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California Literary Review

Science Fiction and Fantasy

The Twelve by William Gladstone

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September 14th, 2009

This novel follows the exploits of intellectual and spiritual wunderkind Max Doff who, even as an infant, clearly was set apart from the rest of humanity. He’s destined for greatness along the lines of the Buddha and other prophets. During a near-death experience from a severe case of the flu at age 15, Max has a vision in his euphoric delirium that he can’t quite make sense of yet, but it reveals to him the names of twelve people…

The Big Machine by Victor LaValle

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September 3rd, 2009

The Big Machine is what urban fantasy looks like when it’s grown up and the writer isn’t relying on paranormal clichés to flesh out an epic tale of good versus evil. Not that you can pigeon-hole this novel—it’s a dizzying slipstream mashup of genres and memes and tropes and legends wrapped around a cross-cultural love story. This is a story that has depth, richness; a heart and a soul. Above all, it has a soul.

Movie Review: District 9

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August 15th, 2009

It is perhaps the most dystopian vision of alien contact ever filmed: the aliens are not the enemy, we are. The humans in the film are horrid, cruel stereotypes, laughing as alien eggs pop like popcorn, shooting creatures at random, and torturing an innocent man to discover the meaning of the alien weapons. The aliens (one of whom is Christopher Johnson, a decidedly nondescript and very American name) are scammed, abused and tortured, living in a horrendous slum. Unlike in Independence Day, The Day the Earth Stood Still, or any number of other self-congratulatory sci-fi films, we are not fighting to save ourselves from these unthinkably pitiful creatures. We’re using, torturing, and abusing them.

The Stranger by Max Frei

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July 16th, 2009

The Stranger is a translation of the first of a wildly popular series of novels from Russia. By turns serious and screwball, it combines sly, sometimes campy, humor with a yearning for personal insight and a good day’s sleep. The Stranger is an episodic quest set in a parallel universe, in which a Sherlock Holmes-Dr. Watson duo combat malign magicians and search for the perfect restaurant.

The Enchantment Emporium by Tanya Huff

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July 1st, 2009

Readers who know Tanya Huff from her Blood, Smoke, and The Keeper’s Chronicles books (or even the Blood Ties show on Lifetime) will find this stand-alone modern urban fantasy right in line with what they’ve come to expect from her. For those of us not so familiar with Huff’s work, a warning: This is not your usual fantasy fare. Not in the least.

Turn Coat: A Novel of the Dresden Files by Jim Butcher

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May 14th, 2009

Turn Coat is the 11th installment in the story of Harry Blackstone Copperfield Dresden, Chicago’s first (and only) Wizard private investigator. Jim Butcher has often said he has enough ideas to take the series well into the twenties, though he’s smart enough to provide an “in” for every book such that new readers can join up at anytime without starting at the beginning (or watching the interesting but short-lived Sci-Fi Channel Series The Dresden Files).

The Stone Gods by Jeanette Winterson

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June 14th, 2008

Jeanette Winterson’s latest novel, The Stone Gods, is a science-fiction novel-within-a-novel adventure and might come as a pleasant surprise to the fans who have seen her through the days of feast then famine.

William Gibson: The Father of Cyberpunk

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October 2nd, 2007

“The part of me that walks around and does interviews is incapable of doing very much in the way of writing a novel. My unconscious is what I’m after and my unconscious is not very reliable. It doesn’t pay taxes and it won’t turn up every day to sit in the chair and type for me. I have to turn up and sit in the chair every day and type and occasionally it does turn up.”

The Athena Factor by W. Michael Gear

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April 10th, 2007

In The Athena Factor W. Michael Gear explores the compelling and in many ways horrifying world of biotech engineering, principally in the form of DNA research and manipulation. While this book is fictional, what the author describes is not.

Fahrenheit 451: Avatar of the New Man

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March 26th, 2007

Francois Truffaut’s Fahrenheit 451 begins with a striking narration of the film’s credits. The premise is simple: talk becomes the natural medium in an illiterate state. When the firemen, that is, the book burners, arrive at a high rise with orders to burn books we are immediately struck by the stark and vulgar aesthetics of the buildings that are so typical in totalitarian countries – globs of spiritless, unimaginative, state-commissioned modernism.

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