One of the reasons the movie works so well is the interplay between Pacino and Johnny Depp, who established himself as more than just a pretty-boy actor with his performance here as Joe Pistone. Using the undercover name Donnie Brasco (a name Pistone “borrowed” from a cousin), the street-smart, New Jersey-raised FBI agent manages to infiltrate a major New York crime family by posing as a jewel thief and hustler who knows how to make money.
May 22nd, 2013
May 21st, 2013
The genesis of this complex thriller was a magazine article, or—more accurately—the headline of an article. Director Bryan Singer was thumbing through Spy magazine in 1992 when he turned to a story entitled, “The Usual Suspects” after Claude Rains’ classic line in Casablanca. Hmm, thought Singer. Now that would make a good title for a movie.
May 20th, 2013
In the opening shot of Casino, a man in a salmon-colored sports jacket climbs into his Lincoln Continental. He turns the key and the car explodes. Then, as director Martin Scorsese explains it, “You see him in slow motion, flying over the flames—like a soul about to take a dive into hell.”
May 19th, 2013
Still, there’s something beyond the stereotypes and the arcane movie talk that makes this a great film. For one, the story it tells remains—as it was then—the American dream come to life: an immigrant from humble beginnings gets the money, gets the power, gets the women. The bad guy has always mesmerized audiences, and Muni is as magnetic as Robert De Niro and Al Pacino were a half-century later.
May 18th, 2013
Once Upon a Time in America tells the lifelong tale of a clan of Jewish mobsters. It has two main chapters—set in 1920 and 1933—plus a third chapter, set in 1968. Each chapter deals with power and sex and treachery.
May 17th, 2013
He’s a highly efficient—but in many ways naïve—hit man who drinks milk, exercises religiously and seems obsessed with the care and maintenance of a houseplant. She’s a 12-year-old who smokes, curses and is wise way beyond her years. Together they form an unlikely crime team in this fascinating and unusual look at the New York underworld.
May 16th, 2013
By the end, Star Trek Into Darkness ends up feeling too much like a retread of the first feature without offering anything unique or different stylistically or intellectually. The characters are still likable, Abrams (and crew) knows that we like the characters, and Abrams (and crew) clearly likes the characters. Even Scotty’s little green friend returns. That pleasantness can and does cover up many flaws, even if certain moments dance dangerously close to cutesy and irritating.
May 16th, 2013
One of the best things about watching Mean Streets more than 30 years after its debut is that you know what’s coming after this. And so you look and you watch and you listen for little signs—small scenes that are the roots and the seedlings of the Scorsese/De Niro oeuvre.
May 15th, 2013
Reservoir Dogs is an action film without much action. A crime drama in which you never see the main crime take place. A comedy that makes you sometimes feel uneasy about laughing. A buddy movie where the buddies end up killing each other.
May 14th, 2013
A remake of the 1932 classic of the same name starring Paul Muni, Al Pacino’s Scarface is more often compared to his other underworld epics, The Godfather and The Godfather: Part II. All four movies are about the immigrant experience and a charismatic figure from the underclass using any means possible to realize the American dream. The dream, of course, becomes a nightmare.
May 13th, 2013
This was film noir, movies where evil not only exists, but flourishes. Cagney’s Cody Jarrett isn’t a charismatic outlaw who viewers could vicariously admire, but rather a despicable embodiment of immorality, a man who takes what he wants whenever he wants it, mocking and abusing all those he comes in contact with—including the cops, members of his own gang and his less-than-virtuous wife, Verna (Virginia Mayo).
May 12th, 2013
In preparation for Star Trek Into Darkness, I decided to take a look back at the original The Original Series movies, marathon-style. Of course, I have no way of proving that I went through the films in a straight shot, so you can either take my word for it, or not.
May 12th, 2013
A Bronx Tale is more than a wonderful portrait of growing up around the mob in the 1960s. Written by Chazz Palminteri, directed by Robert De Niro and starring both, the movie is a primer on life. No film this side of The Godfather provides as many valuable life lessons.
May 10th, 2013
“Young people understood this movie instantly,” director Arthur Penn told the Los Angeles Times. “They saw Bonnie and Clyde as rebels like themselves. It was a movie that spoke to a generation in a way none of us had really expected.”
May 9th, 2013
Brian De Palma was worried about doing another Hispanic drug kingpin movie after Scarface. But the story and the acting in Carlito’s Way go in such a different direction that there ended up being few similarities between the two films. This is a personal look at one man’s attempt at redemption. Scarface, on the other hand, is a saga about one man’s one-way trip to hell.
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