By the closing years of the 18th century the stage was set for a major international confrontation over the Pacific Northwest Coast. Imperial Russia controlled the untamed Alaskan wilderness, Spain was expanding its holdings north from Mexico, Captain James Cook had claimed Northwest America for Great Britain and Captain Robert Gray had discovered the Columbia River, the historical basis for the United States’ claim to the river and the extensive watershed that extends eastward far into Montana.

Meanwhile, walls of buildings were rising, mud roads were being paved, library books were being delivered on horseback, archaeological digs were being excavated, and Orson Welles was directing an all-black version of Macbeth set in the Haitian jungle. Along with the carpenters and secretaries, painters, sculptors, writers, and actors had also joined the ranks, though with some confusion on how one measured an artist’s full working week. The WPA was feeding a need, both for the individual and the community.

A favourite theme which recurred again and again in wall paintings was the satyr creeping up behind a nymph to catch her by surprise. In at least one case the nymph, her veil ripped away, turns out to be a hermaphrodite, to the satyr’s theatrical dismay, and the observer’s amusement. Some wall paintings showed homosexual sex and, because African motifs were popular, another depicted picnicking pygmies enjoying a group orgy under a tent.

Filettino was not always a happy place, in history or in fiction. In the time of the Caesars the people here were Aequi, an Italic tribe of rough herders whom the Romans subdued with difficulty. For many centuries, probably millennia, the Aequi practiced transhumance, leading their herds over the Serra in late autumn to spend the winter in pastures in the Liri valley far below, and returning to the uplands for summer.

The captured fighter claimed to be a student who had gotten stuck in Falluja. A Marine responded, “Yeah, right, University of Jihad, motherfucker.”

It was the goings-on, the kleptocracy that emerged, the sheer blatant thuggery of Putin’s entourage, the vandalism and looting that commenced after 1989, related by Tretyakov, that finally discouraged him, a professional through and through and a Russian patriot. The principles that led to his flight into the cloaking arms of the CIA and FBI are suggestive: leaving behind all his property and possessions, amounting to about two million dollars, was worth it because in his view Russia was ruined and things had gone beyond any hope of redemption in his lifetime. He wanted his daughter to grow up a free woman.

“If I had to pick a single overall theme in the book, I would say it’s to rectify the misunderstanding of what fascism is and to highlight the deep historical, ideological and emotional ties between progressivism (now called liberalism) and fascism.”

In twelve short years – from 1788 to 1800 – the world changed, with the late eighteenth century emerging as one of the most momentous, if restless, eras in human history. In Russia, a great dynasty would be toppled; in France, revolution and the guillotine would hold sway; and, in America, the nascent democracy would enter the most critical period of its short existence.

“But at that point most of the expeditionaries perished as a result of Indian attacks, illness, and starvation. In fact, several expedition members resorted to cannibalism to stay alive. Eventually, out of three hundred men comprising the original land contingent, only four survived. These four castaways remained as slaves of the coastal Indians of Texas for six years until they finally made their escape into what is now northeast Mexico.”

In a shocking and vaguely incestuous move, she seduced T’ai-tsung’s son, the Emperor Kao-tsung, and from there used a combination of feminine wile and strong arming to claim the throne of one of the most powerful empires the world has ever seen.