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Nicole Atkins: Femme Noir

by Elinor Teele

October 26th, 2009

She’s been called the female Roy Orbison, a psychedelic metalhead who grew up listening to Elvis and Patsy Cline. She adores Robert Plant and Led Zeppelin, does covers of Patti Smith and reminds listeners of Dusty Springfield. She has a voice like gray autumn skies and a fondness for nightmares. Classify Nicole Atkins at your peril.

Nina Simone: The Biography by David Brun-Lambert

by David Lida

August 5th, 2009

The granddaughter of slaves on both parents’ sides of the family, Simone’s stardom coincided with the civil rights struggle in the U.S. If it is necessary to find a defining moment in her life, it may have come even earlier than the Curtis Institute rejection. At her first public concert, at age ten in Tryon’s Town Hall, her parents were asked to give up their seats to a white couple. The child protested out loud until her father and mother were allowed to stay in their places.

Satchmo: The Wonderful World and Art of Louis Armstrong by Steven Brower

by David Lida

May 12th, 2009

For someone who radiated pure joy, his beginnings were Deep South Dickensian. Born in New Orleans in August 4, 1901, his unwed mother was a sometime prostitute and his absent father worked in a turpentine factory. As an unsupervised child, he worked unloading boats and selling newspapers on the sidewalk. Evenings, he would stand outside nightclubs and listen to the great trumpet players of the day, including Buddy Bolden and King Oliver, who would later become his mentor.

Home: A Memoir of My Early Years by Julie Andrews

by Elinor Teele

May 7th, 2008

Again, it took an intervention, this time by Moss Hart, to point her in the right direction. She doesn’t say much about what he did in the 48 hours of rehearsal that he devoted to her, but she does include one of his most memorable lines. When asked by his wife how the session had gone, he replied, “Oh she’ll be fine. She has that terrible British strength that makes you wonder how they ever lost India.” My Fair Lady was a hit and she belted it, day in, day out, both on Broadway and in London, fitting in her twenty-first birthday and a marriage to Tony Walton in the meantime.

The Rock Posters of Rich Black

by Rich Black

April 17th, 2008

A photographic essay: The Rock Posters of Rich Black.

Daniel Barenboim at La Scala

by Judith Harris

December 11th, 2007

Drama number three was the presence on the podium of Daniel Barenboim, the child prodigy born in 1942 in Argentina to Russian parents, who moved with him to Israel when he was ten. This opera performance, which furthermore inaugurates the newly restored theater, was the first by Barenboim as conductor of the orchestra that had performed under the batons of Arturo Toscanini and, more recently, the flamboyant Riccardo Muti. Although Barenboim has performed Wagner many times elsewhere, La Scala audiences have not seen a Wagnerian opera for three decades, and his making this selection can still raise a few eyebrows.

I’ll Sleep When I’m Dead: The Dirty Life and Times of Warren Zevon by Crystal Zevon

by David Loftus

October 4th, 2007

I’ll Sleep When I’m Dead is sort of an extended wake for its subject. There’s very little biographical narrative per se; instead, the book compiles a massive array of anecdotes, memories, and opinions from dozens upon dozens of the people who knew him, from engineers, girlfriends, and backing musicians to a fairly astounding variety of celebrities who spent time with Zevon.

The House That George Built by Wilfrid Sheed

by Julia Braun Kessler

September 4th, 2007

And in recreating social history, what a star-studded cast he lines up to perform for us! We find retold the lives and careers of preeminents like Irving Berlin, George Gershwin, Harold Arlen, Hoagy Carmichael, Duke Ellington , Jerome Kern, Cole Porter, Richard Rodgers, and many more.

T. Denean Sharpley-Whiting Discusses Hip Hop’s Attitude Toward Women

by Paul Comstock

June 15th, 2007

“The title was inspired by Snoop Dogg. It captures the ethos of the new gender politics I explore in the book–which is essentially that women are disposable, exchangeable, throwaway commodities to charismatic males who bond around keeping them “down” or in their place.”

Sister Rosetta Tharpe and the British Blues Revival

by Gayle F. Wald

June 11th, 2007

Interest in Rosetta in Britain was part and parcel of a larger trend: the postwar blues revival, which saw the emergence of a white public who “sought a heightened reality in the realm of black American song.”

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