Our book reviewers select the best books of 2011.
Best Books
Critics’ Picks: Best Books of 2011
by Paul Comstock
December 11th, 2011
The Weekly Listicle Is Rated NC-17
by Dan Fields
December 2nd, 2011
Censors save the NC-17 rating for extra special cases, and in practice it feels like much less artificial than, say, PG-13. Something about these films transcended the extremely liberal boundaries of the R rating, and in most cases the reasons are still apparent.
Bloody Sexy Things: Adapting Clive Barker
by Dan Fields
June 28th, 2011
Clive Barker has lent his eyes and hands to virtually every medium, from page to the screen to the stage to the canvas to the console. However, film fans know him particularly as a horror master. There is so much undermined material for gifted fantasy filmmakers that perhaps we could dispense with further Candyman sequels and retire the Hellraiser juggernaut with contented hearts, and enjoy a Clive Barker renaissance clad in all new colors.
Day Late, Dollar Short, Solid Gold: “Dear Twilight…”
by Dan Fields
June 8th, 2011
Somewhere in the Twilight cutting room, did the thought never stir that they could drag untold ranks of non-Twilight initiates into the theaters merely by cutting fan reactions into the regular trailers? I was working as a movie usher when New Moon came out, and I had grown people stepping out of ticket lines with money outstretched, offering outrageous sums of cash to buy my promotional New Moon t-shirt off my back. And believe me, it was not an excuse to peek at my trout belly. This is for real, people! Star Wars and Harry Potter premieres have nothing on this.
What Is Best In Life? Not Conan 3D, Barring A Miracle
by Dan Fields
May 3rd, 2011
Borne on the crest of the wind, I hear already the lamentation of women. Women whose dates have dragged them, possibly by the hair, to the late summer picture show. By now many of you know that Lionsgate will soon release a new film entitled Conan The Barbarian. Most of you will recall a cult classic by the same name from 1982, which was the breakout role of a certain Mr. Arnold Schwarzenegger.
The Weekly Listicle: Three Rings Of Circus Movie Mayhem!
by Dan Fields
April 22nd, 2011
The circus is a complicated enterprise, and its symbolic value in storytelling has many faces. It may tell of freedom and the charm of living as a nomad and artist. It may speak to the weariness of the road, and the ability of a lifestyle to trap those who do not know how to break free. It may celebrate the solidarity of those cast out from society. Or in the end, it may simply deal with the hideous antics of clowns. In any form, the circus plays upon the most fundamental feelings of wonder and fear, and makes children of us all once again.
The Weekly Listicle: On Adapting The Classics
by Dan Fields
March 11th, 2011
With the arrival of Jane Eyre from Sin Nombre director Cary Fukunaga, we see another standard of the English-class bookshelf put to the screen. Mia Wasikowska, lately of Alice In Wonderland, headlines as the eponymous Jane, in a very Gothic-looking version of Charlotte Brontë’s best known novel. As I recall, it is quite a dark [...]
Brighton Rock Rises Again. Graham Greene Abides.
by Dan Fields
December 20th, 2010
Acclaimed screenwriter Rowan Joffé will try his hand at the directing game next year. For his debut, he has selected an auspiciously high-profile story. Brighton Rock, adapted from Graham Greene’s 1938 novel, is a captivating crime thriller and a chilling exploration of the human capacity for love, betrayal and violence. If all goes right, this will be one beautiful and scary film.
Critics’ Picks: Best Books of 2010
by Paul Comstock
December 18th, 2010
Our annual selection of noteworthy books.
A Watchful Eye On… Sherlock Holmes
by Dan Fields
December 15th, 2010
Sherlock Holmes as a strict Victorian period piece is over and done with, but the character still has potential in a new context. The only rule is not to stray from the unique faculties that make Sherlock such a distinctive and popular hero. If the story’s focus ceases to be the detective’s brilliant deductive logic, then the magic is lost and the character wasted. If, however, due attention and respect are paid to this detail, the rest is free and open to broader interpretation.

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