The conflict becomes a war in which, “…there was no truth. It was a nothing, laughable Mickey Mouse conflict; it was a sinister time of terror and repression. The British were misguided and ignorant; the Cypriots were lethargic and foolish. The Cypriots loved the British; the Cypriots hated the British. The British were torturers; the British were decent and honourable. EOKA were terrorists; EOKA were heroes.”
Great Britain
Small Wars by Sadie Jones
by John R. Guthrie
January 19th, 2010
Churchill by Paul Johnson
by Julia Braun Kessler
December 1st, 2009
And Johnson reminds us of the memorable words he spoke after France capitulated: “Let us therefore brace ourselves to our duty and so bear ourselves that if the British Empire and its Commonwealth last for a thousand years men will still say, ‘This was their finest hour.’” Here the biographer also observes, “So the first true victory Britain won in the war was the victory of oratory and symbolism. Churchill was responsible for both.”
Love and Summer by William Trevor
by Mark Fitzgerald
November 19th, 2009
Why is it that summer can never last forever, especially when we want it to? The once long and amorous days wane too soon in circumscription. A small chill creeps down from the hills. Something is about to end. Then someone leaves town. Someone always leaves town.
Democracy: 1,000 Years in Pursuit of British Liberty by Peter Kellner
by Jem Bloomfeld
September 22nd, 2009
Magna Carta, that legendary document which is so frequently referred to in discussions of freedom, and which permeates our cultural history from Rudyard Kipling (“What say the reeds at Runnymede?”) to Tony Hancock (“Does Magna Carta mean nothing to you? Did she die in vain?! Brave Hungarian peasant girl…”) was produced by a power struggle between the military aristocracy and the monarchy. Any resulting “liberty” for ordinary people was a waste product of the medieval warlord industry.
The Earth Hums in B Flat by Mari Strachan
by Katie Cappello
August 25th, 2009
She sees faces in the flaking walls of the kitchen, fears for the soul of a matriarch’s fox fur, and interprets the ever-changing moods of the decorative beer steins on the mantle. Gwenni is a contradictory combination of fearlessness and naiveté, unable to discern the boundary between her imaginative world and the real one. In this way, she recalls such classic girl heroines as Anne of Green Gables or Jo from Little Women. But it’s her similarity with another classic heroine, Nancy Drew, which really draws readers into her world.
In the Kitchen by Monica Ali
by Elinor Teele
August 13th, 2009
Yuri is a porter, one of Britain’s penniless immigrants that Ali would like us (and Gabe) to finally acknowledge. He dies alone in the kitchen’s basement, the victim of a tragic accident. Or is it more…?
Waiting for the Etonians by Nick Cohen
by Jem Bloomfeld
July 28th, 2009
Nick Cohen is undoubtedly one of Britain’s finest living polemicists, and Waiting for the Etonians will be a genuine treat for readers who have come to rely on his rigorous thinking, stylish phrase-making and carefully controlled rage. The book’s subtitle, Reports from the Sickbed of Liberal England, reflects his despair at the current state of left-wing (or “left-ish”) thinking in Britain, which he sees as almost irrevocably compromised by post-modernism, cultural relativism and the focus-group politics of New Labour.
The Bolter by Frances Osborne
by Julia Braun Kessler
July 27th, 2009
She introduces a woman who may have upset those around her by her promiscuity, even nymphomania, drug use; but also gives us access to a fearless beauty with gifts of intelligence, wit, and extraordinary powers to attract the opposite sex. Then too, she reveals that her antics as combined with her endowments were nevertheless insufficient in her hunt for love and lasting affection.
Agincourt by Bernard Cornwell
by Jem Bloomfeld
February 24th, 2009
Much more serious, though, is the book’s take on the medieval world as a whole. Alongside the loud cynicism of its insistence that the battles are meaningless, the church is corrupt and the aristocracy live in a different world, Agincourt continually asserts a broadly positive, modern outlook.
Erskine Childers and The Riddle of the Sands
by Brett F. Woods
January 27th, 2009
Set against the backdrop of a yachting trip to the German coast, the story weds a tale of adventure with the reality of Britain’s imperial overreach thus beginning a genre that – as continued by the likes of Joseph Conrad, Somerset Maugham, Graham Greene, and John le Carré – has matured into one of the most popular forms of entertainment in the literate world.
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