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California Literary Review

Music

Concert Review: The Mountain Goats Celebrate Survival and Success in L.A.

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June 26th, 2011

  It’s good to be young, but let’s not kid ourselves It’s better to pass on through those years and come out the other side. -You Were Cool The El Rey Theater on Wilshire Blvd. in L.A. was the kind of large, ornate venue that you’d expect chamber music to be coursing through. The walls [...]

James Blake in Chicago: Sold-Out and Silent

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June 16th, 2011

  I was late to the must-attend show in Chicago of 2011…and I’m better for it. James Blake went on stage around 10:00, I arrived close to 10:10, and before opening the heavy doors to the concert hall floor, I heard no indication that there was anyone inside. If I had arrived on time, I [...]

You Can Never Leave: L.A. Burnout Mixes

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June 10th, 2011

What do you do when you get tired of the place you live in? When you can’t stand the idea of heading down road that gets you to your house one more time? When you’d rather just take a right for once. Do you move? Do you give up? Let’s say you’re in Demascus, Maryland. Then I’d say yes. I’d say yes, get out of there. Find another Safeway to forage in. Find another lawn to mow. But you can’t leave Los Angeles. You’ve learned that from the Eagles.

Welcome to When You See Sparks, CLR’s New Music Blog

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May 10th, 2011

We are pleased to announce the start of CLR’s new music blog. Ben Caro, a Los Angeles based writer, and Charlie Coffeen, a professional musician from Chicago, will be keeping you informed about all areas of the music world — concerts, albums, up-and-coming artists, as well as Charlie’s insights into life on the road and [...]

Opera Review: Anna Nicole at the Royal Opera House, London

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February 24th, 2011

Anna Nicole zipped herself up in a bodybag, surrounded by a crowd of camera-headed creatures which had been stalking her all the way through the second act, peering at her and sorting through piles of rubbish on the stage. The sudden blackout at the end produced a pause, then elated applause.

The Great Music Videos Valentine’s Edition: “Days Go By” by Dirty Vegas

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February 14th, 2011

Happy arbitrary and consumerist holiday from CLR and The Fourth Wall! Richard Phillips’s album artwork is lovely. Dirty Vegas were basically a few-dance-hits-wonder, but if your one massive hit comes with a video like “Days Go By,” you win at awesome. Ten years ago, “Days Go By” soared onto pop radio and MTV’s after-school hit [...]

The Weekly Listicle: No, We CAN’T Feel The Love Tonight!

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February 10th, 2011

This week, Julia Rhodes and I (Dan Fields) recall a bygone era, when entertainment for kids – specifically the musical accompaniment – got as much attention and thought as anything produced for an adult audience. It’s not meant strictly to pick on Elton John, but he seems an appropriate figurehead for the rather bland trends in children’s movie music today. This is not your typical twentysomething anti-Disney rant. It is a cry of nostalgic woe, and includes a number of selections from pre-downhill-slide Disney. Please enjoy, and remember some songs you might like to track down and show your own kids.

Tom Russell: American Primitive Man

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December 13th, 2010

Every Tom Russell song has something to say about the human heart. In each voice he invokes there are universal echoes of love, doubt, weakness, fear, restlessness and faith. The figure of the wanderer – whether soldier, cowboy, nomad, pioneer, outcast or pilgrim – passes again and again through his work.

Movie Time Nostalgia, Part 4: We Are All Children Of Paradise

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November 9th, 2010

A movie can do a lot of things to an audience. It may move them, amuse them, disgust them, terrify them, or in all too many cases bore them. One thing only a handful of films can do is inspire wonder. Every once in a while, a winning combination of writer, director, designers, composers and cast meet in perfect harmony. Such, I feel, is the case of Marcel Carné’s 1945 epic romance, Les Enfants du Paradis (Children of Paradise).

Book Review: The Music Instinct by Philip Ball

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September 1st, 2010

The amount of factual detail and insights that Ball brings to the themes under discussion is impressive in the extreme. On just one page, in the chapter dealing with rhythm, he weaves relevant examples ranging from Gyorgy Ligeti’s composition used in the film 2001: A Space Odyssey, Karlheinz Stockhausen’s electronic work, Kontakte, Samuel Barber’s Adagio for Strings, Chinese zither music and songs by Australian Aborigines that are accompanied by the clicking of rhythm sticks.

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