This film will upset you. This film will follow you home and haunt you. This film takes courage to face. You will not forget We Need To Talk About Kevin.
Movies
Yes Academy, We Do Need To Talk About Kevin
by Dan Fields
February 9th, 2012
100 Greatest Gangster Films: The Killer, #90
by George Anastasia, Glen Macnow
February 9th, 2012
To some fans, The Killer represents the apex of his career—before he went too commercial. It’s got a solid storyline and strong acting. But it’s mostly a lavishly staged ballet of bullets and blood. Guns blaze in slow motion. Bodies fly through the air. This is high-octane violence in a way that makes your typical Sly Stallone or Steven Seagal fare look like Mary Poppins.
Movie Review: Chronicle
by Adam Robert Thomas
February 4th, 2012
So if you want to try a telekinetic tragedy for today’s times, your only real option, at least for now, is Chronicle. It may be a bit predictable and a bit clichéd, but so is Oedipus, that doesn’t make either any less engaging or heart rending by the end.
Movie Review: The Woman in Black
by Dan Fields
February 4th, 2012
And what better place for sustained periods of quiet dread than an abandoned child’s nursery, truly the most powerful asset of a Victorian horror story. In between these extremes of suspense and shock are several surprisingly vivid moments of horror, as the curse manifests itself well outside the bounds of the haunted house.
The Weekly Listicle: Giants v. Patriots
by Brett Harrison Davinger
February 3rd, 2012
The Weekly Listicle focuses on movies with giants AND patriots.
100 Greatest Gangster Films: Gloria, #91
by George Anastasia, Glen Macnow
February 2nd, 2012
This is a gangster movie without a memorable gangster. But it has one of the all-time great underworld molls in film history. Gena Rowlands, in the title role, is the movie. And that’s both a blessing and a curse.
Oscars 2012: Slighted Soundtracks And Fantasy Scores
by Dan Fields
January 30th, 2012
Acting, directing, and writing awards are the most popular targets for discussion, but there were more very creative folks left off the roll this year. Two aggressively original outsiders are out in the rain, peeping in at the Best Original Score category without so much as an acknowledgment.
Movie Review: Albert Nobbs
by Julia Rhodes
January 28th, 2012
Albert, says Garcia, is “beyond the closet.” It doesn’t matter what his sexual orientation is (or isn’t), nor does it even particularly matter his gender. In the end, he’s just a human being striving to be happy, and we can identify with that.
Movie Review: Man on a Ledge
by Matthew Newlin
January 28th, 2012
The heist movie is one of the most beloved genres in cinema and its great legacy is tarnished by films like Man on a Ledge.
100 Greatest Gangster Films: El Mariachi, #92
by George Anastasia, Glen Macnow
January 26th, 2012
But there’s a lot of energy and creativity in El Mariachi. Rodriguez has gone on to become a popular and successful director. Watching this film gives you the sense of watching a rock star back when he was in a neighborhood garage band.

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