The practice of blessing mass entertainment with the bard’s prose confers a kind of loftiness upon it, or at least that must be the idea. A quick glance indicates that Shakespeare has provided titles for an alarming number of Star Trek episodes, just for starters. This week, lend your ears to Brett Harrison Davinger and me (Dan Fields) as we look at some of our favorite films to borrow a title from the works of Shakespeare.
Literary Themes
The Weekly Listicle: Method In Our Movie Madness
by Dan Fields
October 7th, 2011
Book Review: Jane Austen: Blood Persuasion by Janet Mullany
by Jem Bloomfield
October 3rd, 2011
At root, the novel seems to rest on a misapprehension: that the world of Jane Austen would be more exciting if it had vampires in it. During it, we discover that in the first draft of Mansfield Park, Fanny was, in fact, one of said bloodthirsty beasties. Did anyone ever read Mansfield Park and think “Not bad, but it could do with more of the undead”?
Trailer Watch: Martin Scorsese’s Hugo
by Dan Fields
July 15th, 2011
Martin Scorsese, Hollywood titan, enjoys a special reputation for directing violent, foul-mouthed crime flicks. Admittedly, he does this very well, but the notoriety of movies like Taxi Driver, Casino, and most recently The Departed tends to eclipse the true diversity and scope of his body of work. Even when his choice of material seems misguided, [...]
Book Review: Beautiful & Pointless: A Guide to Modern Poetry by David Orr
by Abigail Licad
July 6th, 2011
Except for a (thankfully) brief, unscientific use of Google metrics, Orr beautifully shares instances of why one might fall in love with poetry. He recounts his life-changing discovery of the poet Philip Larkin, and his experience of helping his father, a stroke victim, improve his speech through readings of Edward Lear’s “The Owl and the Pussycat.”
Bloody Sexy Things: Adapting Clive Barker
by Dan Fields
June 28th, 2011
Clive Barker has lent his eyes and hands to virtually every medium, from page to the screen to the stage to the canvas to the console. However, film fans know him particularly as a horror master. There is so much undermined material for gifted fantasy filmmakers that perhaps we could dispense with further Candyman sequels and retire the Hellraiser juggernaut with contented hearts, and enjoy a Clive Barker renaissance clad in all new colors.
The Weekly Listicle: On Adapting The Classics
by Dan Fields
March 11th, 2011
With the arrival of Jane Eyre from Sin Nombre director Cary Fukunaga, we see another standard of the English-class bookshelf put to the screen. Mia Wasikowska, lately of Alice In Wonderland, headlines as the eponymous Jane, in a very Gothic-looking version of Charlotte Brontë’s best known novel. As I recall, it is quite a dark [...]
The Weekly Listicle: A Question Of Identity
by Dan Fields
February 18th, 2011
Identity is a wonderful device for deception and suspense in storytelling. In some cases a whole plot hinges on whether or not someone is who they claim to be. The quest for identity, whether inwardly or outwardly direction, may lead to all manner of obsession, danger, and mischief.
Brighton Rock Rises Again. Graham Greene Abides.
by Dan Fields
December 20th, 2010
Acclaimed screenwriter Rowan Joffé will try his hand at the directing game next year. For his debut, he has selected an auspiciously high-profile story. Brighton Rock, adapted from Graham Greene’s 1938 novel, is a captivating crime thriller and a chilling exploration of the human capacity for love, betrayal and violence. If all goes right, this will be one beautiful and scary film.
A Watchful Eye On… Sherlock Holmes
by Dan Fields
December 15th, 2010
Sherlock Holmes as a strict Victorian period piece is over and done with, but the character still has potential in a new context. The only rule is not to stray from the unique faculties that make Sherlock such a distinctive and popular hero. If the story’s focus ceases to be the detective’s brilliant deductive logic, then the magic is lost and the character wasted. If, however, due attention and respect are paid to this detail, the rest is free and open to broader interpretation.
The Weekly Listicle: Misleading Movie Titles
by Dan Fields
December 3rd, 2010
Sometimes a movie’s title appears to be a secret known only to the writer. Sometimes it is based on a very subtle detail in the story, which only becomes clear after multiple viewings. Sometimes a flaw in the film’s execution simply fails to bring out the significance of the title. And sometimes movies just have stupid titles. This week, William Bibbiani and I (Dan Fields) meditate upon the sticky subject of Movie Naming.

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