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	<title>California Literary Review &#187; Movies</title>
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		<title>Movie Review: New Moon</title>
		<link>http://calitreview.com/5527</link>
		<comments>http://calitreview.com/5527#comments</comments>
		<pubDate>Sat, 21 Nov 2009 04:54:44 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie drama]]></category>
		<category><![CDATA[movie fantasy]]></category>
		<category><![CDATA[vampires]]></category>

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		<description><![CDATA[The movie positively drags at two hours eleven minutes; when the kids at the front of the theater start chatting amongst themselves during the “tense” final scenes, something’s not right. ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Movie Review: Precious: Based on the Novel &#8220;Push&#8221; by Sapphire</title>
		<link>http://calitreview.com/5483</link>
		<comments>http://calitreview.com/5483#comments</comments>
		<pubDate>Wed, 18 Nov 2009 13:25:51 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[African American]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie drama]]></category>

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		<description><![CDATA[Comedian Mo’Nique, best known for urban comedies like <em>Phat Girlz</em> and <em>Welcome Home, Roscoe Jenkins</em>, gives such a frightening performance as Mary Jones, the Academy should just hand over the Oscar statuette to her now.  Her scene towards the end when she is confronted by both Precious and Weiss for all her wicked deeds is enough to make your stomach churn.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Movie Review: Pirate Radio</title>
		<link>http://calitreview.com/5426</link>
		<comments>http://calitreview.com/5426#comments</comments>
		<pubDate>Sat, 14 Nov 2009 16:22:50 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie comedy]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[Richard Curtis]]></category>

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		<description><![CDATA[Aside from the lack of a true protagonist, a number of small story arcs fall a bit flat, and the film may be a bit long at over two hours. However, a hilarious cast, a few genuinely poignant moments, and a slightly silly but ultimately uplifting end save the plot from disaster. The brilliant cast and funny script make for a fine film that probably won’t enjoy the sort of release it deserves in America—which is unfortunate, since it’s exactly the kind of movie whose heart and ingenuity should trump trashy big budget disaster movies at the box office.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Men Who Stare at Goats</title>
		<link>http://calitreview.com/5318</link>
		<comments>http://calitreview.com/5318#comments</comments>
		<pubDate>Sat, 07 Nov 2009 14:16:37 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Kevin Spacey]]></category>
		<category><![CDATA[movie comedy]]></category>

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		<description><![CDATA[Imagine a world in which the military trains soldiers not to kill enemies of the state, but to infiltrate their minds with the Jedi mind trick. A different political and military climate in which soldiers in camo sport long hair, have dance parties, and hold daisies in their hands. A military unit in which recreational drugs enhance the training, where drills include psychic exercises and the Privates’ chakras are open to the world. Grant Heslov’s <em>The Men Who Stare at Goats</em> plops the audience into this seemingly alternate universe with the admonition that “more of this is true than you would believe.”]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>In My Father&#8217;s Shadow by Chris Welles Feder</title>
		<link>http://calitreview.com/5301</link>
		<comments>http://calitreview.com/5301#comments</comments>
		<pubDate>Thu, 05 Nov 2009 16:29:57 +0000</pubDate>
		<dc:creator>Rochelle Jewel Shapiro</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Non-Fiction Reviews]]></category>
		<category><![CDATA[Orson Welles]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5301</guid>
		<description><![CDATA[Orson had become so famous for his villainous role as Harry Lime in <em>The Third Man</em> that the moment he appeared in public, somebody whipped out an instrument and began playing the theme song. When an organ-grinder began playing the theme while Chris and Orson were crossing Piccadilly Circus, Orson had had it with London. His driver took them way out in the country to picnic in an isolated spot surrounded by hedges. A man on a bicycle saw them, stopped short, and suddenly whipped out his harmonica to play <em>The Third Man</em> theme song.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: The Maid</title>
		<link>http://calitreview.com/5225</link>
		<comments>http://calitreview.com/5225#comments</comments>
		<pubDate>Sun, 01 Nov 2009 18:19:29 +0000</pubDate>
		<dc:creator>Germein Linares</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie art film]]></category>
		<category><![CDATA[movie drama]]></category>

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		<description><![CDATA[It’s in this last third of the film that Catalina Saavedra’s performance as Raquel carries the film to excellence. Raquel’s character could easily have devolved into caricature. Instead, Saavedra allows her to experience these newly discovered truths with equal measures of joy and regret. Often, it’s just a face – a momentary expression of the eyes and mouth – that say so much about Raquel’s life in the shadows, the years lost to servitude.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Movie Review: Paranormal Activity</title>
		<link>http://calitreview.com/5136</link>
		<comments>http://calitreview.com/5136#comments</comments>
		<pubDate>Sat, 24 Oct 2009 16:02:36 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie horror]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5136</guid>
		<description><![CDATA[The film falls short by arranging a regrettably thin layer of spooky occurrences beneath a thicker deposit of badly acted exposition and obnoxious characters. The couple and all secondary characters are total unknowns, which fits with the idea that audiences are privy to the lives of everyday citizens. The problem lies in the movie’s inability to create believable tension.]]></description>
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		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Movie Review: Amelia</title>
		<link>http://calitreview.com/5108</link>
		<comments>http://calitreview.com/5108#comments</comments>
		<pubDate>Fri, 23 Oct 2009 12:59:05 +0000</pubDate>
		<dc:creator>Zorianna Kit</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Amelia Earhart]]></category>
		<category><![CDATA[movie biopic]]></category>
		<category><![CDATA[movie drama]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=5108</guid>
		<description><![CDATA[Furthermore, Nair chooses to play it safe by directing an uninspiring paint-by-numbers biopic complete with voice-overs from the now dead Amelia (“We all have ocean’s to fly…”), montages to speed up time, black-white newsreel footage to add authenticity, and the flashing of newspaper headlines to show historical significance. One would think that Nair’s beautiful Bollywood films would have brought some magic touch to this very American story.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Where the Wild Things Are</title>
		<link>http://calitreview.com/5033</link>
		<comments>http://calitreview.com/5033#comments</comments>
		<pubDate>Sat, 17 Oct 2009 15:38:45 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Maurice Sendak]]></category>
		<category><![CDATA[movie family]]></category>

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		<description><![CDATA[Although studios balked at the film’s maturity, believing it might be too scary for children, it will appeal to kids and adults alike. Inside all of us there’s a child who yearns to break free, and the film’s beauty lies in its ability to portray unrefined human emotion and the vastness of the imagination. Expect Jonze’s <em>Where the Wild Things Are</em> to ignite the minds of generations to come; spending 90 minutes inside a child’s mind has never felt so cathartic and enchanting. ]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Movie Review: Zombieland</title>
		<link>http://calitreview.com/4897</link>
		<comments>http://calitreview.com/4897#comments</comments>
		<pubDate>Sat, 03 Oct 2009 15:29:07 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie comedy]]></category>
		<category><![CDATA[movie horror]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4897</guid>
		<description><![CDATA[<em>Zombieland</em> elicits comparison to both the Brit “romzomcom” (romantic zombie comedy) and <em>Dawn of the Dead</em> (1978). But though it’s alternately a comedy, a romance, a gorefest, and a buddy road-trip movie, <em>Zombieland</em> unravels many of the threads that make up the zombie genre. A good ensemble cast (three up-and-comers and the always-humorous Harrelson), great makeup effects, and fantastic writing create a lighthearted, fun homage to the classic undead movies of yore.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Movie Review: The Informant!</title>
		<link>http://calitreview.com/4807</link>
		<comments>http://calitreview.com/4807#comments</comments>
		<pubDate>Sat, 19 Sep 2009 15:43:39 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie comedy]]></category>

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		<description><![CDATA[Perhaps the most ingenious part of Whitacre’s affect (and the film) is his stream-of-consciousness inner monologue. He wonders about tie patterns, spews factoids about polar bears, and wrestles with the German language as he bumbles deeper into an FBI investigation he instigated. Whitacre is the ultimate unreliable narrator—someone whose world is entirely in his head, and whose actions are simply inconsequential.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Movie Review: 9</title>
		<link>http://calitreview.com/4721</link>
		<comments>http://calitreview.com/4721#comments</comments>
		<pubDate>Sat, 12 Sep 2009 02:09:51 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[movie animation]]></category>
		<category><![CDATA[movie science fiction]]></category>

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		<description><![CDATA[The film is truly gorgeous to behold. Starz Animation has officially given Pixar a run for its money. Each surface is textured minutely; the film feels so real the audience could almost reach into the screen and scoop up a stitchpunk for themselves. The spooky brain monster against which the creatures must defend themselves is reminiscent of the machines in <em>The Matrix</em>—a glowing, glaring red eye centered in a mass of metallic tentacles. Though the voice actors are talented, the dialogue is few, far between, and unimportant to the film’s plot. This movie is eye candy.]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Movie Review: The September Issue</title>
		<link>http://calitreview.com/4684</link>
		<comments>http://calitreview.com/4684#comments</comments>
		<pubDate>Tue, 08 Sep 2009 19:39:18 +0000</pubDate>
		<dc:creator>Brenna E. Fitzgerald</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[fashion]]></category>
		<category><![CDATA[movie documentary]]></category>

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		<description><![CDATA[From pink to black and from Paris to Bryant Park, this flashy documentary by R.J. Cutler (<em>The War Room</em>) lets us peep behind the veil of <em>Vogue</em> and glimpse into both the goblins and the glory of glamour.  Following the magazine’s steadfast fury to produce its largest page-count ever in 2007 (a whopping 840), we see what it takes to work for a high-end fashion publication, but more importantly we get a portrait of the ice-queen in charge.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Taking Woodstock</title>
		<link>http://calitreview.com/4617</link>
		<comments>http://calitreview.com/4617#comments</comments>
		<pubDate>Sat, 29 Aug 2009 01:32:38 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[1960s]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Demetri Martin]]></category>
		<category><![CDATA[movie dramedy]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=4617</guid>
		<description><![CDATA[Though his oeuvre includes everything from melodrama to martial arts, Lee’s most endearing projects are intimate, sensible, plausible stories about people who might as well be your parents, your friends, or your schoolteacher. <em>Taking Woodstock</em> is based firmly in reality, but the film isn’t about one character’s journey: it’s a coming-of-age story about America.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Movie Review: Inglourious Basterds</title>
		<link>http://calitreview.com/4560</link>
		<comments>http://calitreview.com/4560#comments</comments>
		<pubDate>Sat, 22 Aug 2009 01:05:52 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Brad Pitt]]></category>
		<category><![CDATA[movie action]]></category>
		<category><![CDATA[movie war]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[World War II]]></category>

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		<description><![CDATA[Smart though Tarantino may be, his self-aggrandizing filmic techniques grow old. Placing arrows and title cards in the frame doesn’t make it more entertaining. By continuously removing the audience from the narrative, Tarantino seemed to say “LOOK! This is a MOVIE! This is MY movie!”]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Movie Review: District 9</title>
		<link>http://calitreview.com/4491</link>
		<comments>http://calitreview.com/4491#comments</comments>
		<pubDate>Sat, 15 Aug 2009 18:10:41 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Science Fiction and Fantasy]]></category>
		<category><![CDATA[movie science fiction]]></category>
		<category><![CDATA[Neill Blomkamp]]></category>

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		<description><![CDATA[It is perhaps the most dystopian vision of alien contact ever filmed: the aliens are not the enemy, <em>we</em> are. The humans in the film are horrid, cruel stereotypes, laughing as alien eggs pop like popcorn, shooting creatures at random, and torturing an innocent man to discover the meaning of the alien weapons. The aliens (one of whom is Christopher Johnson, a decidedly nondescript and very American name) are scammed, abused and tortured, living in a horrendous slum. Unlike in <em>Independence Day</em>, <em>The Day the Earth Stood Still</em>, or any number of other self-congratulatory sci-fi films, we are not fighting to save ourselves from these unthinkably pitiful creatures. We’re using, torturing, and abusing them. ]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Movie Review: Julie &amp; Julia</title>
		<link>http://calitreview.com/4444</link>
		<comments>http://calitreview.com/4444#comments</comments>
		<pubDate>Sat, 08 Aug 2009 15:06:34 +0000</pubDate>
		<dc:creator>Julia Rhodes</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Amy Adams]]></category>
		<category><![CDATA[Chris Messina]]></category>
		<category><![CDATA[cooking]]></category>
		<category><![CDATA[Julia Child]]></category>
		<category><![CDATA[Meryl Streep]]></category>
		<category><![CDATA[Nora Ephron]]></category>
		<category><![CDATA[Stanley Tucci]]></category>

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		<description><![CDATA[In the last scene of the film, Julie says to Eric, “She saved me.” Eric responds, “You saved yourself.”  This, more than anything, is truly significant: feminine strength and passion are a force to be reckoned with—and balancing personal aspirations with blissful relationships is more than possible: it’s worth the struggle. <em>Julie &#038; Julia</em> is a valentine to female independence, an ode to striving for what you truly enjoy.]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Movie Review: Food, Inc.</title>
		<link>http://calitreview.com/3354</link>
		<comments>http://calitreview.com/3354#comments</comments>
		<pubDate>Thu, 18 Jun 2009 16:57:52 +0000</pubDate>
		<dc:creator>Brenna E. Fitzgerald</dc:creator>
				<category><![CDATA[Agriculture]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Environment]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Eric Schlosser]]></category>
		<category><![CDATA[Food Inc.]]></category>
		<category><![CDATA[Gary Hirshberg]]></category>
		<category><![CDATA[Michael Pollan]]></category>
		<category><![CDATA[movie documentary]]></category>
		<category><![CDATA[organic]]></category>
		<category><![CDATA[Robert Kenner]]></category>
		<category><![CDATA[Tony Airosa]]></category>

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		<description><![CDATA[Shocking and heartbreaking, <em>Food, Inc.</em> gives us those nitty-gritty details of how a tomato is grown or how a chicken is raised.  It reveals that every step of the process from farm to factory to functional product is not as scrupulously regulated as government organizations like the USDA and the FDA would have you believe.  According to Pollan, “the industrial food system is always looking for greater efficiency.  But each new step in efficiency leads to problems.”]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Marlee Matlin: Bold Moves and Few Regrets</title>
		<link>http://calitreview.com/3295</link>
		<comments>http://calitreview.com/3295#comments</comments>
		<pubDate>Wed, 10 Jun 2009 15:17:36 +0000</pubDate>
		<dc:creator>Elinor Teele</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Disability]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[alcoholism]]></category>
		<category><![CDATA[drug addiction]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[Marlee Matlin]]></category>
		<category><![CDATA[Rob Lowe]]></category>
		<category><![CDATA[William Hurt]]></category>

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		<description><![CDATA["I worry about nothing except doing work that I like and that I look at as quality work. I don’t think of legacies or what people think. They are bold moves because I’ve found I can get the most attention with doing things that people don’t expect of me. It’s just the way it is."]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Who is Rita, What Was She?</title>
		<link>http://calitreview.com/3047</link>
		<comments>http://calitreview.com/3047#comments</comments>
		<pubDate>Wed, 22 Apr 2009 15:19:52 +0000</pubDate>
		<dc:creator>Jascha Kessler</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[alzheimer's]]></category>
		<category><![CDATA[Communist Party]]></category>
		<category><![CDATA[Rita Hayworth]]></category>
		<category><![CDATA[Ronald Reagan]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=3047</guid>
		<description><![CDATA[Rita murmured in that, silky, sultry voice from so very long ago, “Enough crap, big boy.  Let’s get out of here!”  She slid off her stool and thrust her arm under mine. I heard whispered words somewhere inside my head, <em>O, heart, be still!</em>  The best I could manage was a stammer, “Miss Hayworth, I came with my wife.  That’s her there, with Margo and Eddie.”]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>Hollywood  Lives: George C. Scott and Tony Curtis</title>
		<link>http://calitreview.com/1878</link>
		<comments>http://calitreview.com/1878#comments</comments>
		<pubDate>Sun, 14 Dec 2008 14:58:36 +0000</pubDate>
		<dc:creator>David Lida</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Non-Fiction Reviews]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[George C. Scott]]></category>
		<category><![CDATA[Grace Kelly]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[Jamie Lee Curtis]]></category>
		<category><![CDATA[Joan Collins]]></category>
		<category><![CDATA[John Huston]]></category>
		<category><![CDATA[Marilyn Monroe]]></category>
		<category><![CDATA[Tony Curtis]]></category>

		<guid isPermaLink="false">http://calitreview.com/?p=1878</guid>
		<description><![CDATA[At the airport, customs agents discovered a bag of marijuana and a handgun inside his baggage. After surrendering to the authorities, Curtis writes that he thought, “Whatever happens, it won’t be as bad as my childhood.” At age 50 – after he had been a movie star for a quarter of a century – he got to the door of the hospital room where his mother was dying from heart disease. He heard her calling his name, but could not bring himself to go inside.]]></description>
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		<item>
		<title>Home: A Memoir of My Early Years by Julie Andrews</title>
		<link>http://calitreview.com/647</link>
		<comments>http://calitreview.com/647#comments</comments>
		<pubDate>Wed, 07 May 2008 12:45:10 +0000</pubDate>
		<dc:creator>Elinor Teele</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Great Britain]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Non-Fiction Reviews]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[Julie Andrews]]></category>
		<category><![CDATA[Richard Burton]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://calitreview.com/topics/theatre/647/</guid>
		<description><![CDATA[Again, it took an intervention, this time by Moss Hart, to point her in the right direction. She doesn't say much about what he did in the 48 hours of rehearsal that he devoted to her, but she does include one of his most memorable lines. When asked by his wife how the session had gone, he replied, "Oh she'll be fine. She has that <em>terrible</em> British strength that makes you wonder how they ever lost India." <em>My Fair Lady</em> was a hit and she belted it, day in, day out, both on Broadway and in London, fitting in her twenty-first birthday and a marriage to Tony Walton in the meantime.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Is There a Doctor in the House?</title>
		<link>http://calitreview.com/246</link>
		<comments>http://calitreview.com/246#comments</comments>
		<pubDate>Tue, 07 Aug 2007 15:23:31 +0000</pubDate>
		<dc:creator>Jascha Kessler</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[acting]]></category>

		<guid isPermaLink="false">http://calitreview.com/2007/08/07/is-there-a-doctor-in-the-house/</guid>
		<description><![CDATA[She smoked a lot, but she laughed a lot too. I could easily support her, I was at thirteen, a good two heads taller — she even looked like Betty Boop!  And when her lady partner went ahead or loitered poking through the rough in search of another lost ball, Miss Rothschild would walk on with me, linking my elbow gaily,  helping me along. “My poor caddie has to carry my clubs!” she’d wail.  And there, at 11 in the morning under that bright, glancing sunlight, facing into the brisk mountain breeze, I’d get a whiff of lipstick and whiskey-tainted breath, mingled with her flossy perfume, her laughter enveloping me in a mist of genial, confusing sensuality. She liked to tease: she set anyone and everyone up, her friends male and female alike; she even set me up.  Pixyish, it seemed that was the word for it ... yet  that “it” always eluded me.]]></description>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Red Carpets and Other Banana Skins by Rupert Everett</title>
		<link>http://calitreview.com/237</link>
		<comments>http://calitreview.com/237#comments</comments>
		<pubDate>Thu, 12 Jul 2007 17:58:08 +0000</pubDate>
		<dc:creator>Elinor Teele</dc:creator>
				<category><![CDATA[Biography]]></category>
		<category><![CDATA[Gay and Lesbian]]></category>
		<category><![CDATA[Great Britain]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Non-Fiction Reviews]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>

		<guid isPermaLink="false">http://calitreview.com/2007/07/12/red-carpets-and-other-banana-skins-by-rupert-everett/</guid>
		<description><![CDATA[The universe appears to have cheated Rupert Everett. By rights, he belongs to the Edwardian age, the gay with a capital "G" nineties, Oscar Wilde and the pursuit of beauty, art for arts sake, and to hell with propriety.]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Family Values</title>
		<link>http://calitreview.com/218</link>
		<comments>http://calitreview.com/218#comments</comments>
		<pubDate>Wed, 13 Jun 2007 13:51:26 +0000</pubDate>
		<dc:creator>Jem Bloomfeld</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>

		<guid isPermaLink="false">http://calitreview.com//2007/06/13/family-values/</guid>
		<description><![CDATA[Their glossy and frequently rather smug “postmodernism”, which refuses to acknowledge any authority other than previous horror movies, masks a fear that such authority is all too real, and is probably furious with them.]]></description>
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		</item>
		<item>
		<title>In Character: Actors Acting by Howard Schatz</title>
		<link>http://calitreview.com/133</link>
		<comments>http://calitreview.com/133#comments</comments>
		<pubDate>Sun, 22 Apr 2007 07:54:43 +0000</pubDate>
		<dc:creator>David Loftus</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Non-Fiction Reviews]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Ben Stein]]></category>
		<category><![CDATA[Buck Henry]]></category>
		<category><![CDATA[Danny Glover]]></category>
		<category><![CDATA[David Carradine]]></category>
		<category><![CDATA[Don Cheadle]]></category>
		<category><![CDATA[Edie Falco]]></category>
		<category><![CDATA[Ellen Burstyn]]></category>
		<category><![CDATA[Eric Roberts]]></category>
		<category><![CDATA[Eric Stoltz]]></category>
		<category><![CDATA[Fran Drescher]]></category>
		<category><![CDATA[George Segal]]></category>
		<category><![CDATA[Ileana Douglas]]></category>
		<category><![CDATA[Robert Klein]]></category>

		<guid isPermaLink="false">http://calitreview.com//non-fiction-reviews/in-character-actors-acting-by-howard-schatz/</guid>
		<description><![CDATA[Imagine 32 famous actors looking you straight in the eye and flirting with you. (Marlee Matlin! Natasha Richardson! Swoon!)]]></description>
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		</item>
		<item>
		<title>The Athena Factor by W. Michael Gear</title>
		<link>http://calitreview.com/99</link>
		<comments>http://calitreview.com/99#comments</comments>
		<pubDate>Tue, 10 Apr 2007 07:52:39 +0000</pubDate>
		<dc:creator>John Holt</dc:creator>
				<category><![CDATA[Fiction Reviews]]></category>
		<category><![CDATA[Medicine]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Science]]></category>
		<category><![CDATA[Science Fiction and Fantasy]]></category>

		<guid isPermaLink="false">http://calitreview.com//non-fiction-reviews/the-athena-factor-by-w-michael-gear/</guid>
		<description><![CDATA[In  The Athena Factor W. Michael Gear explores the compelling and in many ways horrifying world of biotech engineering, principally in the form of DNA research and manipulation. While this book is fictional, what the author describes is not.]]></description>
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		</item>
		<item>
		<title>Confessions of a Porn Writer</title>
		<link>http://calitreview.com/60</link>
		<comments>http://calitreview.com/60#comments</comments>
		<pubDate>Sat, 31 Mar 2007 16:33:22 +0000</pubDate>
		<dc:creator>Kelly Hartog</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Sex]]></category>
		<category><![CDATA[Writers]]></category>
		<category><![CDATA[Lynn Isenberg]]></category>

		<guid isPermaLink="false">http://calitreview.com//interviews/confessions-of-a-porn-writer/</guid>
		<description><![CDATA[“I had been hired to write a movie for the Playboy channel – soft porn. I didn’t know that Playboy had co-financed it with an adult film company and suddenly there were many different versions of my film."]]></description>
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		</item>
		<item>
		<title>Stripping the Town of Tinsel</title>
		<link>http://calitreview.com/57</link>
		<comments>http://calitreview.com/57#comments</comments>
		<pubDate>Fri, 30 Mar 2007 16:39:27 +0000</pubDate>
		<dc:creator>Kelly Hartog</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Writers]]></category>

		<guid isPermaLink="false">http://calitreview.com//interviews/stripping-the-town-of-tinsel/</guid>
		<description><![CDATA[
 Hilary de Vries

The dot com slump, a shift in journalistic standards in the celebrity-driven Hollywood mill, and an overwhelming desire to be honest in her reporting, were the catalysts that propelled award winning Hollywood journalist Hilary de Vries to write her debut novel, “So 5 Minutes Ago” (Random House) which hit bookstands in February. [...]]]></description>
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		</item>
		<item>
		<title>The Big Country: How the West Finally Won</title>
		<link>http://calitreview.com/45</link>
		<comments>http://calitreview.com/45#comments</comments>
		<pubDate>Mon, 26 Mar 2007 15:40:29 +0000</pubDate>
		<dc:creator>Elinor Teele</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Movies & TV]]></category>
		<category><![CDATA[Westerns]]></category>
		<category><![CDATA[Writers]]></category>
		<category><![CDATA[Charlton Heston]]></category>
		<category><![CDATA[Gregory Peck]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[John Ford]]></category>
		<category><![CDATA[John Wayne]]></category>

		<guid isPermaLink="false">http://calitreview.com//essays/the-big-country-how-the-west-finally-won/</guid>
		<description><![CDATA[It’s not a classic in the sense of Casablanca or Citizen Kane, but it’s a kind of cinematic cipher. It opens your eyes to the possibilities still inherent in the Western and shows you its true star. Not a man on a horse or a gunfighter at high noon, but the West itself.]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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</rss>
