The photographs in the retrospective are animated by the yearning for a sense of place, of belonging and by regret at seeing that place forever slipping out of reach, as a consequence of environmental heedlessness and of the inevitable passage of time.
Photography
Art Review: Robert Adams: The Place We Live, Denver Art Museum
by Holly Hunt
November 10th, 2011
Badlands Revisited
by Holly Hunt
May 11th, 2011
Badlands was filmed on location in southern Colorado, and recently I finally made it to Pueblo, Colorado’s Rosemount House Museum, aka the interior of the “rich man’s house.” Fans of Malick’s offbeat, lyrical American aesthetic should find plenty to like there.
Denver’s Camera Obscura Gallery Closes
by Holly Hunt
May 9th, 2011
In dramatic contrast to the wide-open, sleekly minimalist aesthetic of most modern art galleries, Camera Obscura’s displays rambled through a series of rooms whose uniform coat of white paint barely obscured their past as a Victorian home. It was in this casual, intimate, even cluttered environment that I encountered many of the luminaries of modern photography, such as Edward Weston, Eliot Porter, Imogen Cunningham…
A New Take on “Primitivism”? Man Ray, African Art, and The Modernist Lens
by Holly Hunt
March 21st, 2011
There are other questions to ask as well. Can this be anything other than two white men reducing the artifacts of a nonwhite culture to the status of props in their cerebral games? In my years as a graduate student, the academic word on artistic primitivism seemed unambiguous. It was straight-up cultural imperialism…
Badlands and Lost Edens: The Photography of Robert Adams
by Holly Hunt
January 26th, 2011
Adams recorded the ever-expanding suburban sprawl of the 1960s and 1970s, and his haunting, classically composed photos of tract houses and shopping centers engulfing what had been farmland helped define what was dubbed the New Topographics movement after the landmark 1975 exhibition.
The Life and Work of Eadweard Muybridge
by Alix McKenna
May 7th, 2010
Muybridge had married his young assistant, in 1871. After a while, he began to suspect that she was having an affair with theater critic, Harry Larkyns. In 1874, Muybridge found a photograph of the couple’s baby son, on the back of which, his wife had scralled “Little Harry.” Enraged, he tracked down Larkyns and shot him dead. The jury deemed Muybridge’s vengeance justifiable and he was acquitted. The couple’s young son was deposited in an orphanage.
I Myself Have Seen It: Photography & Kiki Smith at the Henry Art Gallery, Seattle
by Laura Haertel
March 18th, 2010
Contemporary sculptor and print maker Kiki Smith has been photographing and exhibiting her work for three decades. Smith grew up in a family where “life wasn’t worth living if you didn’t make art.” As the daughter of minimalist sculptor Tony Smith, Kiki assisted her father with his large-scale sculptures by folding and gluing together geometric cardboard models.
X-ray Photographs of David Arky
by Paul Comstock
January 12th, 2009
Duane Michals expressed it well when he said, “Photography deals exquisitely with appearances, but nothing is what it appears to be.” An inner life is uncovered in the nature of x-ray photography and in the nature of the subjects.
Black River Falls, Wisconsin, 1893: News Reports and Photos from Wisconsin Death Trip
by Paul Comstock
January 5th, 2009
Tramps who were refused food at the home of John Ovenbeck in the town of Friendship, Winnebego County, entered the barn at night and cut the throats of 3 cows, which bled to death. A card attached to the horns of one bore the following message: ‘Remember us when we call for something to eat again’
Battle for Falluja: Photos from Whiskey Tango Foxtrot
by Ashley Gilbertson
January 28th, 2008
The captured fighter claimed to be a student who had gotten stuck in Falluja. A Marine responded, “Yeah, right, University of Jihad, motherfucker.”

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