‘Can there have been any more inspiring vision this century than that of the Earth from space?’ exclaimed Lovelock, looking back. ‘We saw for the first time what a gem of a planet we live on. The astronauts who saw the whole Earth from Apollo 8 gave us an icon that has become as powerful as the scimitar or the cross.’

This article is filed under Environment, Mythology, Non-Fiction Reviews, Philosophy, Science.

Some say that the story of the Kingdom of Fanes is an epic that goes back to the Bronze Age in the Dolomites. How could such a story come down to us? No one in those parts knew writing, three thousand years ago or more. We don’t even know what languages people spoke then in the Dolomites. And what kind of kingdom could that have been?

This article is filed under History, Italy, Mythology, Non-Fiction Reviews.

“In waking we tend to think The Dream vanishes, evaporates in daylight like morning dew on grass. But it doesn’t. The unsettling Matrix-esque truth here is that we all live in world-simulations, pretty much all of the time. The brain isn’t out in the world; it’s locked in a dark box in your head. Patterns of information ting against our senses and get routed into the brain for model assembly. One of the core insights of the science of perception is our models of the world are heavily interpreted—our own expectations and cultural mores and personal history shape “The Real,” so that in some ways our personal little submarines move through an ocean of our own making.”

This article is filed under Mythology, Non-Fiction Reviews, Psychology.

In Alem’s world-view, one might expect to see objects morph into people, animals writhe in henna tattoos, and stones grant bearers restoration or doom. There are no rules of physics in this vision of Mecca and the city springs up like a character itself, imbued with its own sacred significance.

This article is filed under Fiction Reviews, Mythology, Saudi Arabia.

By the time we come to T.S. Eliot, F. Scott Fitzgerald, and Ernest Hemingway in the 1920’s, we find a hero characteristic of the period of entre les deux guerres: he is either passive and/or maimed in his masculinity; that is, fatally in his (phallic) heroism.

This article is filed under Literary Themes, Mythology, Non-Fiction Reviews.