Readers who know Tanya Huff from her Blood, Smoke, and The Keeper’s Chronicles books (or even the Blood Ties show on Lifetime) will find this stand-alone modern urban fantasy right in line with what they’ve come to expect from her. For those of us not so familiar with Huff’s work, a warning: This is not your usual fantasy fare. Not in the least.

This article is filed under Fiction Reviews, Science Fiction and Fantasy.

Turn Coat is the 11th installment in the story of Harry Blackstone Copperfield Dresden, Chicago’s first (and only) Wizard private investigator. Jim Butcher has often said he has enough ideas to take the series well into the twenties, though he’s smart enough to provide an “in” for every book such that new readers can join up at anytime without starting at the beginning (or watching the interesting but short-lived Sci-Fi Channel Series The Dresden Files).

This article is filed under Fiction Reviews, Science Fiction and Fantasy.

Jeanette Winterson’s latest novel, The Stone Gods, is a science-fiction novel-within-a-novel adventure and might come as a pleasant surprise to the fans who have seen her through the days of feast then famine.

This article is filed under Fiction Reviews, Science Fiction and Fantasy.

“The part of me that walks around and does interviews is incapable of doing very much in the way of writing a novel. My unconscious is what I’m after and my unconscious is not very reliable. It doesn’t pay taxes and it won’t turn up every day to sit in the chair and type for me. I have to turn up and sit in the chair every day and type and occasionally it does turn up.”

This article is filed under Fiction Reviews, Science Fiction and Fantasy, Writers.

In The Athena Factor W. Michael Gear explores the compelling and in many ways horrifying world of biotech engineering, principally in the form of DNA research and manipulation. While this book is fictional, what the author describes is not.

This article is filed under Fiction Reviews, Medicine, Movies, Science, Science Fiction and Fantasy.

Francois Truffaut’s Fahrenheit 451 begins with a striking narration of the film’s credits. The premise is simple: talk becomes the natural medium in an illiterate state. When the firemen, that is, the book burners, arrive at a high rise with orders to burn books we are immediately struck by the stark and vulgar aesthetics of the buildings that are so typical in totalitarian countries – globs of spiritless, unimaginative, state-commissioned modernism.

This article is filed under Classics, Fiction Reviews, Movies, Science Fiction and Fantasy.