview.com/22504</link> <comments>http://calitreview.com/22504#comments</comments> <pubDate>Fri, 16 Dec 2011 17:35:16 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Adelphi Theatre]]></category> <category><![CDATA[The National Theatre]]></category> <category><![CDATA[theater comedy]]></category> <category><![CDATA[theater england]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22504</guid> <description><![CDATA[For this show is funny. I mean, it is really funny.  Not the kind of funny you might associate with a National Theatre adaptation of an eighteenth-century Italian play.  It’s splutteringly, potato-throwingly, unreasonably hilarious.]]></description> <wfw:commentRss>http://calitreview.com/22504/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Ross Noble and Friends, Cranleigh Arts Centre, England</title><link>http://calitreview.com/22498</link> <comments>http://calitreview.com/22498#comments</comments> <pubDate>Fri, 16 Dec 2011 16:53:03 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Humor]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[comedy]]></category> <category><![CDATA[Ross Noble]]></category> <category><![CDATA[stand-up comedy]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22498</guid> <description><![CDATA[It showcased all of Noble’s best points: the delight in the ludicrous, the ideas tripping over each other to get out and the revelling in how foolish he may look to an audience. And of course The Voice.]]></description> <wfw:commentRss>http://calitreview.com/22498/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Broadway Review: Alicia Keys&#8217; Stick Fly</title><link>http://calitreview.com/22216</link> <comments>http://calitreview.com/22216#comments</comments> <pubDate>Fri, 16 Dec 2011 03:52:25 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[theater drama]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22216</guid> <description><![CDATA[This setup abounds with comic potential, and Diamond wrings plenty of laughs out of the awkward dynamics at hand. But there is much more here than just the usual dysfunction junction drollery. The youths, especially Taylor, have a lot to say about the way the world looks now, and much of their criticism is justified.]]></description> <wfw:commentRss>http://calitreview.com/22216/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theatre Review: Noel Coward’s Star Quality, Yvonne Arnaud Theatre, Guildford, England</title><link>http://calitreview.com/22271</link> <comments>http://calitreview.com/22271#comments</comments> <pubDate>Fri, 09 Dec 2011 17:26:21 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Noel Coward]]></category> <category><![CDATA[theater comedy]]></category> <category><![CDATA[theater england]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22271</guid> <description><![CDATA[There’s a feeling you get about ten minutes into a Noel Coward play.  The lights have come up, the set has been admired, the opening salvoes exchanged and then – whether it’s <em>Hay Fever, Present Laughter</em> or <em>Private Lives</em> – you realize that we’re in here for the duration.  It’s like a moment of mild claustrophobia.]]></description> <wfw:commentRss>http://calitreview.com/22271/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theatre Review: The Holly and the Ivy, Yvonne Arnaud Theatre, Guildford, England</title><link>http://calitreview.com/22074</link> <comments>http://calitreview.com/22074#comments</comments> <pubDate>Fri, 02 Dec 2011 15:01:51 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[theater drama]]></category> <category><![CDATA[theater england]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=22074</guid> <description><![CDATA[The characters are built with that terrific assurance of some mid-century writers (C.P. Snow and Anthony Powell spring to mind), which balances the need for them to represent social types or attitudes to life, whilst also allowing them rein to be individual and surprising.]]></description> <wfw:commentRss>http://calitreview.com/22074/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theatre Review: Three Days in May, Yvonne Arnaud Theatre, Guildford, England</title><link>http://calitreview.com/21962</link> <comments>http://calitreview.com/21962#comments</comments> <pubDate>Mon, 28 Nov 2011 20:04:25 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[theater drama]]></category> <category><![CDATA[theater england]]></category> <category><![CDATA[Three Days in May]]></category> <category><![CDATA[Winston Churchill]]></category> <category><![CDATA[Yvonne Arnaud Theatre]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21962</guid> <description><![CDATA[Clarke certainly made good on his obligations. He barked, he grunted, he rumbled, and, once you got used to the fact that he was acting on a slightly more heightened plane than the rest of the cast, he gave a surprisingly subtle account of a figure who was larger than life even during his life.]]></description> <wfw:commentRss>http://calitreview.com/21962/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Broadway Review: Private Lives</title><link>http://calitreview.com/21884</link> <comments>http://calitreview.com/21884#comments</comments> <pubDate>Wed, 23 Nov 2011 20:56:22 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[Kim Cattrall]]></category> <category><![CDATA[Paul Gross]]></category> <category><![CDATA[theater comedy]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21884</guid> <description><![CDATA[Luckily, any such anti-Tinseltown prejudices are quickly dispelled within the first few minutes of <em>Private Lives</em>. Cattrall and Gross, who both sport impressive theatrical résumés in addition to their IMDB credits, are perfectly at home with Coward’s pacing, elegance and theatricality. At the same time, they wisely steer clear of old school stiffness or stock deliveries of the play’s well known zingers.]]></description> <wfw:commentRss>http://calitreview.com/21884/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Broadway Review: Venus in Fur</title><link>http://calitreview.com/21678</link> <comments>http://calitreview.com/21678#comments</comments> <pubDate>Sat, 19 Nov 2011 02:40:41 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[theater drama]]></category> <category><![CDATA[Venus in Fur]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21678</guid> <description><![CDATA[Anyone who has been through the process will recognize the exasperation, drive and excitement of Dancy’s eerily accurate portrayal of a playwright birthing a new piece (although few of us look as good doing it). He is an apt foil for Arianda, who navigates the hairpin turns of the story with ferocious speed and stunning comic imagination.]]></description> <wfw:commentRss>http://calitreview.com/21678/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theater Review: Godspell on Broadway</title><link>http://calitreview.com/21585</link> <comments>http://calitreview.com/21585#comments</comments> <pubDate>Wed, 16 Nov 2011 14:16:49 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[Godspell]]></category> <category><![CDATA[theater musical]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21585</guid> <description><![CDATA[Most haunting of all is the ballad <em>Beautiful City</em>, in which Christ speaks not of a kingdom of heaven awaiting us after death, but of faith in the possibility of a better world here on earth. The pained relationship between Jesus and Judas Iscariot is played with moving delicacy by Parrish and Smith. The crucifixion scene, which could easily have been cringeworthy, is instead cathartic and powerful, thanks in part to the way David Weiner lights its Rembrandt-like tableau.]]></description> <wfw:commentRss>http://calitreview.com/21585/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theater Review: Chinglish</title><link>http://calitreview.com/21406</link> <comments>http://calitreview.com/21406#comments</comments> <pubDate>Mon, 07 Nov 2011 14:00:25 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[China]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[Chinglish]]></category> <category><![CDATA[theater comedy]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21406</guid> <description><![CDATA[Only whipsmart playwright David Henry Hwang could have written <em>Chinglish</em>, the new biting comedy of manners that depicts the gulf between Chinese and American cultures through the misadventures of language in translation.]]></description> <wfw:commentRss>http://calitreview.com/21406/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theater Review: Relatively Speaking</title><link>http://calitreview.com/21058</link> <comments>http://calitreview.com/21058#comments</comments> <pubDate>Fri, 21 Oct 2011 02:45:01 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[theater comedy]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21058</guid> <description><![CDATA[In Woody Allen’s <em>Honeymoon Motel</em>, young bride Nina Roth (Ari Graynor) enters a gaudy roadside inn with not-so-young novelist Jerry Spector (Steve Guttenberg). They’re excited to get away from all the wedding hoopla and take pleasure in simple joys like pizza and tacky furniture. Obviously, this is no typical pair of newlyweds. In fact, as it is soon revealed, they aren’t a couple at all. Nina was betrothed to Jerry’s stepson, but has run off with Jerry in an impulsive moment.]]></description> <wfw:commentRss>http://calitreview.com/21058/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>The Weekly Listicle: Method In Our Movie Madness</title><link>http://calitreview.com/20598</link> <comments>http://calitreview.com/20598#comments</comments> <pubDate>Fri, 07 Oct 2011 15:42:57 +0000</pubDate> <dc:creator>Dan Fields</dc:creator> <category><![CDATA[Best Movies]]></category> <category><![CDATA[Horror]]></category> <category><![CDATA[Literary Themes]]></category> <category><![CDATA[Movies]]></category> <category><![CDATA[Mystery]]></category> <category><![CDATA[Poetry]]></category> <category><![CDATA[Satire]]></category> <category><![CDATA[Science Fiction and Fantasy]]></category> <category><![CDATA[Television]]></category> <category><![CDATA[The Fourth Wall]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Thrillers]]></category> <category><![CDATA[Writers]]></category> <category><![CDATA[Band Of Brothers]]></category> <category><![CDATA[Charles Bronson]]></category> <category><![CDATA[Clint Eastwood]]></category> <category><![CDATA[George Clooney]]></category> <category><![CDATA[Ides Of March]]></category> <category><![CDATA[movies action]]></category> <category><![CDATA[movies comedy]]></category> <category><![CDATA[Movies Drama]]></category> <category><![CDATA[movies thriller]]></category> <category><![CDATA[North by Northwest]]></category> <category><![CDATA[Ryan Gosling]]></category> <category><![CDATA[Shakespeare]]></category> <category><![CDATA[Where Eagles Dare]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=20598</guid> <description><![CDATA[The practice of blessing mass entertainment with the bard's prose confers a kind of loftiness upon it, or at least that must be the idea. A quick glance indicates that Shakespeare has provided titles for an alarming number of <em>Star Trek</em> episodes, just for starters. This week, lend your ears to Brett Harrison Davinger and me (Dan Fields) as we look at some of our favorite films to borrow a title from the works of Shakespeare.]]></description> <wfw:commentRss>http://calitreview.com/20598/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theater Review: Follies, Starring Bernadette Peters</title><link>http://calitreview.com/19945</link> <comments>http://calitreview.com/19945#comments</comments> <pubDate>Wed, 14 Sep 2011 12:46:55 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Bernadette Peters]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[theater musical]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19945</guid> <description><![CDATA[For Stephen Sondheim's 1971 <em>Follies</em>, however, the Broadway revival creates the perfect situation to reflect on the musical's themes of regret, nostalgia, and getting older. With a book by James Goldman and music and lyrics by Sondheim, song and story intertwine to reveal that a show-stopping musical number is the only way these characters can express who they really are.]]></description> <wfw:commentRss>http://calitreview.com/19945/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>San Francisco Opera: Heart of a Soldier</title><link>http://calitreview.com/19971</link> <comments>http://calitreview.com/19971#comments</comments> <pubDate>Tue, 13 Sep 2011 18:52:12 +0000</pubDate> <dc:creator>Geri Jeter</dc:creator> <category><![CDATA[Music]]></category> <category><![CDATA[Opera]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Heart of a Soldier]]></category> <category><![CDATA[San Francisco Opera]]></category> <category><![CDATA[World Trade Center]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19971</guid> <description><![CDATA[For its world premiere of <em>Heart of a Soldier</em> at San Francisco Opera, the creators chose to concentrate on the personal story of Morgan Stanley's security head Rick Rescorla, whose actions led over 2,700 World Trade Center South Tower workers to safety, only to lose his own life when he reentered the building to search for stragglers. The opera focuses on his journey from childhood in Cornwall, England, to his role in the tragic events on 9/11. An exploration of a life that culminated in those heroic actions is a story worth examining.
Unfortunately, it was poorly told.]]></description> <wfw:commentRss>http://calitreview.com/19971/feed</wfw:commentRss> <slash:comments>3</slash:comments> </item> <item><title>The Bobbed-Haired Bandit, New York International Fringe Festival</title><link>http://calitreview.com/19649</link> <comments>http://calitreview.com/19649#comments</comments> <pubDate>Sun, 28 Aug 2011 18:12:24 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[New York International Fringe Festival]]></category> <category><![CDATA[theater comedy]]></category> <category><![CDATA[theater musical]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19649</guid> <description><![CDATA[Book and lyric writer Anna Marquardt and composer Britt Bonney capture the exuberance of the time with a menu of tuneful, cleverly worded songs that incorporate tango, foxtrot and jazz motifs]]></description> <wfw:commentRss>http://calitreview.com/19649/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>The Woman in White, Yvonne Arnaud Theatre, Guildford</title><link>http://calitreview.com/19579</link> <comments>http://calitreview.com/19579#comments</comments> <pubDate>Thu, 25 Aug 2011 16:48:20 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[theater drama]]></category> <category><![CDATA[theater London]]></category> <category><![CDATA[theater mystery]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19579</guid> <description><![CDATA[Collins’ strong suit is suspense tinged with bafflement. When it works, you’re reeling from the last twist in the plot, and wondering where it’ll go next. When it doesn’t, you’re still trying to work out whose will has just been overturned by the return of the mysterious stranger who looks exactly like the missing heiress whose marriage records…and so the next twist is rather a moot point.]]></description> <wfw:commentRss>http://calitreview.com/19579/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>The Tutor, New York International Fringe Festival</title><link>http://calitreview.com/19522</link> <comments>http://calitreview.com/19522#comments</comments> <pubDate>Mon, 22 Aug 2011 16:41:08 +0000</pubDate> <dc:creator>Ethan Kanfer</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[New York International Fringe Festival]]></category> <category><![CDATA[theater comedy]]></category> <category><![CDATA[theater drama]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19522</guid> <description><![CDATA[In the age of equality, is it bad to be sexy? Fun to be bad? Which costume is more empowering: the corporate suit or the Victoria’s Secret intimates? The troubled protagonist of The Tutor doesn’t quite find the answers, but attracts plenty of fun and trouble as she embarks on her quest.]]></description> <wfw:commentRss>http://calitreview.com/19522/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>The Turn of the Screw at Glyndebourne, Live Streamed via The Guardian</title><link>http://calitreview.com/19509</link> <comments>http://calitreview.com/19509#comments</comments> <pubDate>Mon, 22 Aug 2011 13:02:03 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Opera]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Glyndebourne]]></category> <category><![CDATA[The Turn of the Screw]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19509</guid> <description><![CDATA[Glyndebourne: one of the names in the British calendar.  Up there with Wimbledon, Henley and other occasions which involve large quantities of strawberries being consumed in extremely specific clothing.  With the added attraction of some of the best opera in the world.]]></description> <wfw:commentRss>http://calitreview.com/19509/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Anne Boleyn, at Shakespeare’s Globe, London</title><link>http://calitreview.com/19503</link> <comments>http://calitreview.com/19503#comments</comments> <pubDate>Mon, 22 Aug 2011 12:30:02 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Anne Boleyn]]></category> <category><![CDATA[Shakespeare's Globe]]></category> <category><![CDATA[theater London]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19503</guid> <description><![CDATA[Despite the subject matter, and the evident success of the play, the particular style of performance the Globe encourages seemed to throw the play off kilter a few times.  There was too much “playing at naughtiness”, an easy iconoclasm feeding off the sense that jokes about sex are risky and daring in a play about the Renaissance in Shakespeare’s “own” theatre.]]></description> <wfw:commentRss>http://calitreview.com/19503/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Butley, at the Duchess Theatre, London</title><link>http://calitreview.com/19410</link> <comments>http://calitreview.com/19410#comments</comments> <pubDate>Fri, 19 Aug 2011 10:00:30 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Butley]]></category> <category><![CDATA[Dominic West]]></category> <category><![CDATA[Simon Gray]]></category> <category><![CDATA[theater drama]]></category> <category><![CDATA[theater London]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19410</guid> <description><![CDATA[Where West’s incarnation as Detective McNulty was part of a sprawling, panoramic vision of a social and political system in crisis, <em>Butley</em> hones in on one man frenetically working his own destruction in an academic office.  Gestures are made towards student radicalism and changing mores, but Butley’s existential battle is conducted on viciously hand-to-hand terms.]]></description> <wfw:commentRss>http://calitreview.com/19410/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>The 39 Steps at the Criterion Theatre, London</title><link>http://calitreview.com/19331</link> <comments>http://calitreview.com/19331#comments</comments> <pubDate>Thu, 18 Aug 2011 12:48:20 +0000</pubDate> <dc:creator>Jem Bloomfield</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Espionage]]></category> <category><![CDATA[Great Britain]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[John Buchan]]></category> <category><![CDATA[The 39 Steps]]></category> <category><![CDATA[theater comedy]]></category> <category><![CDATA[theater London]]></category> <category><![CDATA[West End]]></category> <category><![CDATA[World War I]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19331</guid> <description><![CDATA[The fact that it can now boast of being the longest-running comedy currently in the West End suggests that it taps pretty successfully into a tradition as firmly British as Hannay himself: a need to mock the idea of hearty “Britishness”, even as we celebrate it at one remove.]]></description> <wfw:commentRss>http://calitreview.com/19331/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Jason Nahum: Never Playing It Safe</title><link>http://calitreview.com/18481</link> <comments>http://calitreview.com/18481#comments</comments> <pubDate>Thu, 14 Jul 2011 20:00:29 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[off-Broadway]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=18481</guid> <description><![CDATA[Jason Nahum, an up and coming actor of considerable talent, opens up about his recent foray into the downtown scene, appearing in Axis Theatre's <em>Hospital 2011</em> written and directed by Randy Sharp.]]></description> <wfw:commentRss>http://calitreview.com/18481/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Theater Review: Spider-man: Turn off the Dark</title><link>http://calitreview.com/17679</link> <comments>http://calitreview.com/17679#comments</comments> <pubDate>Mon, 20 Jun 2011 18:12:19 +0000</pubDate> <dc:creator>Hanna Oldsman</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[Marvel]]></category> <category><![CDATA[Spider-man: Turn off the Dark]]></category> <category><![CDATA[theater musical]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=17679</guid> <description><![CDATA[Despite the fact that the producers of this spectacle have been changing their minds for months now, throwing out directors and story lines, reworking songs and dance numbers and dialogue, the heart of this superhero musical flutters weakly, pumping worn out clichés—and millions of dollars—through its veins. As the Green Goblin croons cannily at the beginning of Act Two, in a rare moment of clarity, this is a “65 million dollar circus tragedy.”]]></description> <wfw:commentRss>http://calitreview.com/17679/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Book Review: Mightier Than The Sword: Uncle Tom’s Cabin and the Battle for America by David S. Reynolds</title><link>http://calitreview.com/17357</link> <comments>http://calitreview.com/17357#comments</comments> <pubDate>Mon, 13 Jun 2011 12:45:29 +0000</pubDate> <dc:creator>Jeff McMillan</dc:creator> <category><![CDATA[African American]]></category> <category><![CDATA[Books]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[American History]]></category> <category><![CDATA[civil war]]></category> <category><![CDATA[Harriett Beecher Stowe]]></category> <category><![CDATA[nineteenth century]]></category> <category><![CDATA[slavery]]></category> <category><![CDATA[Uncle Tom's Cabin]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=17357</guid> <description><![CDATA[The escalating one-upmanship led to some truly bizarre innovations, such as casting famous boxers in the lead roles. Reynolds described how Peter Jackson, a famous black boxer, figured into the entertainments: “Uncle Tom, between acts or just before dying, would momentarily trade his slave costume for boxing trunks and spar for three rounds with another actor before resuming his tragic role.”]]></description> <wfw:commentRss>http://calitreview.com/17357/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Target Margin Theater&#8217;s The Tempest</title><link>http://calitreview.com/16648</link> <comments>http://calitreview.com/16648#comments</comments> <pubDate>Thu, 19 May 2011 16:07:15 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Target Margin Theater]]></category> <category><![CDATA[The Tempest]]></category> <category><![CDATA[William Shakespeare]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=16648</guid> <description><![CDATA[The production focuses its energies on exposing its illusion-making apparatuses to such an extent that the creaks and cranks of its pulleys and the nonchalant all-female run crew become the focal point of the play. When Prospero declares "I abjure this rough magic" in the final act, Shakespeare's poetry is imbued with an unexpected shade of meaning because theater itself is shown as a failed contrivance bereft of illusory magic.]]></description> <wfw:commentRss>http://calitreview.com/16648/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Theater Review: Catch Me If You Can</title><link>http://calitreview.com/15483</link> <comments>http://calitreview.com/15483#comments</comments> <pubDate>Tue, 19 Apr 2011 19:41:01 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Aaron Tveit]]></category> <category><![CDATA[Broadway]]></category> <category><![CDATA[theater comedy]]></category> <category><![CDATA[theater musical]]></category> <category><![CDATA[Tom Wopat]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=15483</guid> <description><![CDATA[Without question, the true stars of this musical are the gorgeous chorus girls who glide along the stage with dazzling grace. Choreographer Jerry Mitchell recalls a bygone era creating magic with an array of kick lines and fan dances. The male chorus also displays energetic power, but really, nothing can compare to those smooth gleaming gams. They hypnotize with effortless feminine beauty.]]></description> <wfw:commentRss>http://calitreview.com/15483/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Playwright in Profile: Susan Tenneriello</title><link>http://calitreview.com/15112</link> <comments>http://calitreview.com/15112#comments</comments> <pubDate>Tue, 29 Mar 2011 19:14:49 +0000</pubDate> <dc:creator>Andi Stover</dc:creator> <category><![CDATA[Blog-Theater]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Susan Tenneriello]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=15112</guid> <description><![CDATA[Tenneriello's first encounter with theatrical experimentation came from her mother who used to perform impersonations after family dinners. "We would bang our silverware on the table calling for 'imitations' at the end of the meal.  She would disappear and return dressed like one of us in a bathrobe or jacket, and parody us. It was hysterical."]]></description> <wfw:commentRss>http://calitreview.com/15112/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>
