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> <channel><title>California Literary Review &#187; Italy</title> <atom:link href="http://calitreview.com/category/topics/italy/feed" rel="self" type="application/rss+xml" /><link>http://calitreview.com</link> <description>An arts and culture magazine.</description> <lastBuildDate>Thu, 24 May 2012 17:23:39 +0000</lastBuildDate> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.2</generator> <item><title>Book Review: Naples Declared: A Walk  Around The Bay by Benjamin Taylor</title><link>http://calitreview.com/26738</link> <comments>http://calitreview.com/26738#comments</comments> <pubDate>Thu, 17 May 2012 01:36:36 +0000</pubDate> <dc:creator>Julia Braun Kessler</dc:creator> <category><![CDATA[Books]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Naples]]></category> <category><![CDATA[travel]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=26738</guid> <description><![CDATA[Considering how “casual” the work is in its approach, you could, I suppose, call it a mere glimpse into the turmoil and tragedies that overcame Naples. Yet, in some ways, this technique proves far more vibrant than the traditional presentations of historical events which most of us have experienced in the course of our schooling. Not to say Taylor hasn’t studied his subject or done his extensive research.]]></description> <wfw:commentRss>http://calitreview.com/26738/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>100 Greatest Gangster Films: Mafioso, #80</title><link>http://calitreview.com/24592</link> <comments>http://calitreview.com/24592#comments</comments> <pubDate>Thu, 19 Apr 2012 04:05:04 +0000</pubDate> <dc:creator>George Anastasia, Glen Macnow</dc:creator> <category><![CDATA[100 Greatest Gangster Films]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Movies]]></category> <category><![CDATA[The Fourth Wall]]></category> <category><![CDATA[Alberto Lattuada]]></category> <category><![CDATA[Alberto Sordi]]></category> <category><![CDATA[mafia]]></category> <category><![CDATA[mafioso]]></category> <category><![CDATA[movie action]]></category> <category><![CDATA[movie crime]]></category> <category><![CDATA[movie drama]]></category> <category><![CDATA[Sicily]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=24592</guid> <description><![CDATA[“The Sicilians,” the agent said, “are very serious about what they do.” We see a lot of that in <em>Mafioso</em>, director Alberto Lattuada’s dark comedy that says so much about both the criminal organization and the fascinating island of Sicily that gave birth to it. In a 2010 article in the <em>Daily Beast</em>, Martin Scorsese listed the film as one of the 15 gangster movies that had the most profound effect on him as a writer and director. He cited <em>Mafioso</em> as “one of the best films ever made about Sicily.”]]></description> <wfw:commentRss>http://calitreview.com/24592/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Book Review: Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries by Peter Conrad</title><link>http://calitreview.com/21921</link> <comments>http://calitreview.com/21921#comments</comments> <pubDate>Mon, 28 Nov 2011 15:00:21 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Biography]]></category> <category><![CDATA[Books]]></category> <category><![CDATA[Germany]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Opera]]></category> <category><![CDATA[classical music]]></category> <category><![CDATA[Giuseppe Verdi]]></category> <category><![CDATA[nineteenth century]]></category> <category><![CDATA[Richard Wagner]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=21921</guid> <description><![CDATA[Perhaps, the best way of approaching Conrad’s book is to regard it primarily as a meditation on creativity. As with opera itself, where passion and empathy lead, intellectual appreciation will follow. The key insight of this fine book is easy enough to grasp. In an age of strutting nationalism, both Verdi and Wagner gave the world music that ultimately transcends the limits of borders or political ideology, regardless of how subsequent regimes used it.]]></description> <wfw:commentRss>http://calitreview.com/21921/feed</wfw:commentRss> <slash:comments>3</slash:comments> </item> <item><title>Purity and Danger: The Many Lives of the Italian Renaissance</title><link>http://calitreview.com/19530</link> <comments>http://calitreview.com/19530#comments</comments> <pubDate>Thu, 25 Aug 2011 12:58:45 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[After Image]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Renaissance]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19530</guid> <description><![CDATA[More importantly, the good-for-you, vitamin-enriched Renaissance we know today is itself a fairly recent, and largely American, historical construction.]]></description> <wfw:commentRss>http://calitreview.com/19530/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Book Review: Carthage Must Be Destroyed by Richard Miles</title><link>http://calitreview.com/19419</link> <comments>http://calitreview.com/19419#comments</comments> <pubDate>Fri, 19 Aug 2011 15:01:07 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Africa]]></category> <category><![CDATA[Books]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Military]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Ancient Carthage]]></category> <category><![CDATA[Ancient Greece]]></category> <category><![CDATA[ancient history]]></category> <category><![CDATA[Ancient Rome]]></category> <category><![CDATA[Hannibal]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=19419</guid> <description><![CDATA[Carthage, however, was not merely conquered by Rome. As the title of Miles' book asserts, Carthage was destroyed. In three brutal wars, Carthage's military power was annihilated by the legions of the Roman Republic. The city was ransacked and burned, down to its foundations. The people of Carthage were massacred or enslaved. The literature of the city was put to the torch. Not a stone was left upon a stone.]]></description> <wfw:commentRss>http://calitreview.com/19419/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Book Review: How I Lost the War by Filippo Bologna</title><link>http://calitreview.com/18605</link> <comments>http://calitreview.com/18605#comments</comments> <pubDate>Mon, 18 Jul 2011 18:44:39 +0000</pubDate> <dc:creator>Charles J. Haynes</dc:creator> <category><![CDATA[Books]]></category> <category><![CDATA[Fiction Reviews]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Filippo Bologna]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=18605</guid> <description><![CDATA[Yet in Federico’s town, pools are pumped and wells are closed. They remove centuries old trees in the square and install a serpent-shaped fountain; they provide more jobs as the spa complex grows, at the same time bulldozing vineyards and cobblestone streets. Federico’s response is extreme but at the sight of his parched land perhaps understandable. He goes guerrilla.]]></description> <wfw:commentRss>http://calitreview.com/18605/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Cities of Splendor: A Journey Through Renaissance Italy, Denver Art Museum</title><link>http://calitreview.com/16423</link> <comments>http://calitreview.com/16423#comments</comments> <pubDate>Mon, 16 May 2011 17:03:21 +0000</pubDate> <dc:creator>Holly Hunt</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Denver Art Museum]]></category> <category><![CDATA[Renaissance]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=16423</guid> <description><![CDATA[The shepherds look up in bewilderment at the announcing angel whose golden halo, rose-pink robes, and orangey-bronze wings seem to glow. Surely, this is what a supernatural visitation should look like.   And yet the effect of nocturnal shadow shows the painter to be as interested in earthly experiences as heavenly ones – here already is the keenly observational eye of the Renaissance.]]></description> <wfw:commentRss>http://calitreview.com/16423/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>New Insights Into the Life of Caravaggio</title><link>http://calitreview.com/14117</link> <comments>http://calitreview.com/14117#comments</comments> <pubDate>Mon, 14 Feb 2011 14:00:16 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Renaissance]]></category> <category><![CDATA[seventeenth century]]></category> <category><![CDATA[sixteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=14117</guid> <description><![CDATA[In his most serious brawl, about which the documents provide an entirely new account, Caravaggio killed a man. The brawl, like a Los Angeles fight between rival gangs, had been planned ahead of time with eight participants, whose names are now known. ]]></description> <wfw:commentRss>http://calitreview.com/14117/feed</wfw:commentRss> <slash:comments>7</slash:comments> </item> <item><title>Art Review: Alessi: Ethical and Radical at the Philadelphia Museum of Art</title><link>http://calitreview.com/12854</link> <comments>http://calitreview.com/12854#comments</comments> <pubDate>Tue, 30 Nov 2010 15:31:58 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Alberto Alessi]]></category> <category><![CDATA[Alessandro Mendini]]></category> <category><![CDATA[Amanda Levete]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[Charles Jencks]]></category> <category><![CDATA[Denise Scott Brown]]></category> <category><![CDATA[Fernando Campana]]></category> <category><![CDATA[Greg Lynn]]></category> <category><![CDATA[Jan Kaplicky]]></category> <category><![CDATA[Michael Graves]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <category><![CDATA[Philippe Starck]]></category> <category><![CDATA[Richard Sapper]]></category> <category><![CDATA[Robert Venturi]]></category> <category><![CDATA[Ron Arad]]></category> <category><![CDATA[Salvatore Dali]]></category> <category><![CDATA[Umberto Campana]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=12854</guid> <description><![CDATA[The <em>Tea and Coffee Piazza</em> sets, produced in limited editions of ninety-nine, with three artist’s proofs, were a critical success. The project served to introduce Michael Graves to the Alessi "stable," while traveling exhibits informed museum patrons on the ways that high art and industrial design could form working partnerships. Mendini's original conception was vindicated.]]></description> <wfw:commentRss>http://calitreview.com/12854/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Art Review: Michelangelo Pistoletto Exhibitions at the Philadelphia Museum of Art</title><link>http://calitreview.com/12459</link> <comments>http://calitreview.com/12459#comments</comments> <pubDate>Wed, 03 Nov 2010 19:15:57 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[art modern]]></category> <category><![CDATA[Michelangelo Pistoletto]]></category> <category><![CDATA[Philadelphia Museum of Art]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=12459</guid> <description><![CDATA[Pistoletto first gained prominence in the world of art in the early 1960's with his <em>Quadri Specchianti</em>. These "mirror paintings" positioned life-sized and astonishingly lifelike images of people on highly polished sheets of stainless steel.]]></description> <wfw:commentRss>http://calitreview.com/12459/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Art Review: Chaos and Classicism: Art in France, Italy and Germany, 1918-1936</title><link>http://calitreview.com/11939</link> <comments>http://calitreview.com/11939#comments</comments> <pubDate>Tue, 05 Oct 2010 02:33:29 +0000</pubDate> <dc:creator>Ed Voves</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Germany]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[1920s]]></category> <category><![CDATA[1930s]]></category> <category><![CDATA[Adolf Ziegler]]></category> <category><![CDATA[Antonio Donghi]]></category> <category><![CDATA[Aristide Maillol]]></category> <category><![CDATA[Carlo Carra’]]></category> <category><![CDATA[Edward Steichen]]></category> <category><![CDATA[Fascism]]></category> <category><![CDATA[Giorgio de Chirico]]></category> <category><![CDATA[Guggenheim Museum]]></category> <category><![CDATA[Hitler]]></category> <category><![CDATA[Isadora Duncan]]></category> <category><![CDATA[Jean Cocteau]]></category> <category><![CDATA[Leni Riefenstahl]]></category> <category><![CDATA[Ludwig Mies van der Rohe]]></category> <category><![CDATA[Madeleine Vionnet]]></category> <category><![CDATA[Mario Sironi]]></category> <category><![CDATA[Mussolini]]></category> <category><![CDATA[Otto Dix]]></category> <category><![CDATA[Picasso]]></category> <category><![CDATA[twentieth century]]></category> <category><![CDATA[World War I]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=11939</guid> <description><![CDATA[<em>Chaos and Classicism</em> tells the story of good intentions that went terribly wrong. After the carnage of trench warfare, sensitive spirits in Europe craved artistic depictions of beautiful bodies, unscathed by shrapnel, and timeless, uncluttered architecture inspired by the Greek and Roman past. Yet, it was not long before this craving for life-affirming art was transformed into the soulless ideology of Mussolini's Fascist Italy and Hitler's Third Reich.]]></description> <wfw:commentRss>http://calitreview.com/11939/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>The Solitude of Prime Numbers by Paolo Giordano</title><link>http://calitreview.com/7732</link> <comments>http://calitreview.com/7732#comments</comments> <pubDate>Wed, 17 Mar 2010 13:05:28 +0000</pubDate> <dc:creator>Julia Braun Kessler</dc:creator> <category><![CDATA[Fiction Reviews]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Mathematics]]></category> <category><![CDATA[Paolo Giordano]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=7732</guid> <description><![CDATA[A startling achievement in a first novel, the work seems to have already touched a chord since it has taken Italy and Europe by storm and sold copies in the millions. It was undertaken by a young Italian physicist at age 27, who tells a haunting story. Better yet, he’s a natural, adept with characterization, knowing how to captivate and hold his readers.]]></description> <wfw:commentRss>http://calitreview.com/7732/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Italics: Italian Art between Tradition and Revolution 1968–2008 at the Museum of Contemporary Art, Chicago</title><link>http://calitreview.com/6016</link> <comments>http://calitreview.com/6016#comments</comments> <pubDate>Mon, 04 Jan 2010 15:31:35 +0000</pubDate> <dc:creator>Jane Friedman</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[art contemporary]]></category> <category><![CDATA[art exhibit]]></category> <category><![CDATA[Chicago Museum of Contemporary Art]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=6016</guid> <description><![CDATA[In Roberto Cuoghi’s 2006 portrait of Davide Halevim, one of the highlights of the section entitled “Representations of Mortality,” Halevim is covered in leaves, dirt, and twigs; his face is discolored; and rigor mortis appears to have set in. But Halevim was alive (and still is) when Cuoghi made this depiction of the Milan-based collector. To create this work, part of the artist’s series of portraits of art-world figures begun in 2001, Cuoghi made a cast of Halevim’s face, buried it in his garden to let the process of decomposition run its course, and then photographed the results.]]></description> <wfw:commentRss>http://calitreview.com/6016/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Paul Bril’s Restored Paintings in the San Silvestro Chapel at Rome’s Sancta Sanctorum</title><link>http://calitreview.com/5547</link> <comments>http://calitreview.com/5547#comments</comments> <pubDate>Mon, 30 Nov 2009 15:16:38 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Architecture]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[art baroque]]></category> <category><![CDATA[Paul Bril]]></category> <category><![CDATA[Renaissance]]></category> <category><![CDATA[sixteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=5547</guid> <description><![CDATA[Born in Antwerp in 1554, Bril was working in Italy at the end of the century, where his landscapes marked the transition between what Paolucci called the “autumn of Mannerism” of the Renaissance and the birth of the Baroque style. The change was enormous, and Bril is acknowledged as among its authors.]]></description> <wfw:commentRss>http://calitreview.com/5547/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>A New Look at Rome’s Rousing Middle Ages</title><link>http://calitreview.com/4421</link> <comments>http://calitreview.com/4421#comments</comments> <pubDate>Thu, 06 Aug 2009 14:24:35 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Archeology]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Ancient Rome]]></category> <category><![CDATA[art exhibit]]></category> <category><![CDATA[Middle Ages]]></category> <category><![CDATA[thirteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=4421</guid> <description><![CDATA[When its doors first opened in 1734, the Capitoline Museum, which stands upon the hilltop that is the very heart of Rome, was one of the first European public museums and a favorite haunt of the wealthy Grand Tourists from all over Europe. As of July 30 this venerable museum offers something novel to all tourists—a chance for a fresh look at a relatively neglected period of Roman history and the arts, the Middle Ages.]]></description> <wfw:commentRss>http://calitreview.com/4421/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Vanished Smile: The Mysterious Theft of Mona Lisa by R.A. Scotti</title><link>http://calitreview.com/3792</link> <comments>http://calitreview.com/3792#comments</comments> <pubDate>Mon, 29 Jun 2009 13:02:18 +0000</pubDate> <dc:creator>David Loftus</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[France]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[art forgery]]></category> <category><![CDATA[art history]]></category> <category><![CDATA[Leonardo da Vinci]]></category> <category><![CDATA[Louvre]]></category> <category><![CDATA[Michelangelo]]></category> <category><![CDATA[Picasso]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=3792</guid> <description><![CDATA[Not quite a century ago, on August 29, 1911, thousands of people began flocking to the Louvre (among them, Franz Kafka and his friend Max Brod) to gaze at a blank space on a wall. The 49-acre Louvre – still the largest museum in the world today – had been closed for most of the preceding week for the investigation of a singular occurrence: the most famous painting in the world had disappeared from that blank spot.]]></description> <wfw:commentRss>http://calitreview.com/3792/feed</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item><title>Celebrating Galileo in Florence</title><link>http://calitreview.com/2768</link> <comments>http://calitreview.com/2768#comments</comments> <pubDate>Mon, 23 Mar 2009 02:39:17 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Science]]></category> <category><![CDATA[astronomy]]></category> <category><![CDATA[galileo]]></category> <category><![CDATA[Renaissance]]></category> <category><![CDATA[seventeenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=2768</guid> <description><![CDATA[2009 is officially “The Year of Astronomy,” commemorating Galilei’s first observation of the Moon through his telescope in November of 1609. Born in Pisa, Galileo Galilei worked in Florence, where the fourth centennial of his discovery is being celebrated with a stunning and sophisticated exhibition which took four years to prepare.]]></description> <wfw:commentRss>http://calitreview.com/2768/feed</wfw:commentRss> <slash:comments>7</slash:comments> </item> <item><title>The Fires of Vesuvius: Pompeii Lost and Found by Mary Beard</title><link>http://calitreview.com/2664</link> <comments>http://calitreview.com/2664#comments</comments> <pubDate>Tue, 03 Mar 2009 16:04:38 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Archeology]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[ancient history]]></category> <category><![CDATA[Ancient Rome]]></category> <category><![CDATA[mary beard]]></category> <category><![CDATA[pompeii]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=2664</guid> <description><![CDATA[Nevertheless, in my personal library there are 130 books on Pompeii. Of all these, this is the one I would choose to read first.]]></description> <wfw:commentRss>http://calitreview.com/2664/feed</wfw:commentRss> <slash:comments>3</slash:comments> </item> <item><title>The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art by Jonathan K. Nelson and Richard J. Zeckhauser</title><link>http://calitreview.com/2491</link> <comments>http://calitreview.com/2491#comments</comments> <pubDate>Wed, 04 Feb 2009 16:22:35 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Economics]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[art history]]></category> <category><![CDATA[Renaissance]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=2491</guid> <description><![CDATA[No less than the American financier who donates a museum wing on condition it bears his name, or the merchandiser who endows a university institute named for him, the results of Renaissance patronage had to be, first of all, highly visible.]]></description> <wfw:commentRss>http://calitreview.com/2491/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Amarcord: Marcella Remembers by Marcella Hazan</title><link>http://calitreview.com/2118</link> <comments>http://calitreview.com/2118#comments</comments> <pubDate>Tue, 06 Jan 2009 15:56:14 +0000</pubDate> <dc:creator>David Lida</dc:creator> <category><![CDATA[Biography]]></category> <category><![CDATA[Food]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[cooking]]></category> <category><![CDATA[Marcella Hazan]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=2118</guid> <description><![CDATA[If we are what we eat, then Marcella Hazan, the author of what are often recognized as the best six Italian cookbooks ever published in English, has been writing her autobiography since 1973. That is the year when <em>The Classic Italian Cookbook</em>, her first effort, saw the light of day. Thirty-five years later, with increasingly sophisticated recipe books, restaurants and food industries in the United States, it is hard to remember how groundbreaking Hazan’s work has been.]]></description> <wfw:commentRss>http://calitreview.com/2118/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Casanova by Ian Kelly</title><link>http://calitreview.com/1774</link> <comments>http://calitreview.com/1774#comments</comments> <pubDate>Wed, 03 Dec 2008 14:36:01 +0000</pubDate> <dc:creator>Elinor Teele</dc:creator> <category><![CDATA[Biography]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Sex]]></category> <category><![CDATA[Theatre]]></category> <category><![CDATA[Casanova]]></category> <category><![CDATA[Ian Kelly]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=1774</guid> <description><![CDATA[Ah, Casanova. Men want to be him, and women want to be with him. Or is it the other way around? He’s Romeo with cojones, Bond without the Beretta, a man more sinned with than sinning. In the annals of sexual conquest, there has seldom been a more entertaining and knowing chronicler. Casanova, according to Casanova, was a legend.]]></description> <wfw:commentRss>http://calitreview.com/1774/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Dilettanti: The Antic and the Antique in Eighteenth-Century England by Bruce Redford</title><link>http://calitreview.com/1730</link> <comments>http://calitreview.com/1730#comments</comments> <pubDate>Sun, 30 Nov 2008 14:07:28 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Archeology]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Great Britain]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[art history]]></category> <category><![CDATA[Bruce Redford]]></category> <category><![CDATA[Dilettanti]]></category> <category><![CDATA[eighteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=1730</guid> <description><![CDATA[A famous double portrait by Sir Joshua Reynolds shows members of the Dilettanti Society sipping away while making rude gestures about vaginas while holding up gemstones from classical antiquity and admiring painted Greco-Roman vases.]]></description> <wfw:commentRss>http://calitreview.com/1730/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Imag(in)ing America</title><link>http://calitreview.com/786</link> <comments>http://calitreview.com/786#comments</comments> <pubDate>Tue, 01 Jul 2008 18:18:45 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Germany]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Politics]]></category> <category><![CDATA[Fascism]]></category> <category><![CDATA[Hitler]]></category> <category><![CDATA[Mussolini]]></category> <guid
isPermaLink="false">http://calitreview.com/?p=786</guid> <description><![CDATA[The confrontation between Hillary Clinton and Barack Obama was to the Italians the “political, intellectual, and moral equivalent of the first U.S. moon landing; and as a European I am stuck down here on earth watching the Yankee space ship make its landing way up there,” Valli wrote.]]></description> <wfw:commentRss>http://calitreview.com/786/feed</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>Notes from Italy: A Homer of the Dolomites</title><link>http://calitreview.com/604</link> <comments>http://calitreview.com/604#comments</comments> <pubDate>Mon, 28 Apr 2008 13:35:15 +0000</pubDate> <dc:creator>Peter Bridges</dc:creator> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Mythology]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[ancient history]]></category> <guid
isPermaLink="false">http://calitreview.com/topics/mythology/604/</guid> <description><![CDATA[Some say that the story of the Kingdom of Fanes is an epic that goes back to the Bronze Age in the Dolomites. How could such a story come down to us? No one in those parts knew writing, three thousand years ago or more. We don’t even know what languages people spoke then in the Dolomites. And what kind of kingdom could that have been?]]></description> <wfw:commentRss>http://calitreview.com/604/feed</wfw:commentRss> <slash:comments>3</slash:comments> </item> <item><title>Erotic Art of Ancient Pompeii</title><link>http://calitreview.com/313</link> <comments>http://calitreview.com/313#comments</comments> <pubDate>Thu, 14 Feb 2008 15:35:47 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Art]]></category> <category><![CDATA[Art & Design]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Sex]]></category> <category><![CDATA[art history]]></category> <category><![CDATA[erotic art]]></category> <category><![CDATA[Marquis de Sade]]></category> <category><![CDATA[pompeii]]></category> <guid
isPermaLink="false">http://calitreview.com/2008/02/14/erotic-art-of-ancient-pompeii/</guid> <description><![CDATA[A favourite theme which recurred again and again in wall paintings was the satyr creeping up behind a nymph to catch her by surprise. In at least one case the nymph, her veil ripped away, turns out to be a hermaphrodite, to the satyr’s theatrical dismay, and the observer’s amusement. Some wall paintings showed homosexual sex and, because African motifs were popular, another depicted picnicking pygmies enjoying a group orgy under a tent.]]></description> <wfw:commentRss>http://calitreview.com/313/feed</wfw:commentRss> <slash:comments>10</slash:comments> </item> <item><title>Notes From Italy: Villains, Romance, and Views</title><link>http://calitreview.com/315</link> <comments>http://calitreview.com/315#comments</comments> <pubDate>Thu, 07 Feb 2008 14:07:30 +0000</pubDate> <dc:creator>Peter Bridges</dc:creator> <category><![CDATA[Africa]]></category> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Military]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Travel]]></category> <category><![CDATA[Writers]]></category> <guid
isPermaLink="false">http://calitreview.com/2008/02/07/notes-from-italy-villains-romance-and-views/</guid> <description><![CDATA[Filettino was not always a happy place, in history or in fiction. In the time of the Caesars the people here were Aequi, an Italic tribe of rough herders whom the Romans subdued with difficulty. For many centuries, probably millennia, the Aequi practiced transhumance, leading their herds over the Serra in late autumn to spend the winter in pastures in the Liri valley far below, and returning to the uplands for summer.]]></description> <wfw:commentRss>http://calitreview.com/315/feed</wfw:commentRss> <slash:comments>7</slash:comments> </item> <item><title>Notes from Italy: Getting into the Mountains</title><link>http://calitreview.com/304</link> <comments>http://calitreview.com/304#comments</comments> <pubDate>Thu, 10 Jan 2008 15:36:05 +0000</pubDate> <dc:creator>Peter Bridges</dc:creator> <category><![CDATA[Italy]]></category> <category><![CDATA[Nature]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[adventure]]></category> <category><![CDATA[hiking]]></category> <category><![CDATA[mountain climbing]]></category> <guid
isPermaLink="false">http://calitreview.com/2008/01/10/notes-from-italy-getting-into-the-mountains/</guid> <description><![CDATA[I did not know that Neanderthals once lived hereabouts; that farmers first settled here six thousand years ago; that nearby, down on the Campagna, the Gauls defeated the Romans in 390 B.C. before going on to take Rome itself. I knew dimly that the Allied forces had fought the Wehrmacht in these parts in 1944, but not that the day before the Americans took Marcellina, the Germans rounded up all the village men they could find and shot them in reprisal for the killing of two German grenadiers.]]></description> <wfw:commentRss>http://calitreview.com/304/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> <item><title>Daniel Barenboim at La Scala</title><link>http://calitreview.com/296</link> <comments>http://calitreview.com/296#comments</comments> <pubDate>Tue, 11 Dec 2007 15:17:51 +0000</pubDate> <dc:creator>Judith Harris</dc:creator> <category><![CDATA[Israel]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Music]]></category> <category><![CDATA[Performing Arts]]></category> <category><![CDATA[classical music]]></category> <category><![CDATA[Daniel Barenboim]]></category> <category><![CDATA[La Scala]]></category> <guid
isPermaLink="false">http://calitreview.com/2007/12/11/daniel-barenboim-at-la-scala/</guid> <description><![CDATA[Drama number three was the presence on the podium of Daniel Barenboim, the child prodigy born in 1942 in Argentina to Russian parents, who moved with him to Israel when he was ten. This opera performance, which furthermore inaugurates the newly restored theater, was the first by Barenboim as conductor of the orchestra that had performed under the batons of Arturo Toscanini and, more recently, the flamboyant Riccardo Muti. Although Barenboim has performed Wagner many times elsewhere, La Scala audiences have not seen a Wagnerian opera for three decades, and his making this selection can still raise a few eyebrows.]]></description> <wfw:commentRss>http://calitreview.com/296/feed</wfw:commentRss> <slash:comments>4</slash:comments> </item> <item><title>Notes From Italy: Some Old Envoys</title><link>http://calitreview.com/288</link> <comments>http://calitreview.com/288#comments</comments> <pubDate>Thu, 29 Nov 2007 19:19:24 +0000</pubDate> <dc:creator>Peter Bridges</dc:creator> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[European history]]></category> <category><![CDATA[George Perkins Marsh]]></category> <category><![CDATA[nineteenth century]]></category> <guid
isPermaLink="false">http://calitreview.com/2007/11/29/notes-from-italy-some-old-envoys/</guid> <description><![CDATA[Counts who stank of garlic–as did the whole country–had sponged on him for seats in his box at the opera. He was meeting diplomats who had “titles as long as a flagstaff, and heads as empty as their hearts.” These were strictly private comments, Daniel told Peticolas, and none of it should get into the papers. All of it did, in Richmond and soon in Turin. Now it was not garlic but what people called “the garlic letter” that caused a stink.]]></description> <wfw:commentRss>http://calitreview.com/288/feed</wfw:commentRss> <slash:comments>4</slash:comments> </item> <item><title>The Day of Battle by Rick Atkinson</title><link>http://calitreview.com/284</link> <comments>http://calitreview.com/284#comments</comments> <pubDate>Wed, 14 Nov 2007 16:10:01 +0000</pubDate> <dc:creator>Peter Bridges</dc:creator> <category><![CDATA[History]]></category> <category><![CDATA[Italy]]></category> <category><![CDATA[Military]]></category> <category><![CDATA[Non-Fiction Reviews]]></category> <category><![CDATA[Franklin Roosevelt]]></category> <category><![CDATA[George Patton]]></category> <category><![CDATA[Hitler]]></category> <category><![CDATA[Rick Atkinson]]></category> <category><![CDATA[Winston Churchill]]></category> <category><![CDATA[World War II]]></category> <guid
isPermaLink="false">http://calitreview.com/2007/11/14/the-day-of-battle-by-rick-atkinson/</guid> <description><![CDATA[This long, well documented book by Rick Atkinson is one of the best accounts of any war to appear in the last decade or more. ]]></description> <wfw:commentRss>http://calitreview.com/284/feed</wfw:commentRss> <slash:comments>2</slash:comments> </item> </channel> </rss>
