I love John D. MacDonald’s Travis McGee series but always thought that his love scenes were clunkers to the point of being embarrassing. Compared to Patterson’s portrayals, MacDonald comes off like Arthur Miller.

Rather more subtle is Hercule Poirot, whose name contains elements of both “Hercules”, the classical hero, and “Pierrot”, the Italian clown - an interesting combination of heroism and buffoonery. The name reflects Christie’s practice of presenting Poirot alternately as a figure of fun and a stern emissary of justice. Dorothy L. Sayers balances her detective hero in a similar way – Peter Wimsey’s name has all the connotations of his silly-ass-about-town persona, but he is shadowed by his middle name – “Death.”

Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative.

There are red herrings aplenty, but once finished reading the novel I’m left with a sense of annoyance at these diversions, so often delightful necessities in other mysteries, but close to being filler in this one.

Yet it is the amateur, the eccentric and the outsider who plays the hero in the whodunnit. Lord Peter, with his silly-ass-about-town front, Holmes, with his Goethe and cocaine bottle and Poirot with his obsessive neatness and ostentatiously Gallic egotism, all seem pretty unlikely champions of order and public safety.

These driven individuals scour celebrity garbage cans, pose as anyone but themselves, lie as though the truth was a concept to be scorned and in general have all of the journalistic ethics commonly associated with FOX News. Getting the goods on the rich and famous is all that matters in this weird league.

A thriller is often a race, but without the understanding of exactly why this girl is so great a prize, it makes it harder to follow the runner.

Goodwin now returns with another mystery, a tale as exotic as the first one, delicious in its evocation of the last days of the Ottoman dynasty. Here, however, the territory is dangerously personal.

The novel is set in the lake country of northern Minnesota and the wilds of bordering Ontario. Former sheriff Cork O’Connor has decided to take life easy with his wife and teenage daughter. He’ll fill in the slack times with a little private investigator action or at least that’s what he thinks. The short-lived halcyon period is broken when Objibwe medicine man Henry Meloux (as in “mellow”) asks Cork to find his son that he fathered more than a half-century ago in the Canadian boreal forest wild lands.

One day, a young boy scares Noogie when he is the middle of restocking a machine in Fast Eddie’s Drug Hut by shouting ‘bang’. Noogie drops four thousand dollars in twenties all over the floor, screams at the kid and then gathers the notes up. It is only when he has loaded them all into the ATM that he finds a stray twenty under his shoe. It is then that the idea for the ‘perfect slow-motion heist’ occurs to him.